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真雪

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真雪

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1girl, solo, full body, standing, standing straight, body facing 45 degrees, three-quarter view, looking at viewer, blonde hair, long hair, straight hair, hair past waist, large breasts, simple white blouse, long sleeves, red skirt, knee-length pleated skirt, ankle socks, white ankle socks, sneakers, white sneakers, school route background, residential street, morning, from side, eye-level, medium shot framing widened to full body, A full-body, eye-level view of one young woman standing straight on a residential school route, her body angled 45 degrees away from the camera in a three-quarter stance while her face turns back to meet the viewer directly. Her weight settles on her far leg with the near knee faintly relaxed, one hand resting at the hem of her white blouse, the other hanging loose and half-curled; the pleated red skirt hangs with a slight swing and her long blonde hair falls past her waist, a few strands lifted by a slow morning breeze. She wears a simply cut white blouse with a soft collar and long sleeves, a plain red pleated skirt that ends at the knee, white ankle socks, and white sneakers laced and slightly scuffed at the toe. She stands on the paved edge of the road, sneaker soles flat on the asphalt, a scuffed curb behind her heel. The street runs straight away behind her in one-point perspective, lined with a low concrete block wall, a hedge, utility poles with sagging wires, and a row of low houses whose tiled roofs recede toward a distant intersection; a few fallen leaves and a painted school-route marking sit on the asphalt. Early morning sunlight comes from the upper left, casting a crisp shadow of her legs and shoes onto the pavement to the right, warming the blonde hair and the white blouse while the shadowed side of the wall stays cool. The palette is limited to the girl's blonde, white and red against the muted grey-green of the street and hedges, with a pale blue sky. Her chin is level, her brows relaxed and only slightly lifted, the corners of her mouth lifting faintly as she holds the viewer's gaze with a calm, quiet confidence. Calm morning light, clear and bright.
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Original Prompt
フルボディ、金髪ロングヘアーの女性、巨乳。シンプルな白いブラウスにシンプルな赤いスカートを着ている。くるぶし丈ソックスにスニーカー。 背景は通学路。まっすぐ立っている。体は斜め45度、顔はこちらを見ている。
Mode
flash
Size
992 x 992
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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Avatar image of はこ
1girl, solo, full body, long blonde hair, large breasts, plain white blouse, plain red skirt, ankle socks, sneakers, standing, one foot back, body turned 5 degrees, head and body facing the same direction, looking to the side, school road background, daylight, from below, wide shot, low angle, hair blown slightly back, skirt hem lifted, hands clasped behind her back, faint closed-lip smile, tall vertical format, identity anchor: straight long blonde hair falling past the waist, blunt fringe, blue eyes, fair skin, slim waist flaring to full hips, white cotton blouse buttoned to the collar with sleeves rolled once to the forearm, unpatterned crimson pleated skirt ending just above the knee, short white ankle socks and low white lace-up sneakers with a faint scuff on the right toe The camera sits low, near knee height, tilted up so the long straight blonde hair, the bright white blouse and the red skirt dominate a tall vertical frame from the crown of her head down to the soles of both sneakers planted on the asphalt. Her whole body is turned a measured five degrees off the camera axis, and her face follows that same direction without counter-rotation — chin, nose and chest all point together a hand's width to the viewer's left, so her eyes read the road ahead rather than the lens. Her weight rests on the front left leg, straight and loaded; the right leg is drawn back half a step, heel just touching down, knee still soft, the toe of the right sneaker angled outward, fabric of the skirt swinging back over that trailing thigh in the gap the stance opens. Her hands are clasped loosely behind her back — knuckles of one hand resting inside the palm of the other, the blouse stretched taut across the shoulders and held close over the chest, skirt pleats hanging their own weight. Light comes from high and left of frame, cool late-morning daylight through a break in the trees, striking the right side of her hair into pale gold and leaving the underside of the fringe in warm shadow; it lays a thin bright rim along the top of the trailing sneaker and pools on the asphalt under her, and her shadow drops back and to the right of frame, foreshortened by the low lens. Beyond her, a residential school road runs away to the right — a concrete block wall on one side, an unequal line of utility poles receding, low hedges, a shallow drainage channel whose seam she stands beside, distant rooftops and a few trees soft in the depth of field, no other pedestrians near enough to read. The sky overhead is high, pale and clean. Palette: blonde gold, a single strong crimson for the skirt, warm off-white for blouse and sneakers, cool grey asphalt and green hedge, nothing else saturated. Fine summer air moves her hair a thumb's width back off the shoulders and lifts one skirt pleat; her soft expression sits somewhere between calm and faintly pleased. Quiet, sunlit, effortlessly stylish.
