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Emerson Gutierrez Palomino

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1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve, A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip. Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention. Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Show Parameters
Original Prompt
1girl, black hair, blue eyes, large breasts, necklace, hair ornament, mature female underboob, midriff, bare shoulders, very long hair, black thighhighs, sandals, polearm, pelvic curtain, loincloth.
Mode
flash
Size
816 x 1232
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Model & LoRA used

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AI artwork
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1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve, A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip. Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention. Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from below, dutch angle, low angle, standing, contrapposto, looking down, half-closed eyes, light smile, desert plateau, wind, dusk, From a steep low angle with a slight dutch tilt, one mature woman stands alone on a cracked sandstone ledge, the camera near her sandals so the shaft of her polearm climbs the full height of the frame. She is a tall, curvy adult with a composed, seasoned face: a faint closed-lip smile, lids half lowered, one brow arched a shade higher than the other, and her blue eyes cast down toward the viewer. Her very long black hair pours past her hips and streams sideways off her shoulder as dry wind crosses the plateau, a carved dark hair ornament pinned above her right temple, a beaded necklace resting on her collarbone. Both shoulders are bare, the cloth of her garment drawn under the curve of her breasts so their undersides show fully, her bare midriff taut between the hem and the wide belt; from that belt hangs a loincloth panel flanked by a pelvic curtain of layered strips, and black thighhighs sheath her legs down to bare toes in strappy leather sandals. Her weight sinks into the left hip, right knee slack and turned out, right hand gripping the polearm's shaft at chest height, left hand loose at her side with fingers just brushing the curtain. The polearm's dark shaft runs diagonally from the ledge under her foot to the top-left corner, its bladed head above the frame line; the staff's near end presses into the stone and a small fan of dust grains drifts from it. Late, low sun enters from the right, rimming her bare shoulder and the edge of the curtain in amber, laying long shadows across the cracked ground to the left, while the sky behind burns dusty rose into violet; palette of black, rust, umber sandstone and warm amber, nothing else admitted. Cool shadow side of a single variable: the wind pulls the pelvic curtain strips into strands that lift clear of her thigh only on the upwind side. Quietly imperious, sun-worn.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, underboob, midriff, bare shoulders, necklace, hair ornament, black thighhighs, sandals, polearm, pelvic curtain, loincloth, holding weapon, standing, from below, cowboy shot, dutch angle, looking to the side, parted lips, serious, windblown hair, Low camera looking up at a single mature woman planted on a bare stone ledge, shot as a cowboy shot from below with a slight dutch tilt so her height and the polearm's length read as one continuous diagonal. She stands with her weight sunk into her right leg, left knee relaxed and turned out, hip cocked; her right hand grips the polearm shaft at chest height with the weapon's butt planted on the stone beside her right sandal, and her left arm hangs loose with the fingers curled half-shut near the pelvic curtain's edge. Her very long black hair pours down past her hips in loose heavy strands, lifted and dragged to one side by a wind coming from frame left; a hair ornament of dark metalwork sits pinned above her right ear, visible against the black. Her blue eyes look off to frame right, chin lifted, lids low, lips parted slightly on a held breath -- a wary, measuring glance at something outside the picture. Her garment is a single wrapped dark cloth: it crosses under the breasts so the underboob is exposed on a bare midriff, leaves both shoulders and collarbones bare, and at the hips becomes a layered loincloth whose pelvic curtain hangs down the front in overlapping panels, swaying with the wind so the near panel lifts and the far one clings to her thigh. A necklace of dark beads and a single carved pendant rests flat in the hollow of her throat, catching the light there. Black thighhighs sheath her legs tightly from mid-thigh down to the ankles, the tops sitting with a small roll of compression against the skin, and her feet are strapped into flat leather sandals, toes and heels exposed, a thin band of dust on the toes. Lighting is a single hard, low sun from frame left, warm and slightly amber: it strikes the outer edge of her left shoulder, the underside of the breasts above the cloth, the top of her right thigh and the metal of the polearm's blade, and throws long shadows across the stone to the right; everything on her right side falls into cool shadow, sky above is a pale graded blue, the background is a shallow depth of scumbled rock and empty air with no other figure. Dust hangs in the beam where the wind crosses it. Colour is held to black, warm skin, leather brown and the pale rock, nothing else except the blue of the eyes. Quietly commanding.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, underboob, midriff, bare shoulders, necklace, hair ornament, black thighhighs, sandals, polearm, pelvic curtain, loincloth, holding weapon, standing, from below, cowboy shot, dutch angle, looking to the side, parted lips, serious, windblown hair, Low camera looking up at a single mature woman planted on a bare stone ledge, shot as a cowboy shot from below with a slight dutch tilt so her height and the polearm's length read as one continuous diagonal. She stands with her weight sunk into her right leg, left knee relaxed and turned out, hip cocked; her right hand grips the polearm shaft at chest height with the weapon's butt planted on the stone beside her right sandal, and her left arm hangs loose with the fingers curled half-shut near the pelvic curtain's edge. Her very long black hair pours down past her hips in loose heavy strands, lifted and dragged to one side by a wind coming from frame left; a hair ornament of dark metalwork sits pinned above her right ear, visible against the black. Her blue eyes look off to frame right, chin lifted, lids low, lips parted slightly on a held breath -- a wary, measuring glance at something outside the picture. Her garment is a single wrapped dark cloth: it crosses under the breasts so the underboob is exposed on a bare midriff, leaves both shoulders and collarbones bare, and at the hips becomes a layered loincloth whose pelvic curtain hangs down the front in overlapping panels, swaying with the wind so the near panel lifts and the far one clings to her thigh. A necklace of dark beads and a single carved pendant rests flat in the hollow of her throat, catching the light there. Black thighhighs sheath her legs tightly from mid-thigh down to the ankles, the tops sitting with a small roll of compression against the skin, and her feet are strapped into flat leather sandals, toes and heels exposed, a thin band of dust on the toes. Lighting is a single hard, low sun from frame left, warm and slightly amber: it strikes the outer edge of her left shoulder, the underside of the breasts above the cloth, the top of her right thigh and the metal of the polearm's blade, and throws long shadows across the stone to the right; everything on her right side falls into cool shadow, sky above is a pale graded blue, the background is a shallow depth of scumbled rock and empty air with no other figure. Dust hangs in the beam where the wind crosses it. Colour is held to black, warm skin, leather brown and the pale rock, nothing else except the blue of the eyes. Quietly commanding.
Emerson Gutierrez Palomino

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