はこ
AI artwork
Avatar image of はこ
1girl, solo, full body, long blonde hair, large breasts, plain white blouse, plain red skirt, ankle socks, sneakers, standing, one foot back, body turned 5 degrees, head and body facing the same direction, looking to the side, school road background, daylight, from below, wide shot, low angle, hair blown slightly back, skirt hem lifted, hands clasped behind her back, faint closed-lip smile, tall vertical format, identity anchor: straight long blonde hair falling past the waist, blunt fringe, blue eyes, fair skin, slim waist flaring to full hips, white cotton blouse buttoned to the collar with sleeves rolled once to the forearm, unpatterned crimson pleated skirt ending just above the knee, short white ankle socks and low white lace-up sneakers with a faint scuff on the right toe The camera sits low, near knee height, tilted up so the long straight blonde hair, the bright white blouse and the red skirt dominate a tall vertical frame from the crown of her head down to the soles of both sneakers planted on the asphalt. Her whole body is turned a measured five degrees off the camera axis, and her face follows that same direction without counter-rotation — chin, nose and chest all point together a hand's width to the viewer's left, so her eyes read the road ahead rather than the lens. Her weight rests on the front left leg, straight and loaded; the right leg is drawn back half a step, heel just touching down, knee still soft, the toe of the right sneaker angled outward, fabric of the skirt swinging back over that trailing thigh in the gap the stance opens. Her hands are clasped loosely behind her back — knuckles of one hand resting inside the palm of the other, the blouse stretched taut across the shoulders and held close over the chest, skirt pleats hanging their own weight. Light comes from high and left of frame, cool late-morning daylight through a break in the trees, striking the right side of her hair into pale gold and leaving the underside of the fringe in warm shadow; it lays a thin bright rim along the top of the trailing sneaker and pools on the asphalt under her, and her shadow drops back and to the right of frame, foreshortened by the low lens. Beyond her, a residential school road runs away to the right — a concrete block wall on one side, an unequal line of utility poles receding, low hedges, a shallow drainage channel whose seam she stands beside, distant rooftops and a few trees soft in the depth of field, no other pedestrians near enough to read. The sky overhead is high, pale and clean. Palette: blonde gold, a single strong crimson for the skirt, warm off-white for blouse and sneakers, cool grey asphalt and green hedge, nothing else saturated. Fine summer air moves her hair a thumb's width back off the shoulders and lifts one skirt pleat; her soft expression sits somewhere between calm and faintly pleased. Quiet, sunlit, effortlessly stylish.
はこ
AI artwork
Avatar image of はこ
1girl, solo, blonde hair, long hair, straight hair, large breasts, simple white blouse, long sleeves, red skirt, pleated skirt, bare legs, ankle socks, white socks, sneakers, standing, 45 degree angle to camera, three-quarter view, 3/4 view, upper body turned, angled shoulders, tilted hips, head turned toward viewer, looking at viewer, cowboy shot, school route background, residential street, daytime, tree-lined street, soft dappled light A single young woman stands at a forty-five degree angle to the camera on a residential street on the way to school, her body rotated halfway between front and side so that roughly half her torso faces the viewer: her shoulders run on a clear diagonal across the frame, her chest reads at a three-quarter angle, her hips tilt diagonally with the weight carried on her back leg, and her legs angle out toward the viewer, the front shoe planted slightly ahead of the other on the asphalt as if she has just stopped mid-step. Her head turns back toward the lens so her face is seen at a three-quarter angle, chin slightly lifted, and her eyes look straight at the viewer with a calm, faintly curious closed-lip expression, one brow a little higher than the other. Her long blonde hair falls past her shoulder blades, the side nearer the camera swinging forward across her cheek and collarbone with the turn of her head, and a few strands lifting at the ends. She wears a plain white blouse with a soft open collar, the fabric pulling gently across her chest and tucked at the waistline, and a simple red skirt whose hem hangs in shallow folds; plain white ankle socks sit above the collarbone of her sneakers, the canvas creased where her toes bend and the front sole pressed flat on the road. Her arms hang relaxed and slightly apart from her body, one hand loose with the fingers curled, the other at her hip. Behind her the school route recedes in perspective: a low wall, hedges, a row of utility poles and a tree canopy arching over the lane, houses set back and softened out of focus, the road surface running away toward a vanishing point behind her shoulder. Sunlight comes from the upper left, warm daylight striking the left side of her face, the top of her shoulder and the front of her blouse while the right side of her jaw and the far arm sit in cool shade, and her shadow falls short and dark across the asphalt to her right, broken where it crosses the painted edge line. The palette stays clean and sunlit: white, red, warm blonde and the pale grey of the road against green foliage. Crisp cel-shaded rendering with clean linework, flat unmodulated midtones and a single soft shadow edge. Bright, unassuming, early-morning.
はこ
AI artwork
エ
1girl, solo, full body, long blonde hair, large breasts, simple white blouse, simple red skirt, ankle socks, sneakers, standing, body turned 40 degrees, face aligned with body direction, looking away, not looking at viewer, three-quarter view from front-side, back turned partly to viewer, from below, dutch angle slight, school route street background, morning light, long straight blonde hair falling past waist, hair between eyes, bangs, serious expression, closed mouth, arms at sides, one hand gripping skirt hem, weight on back foot, bare earlobes, no accessories, empty hands, quiet mood, The camera sits low and close to the pavement, tilted a few degrees off level, looking up at a single girl who stands on a suburban street on the way to school, her body rotated forty degrees away from the lens so the viewer reads her from a front-quarter angle that has begun to turn to the back -- her chest and the front placket of her blouse are still visible, but her shoulder nearest the camera is sliding toward the frame edge and her far shoulder is coming forward. Her face follows the same rotation exactly: the head is not turned back toward the viewer, the chin points down the street in the direction her body faces, and both eyes look off along the road ahead, away from the lens, so no eye contact exists anywhere in the frame. A faint narrowing of the lids and a flat, closed mouth give her a private, slightly distant expression -- not cold, just unbothered by being watched. Her long blonde hair hangs straight and heavy past her waist, and the forty-degree turn swings the mass of it slightly across her far shoulder, so the near side of her neck is bare and the hair reads as a single bright sheet catching the light; a few strands of bangs fall between her eyes. The white blouse is plain cotton, buttoned to the collar, sleeves ending at the wrist, and it pulls taut across her large chest with a small vertical tension line between the buttons and a shallow fold running from each underarm; the fabric is tucked flat into the waistband of the red skirt. The skirt is a simple A-line in plain red, falling to just above her knees, and her near hand grips a pinch of the hem between thumb and forefinger, lifting it a centimetre so the pleat breaks at her thigh -- a small, idle gesture, mid-moment. Her far arm hangs loose and slightly behind her hip. She wears plain white ankle socks, their cuffs sitting just above the ankle bone with a fine ribbed edge, and low white sneakers with rubber toe caps; the near foot is planted flat and bears her weight while the far foot is turned out a little and rests on the ball, heel barely lifted, so her hips cant slightly toward the far side. The street fills the background: a paved sidewalk running away from the viewer in a soft diagonal, a low concrete block wall on one side, a row of hedges behind it, utility poles and a line of sagging wires receding into the distance, and a few indistinct distant figures reduced to simple shapes far down the road, none of them detailed. Morning sunlight comes from the upper right and slightly behind her, so it lights the crown of her blonde head, the top of her far shoulder and the outer curve of the skirt, and it throws a long, soft-edged shadow of her body forward and to the left across the pavement, stretched by the low camera; her face and the front of the blouse sit in gentle open shade, and the whites of the blouse read cool against the warm red skirt. The palette is limited to blonde gold, clean white, flat red, and the grey-green of asphalt and hedges. A single detail carries the physics: the hem she has pinched lifts and hangs semi-stiff, and its shadow on her thigh stays crisp while the cloth itself softens at the fold. Quiet, ordinary morning.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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