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紫幻のアクリルスタンド風美女
紫を基調としたドレスに身を包んだ、儚げで美しい彼女のイラストです。アクリルスタンドのような特別な輝きを放つ姿に、私も思わず見惚れてしまいました。気に入っていただけたら、いいねとフォローをお願いします!コメントで感想も聞かせてくださいね。
Show Parameters
- Original Prompt
- Anime-style 2D PVC figure sealed in a transparent vacuum-formed plastic shell. The clear shell smoothly wraps around the entire figure, with broad flowing curves and large-radius fillets around the head, arms, torso and legs. All raised contours blend gradually into the surrounding flat plastic surface. Soft continuous highlights follow the rounded transitions. No sharp ridges, angular steps or narrow silhouette borders. Realistic molded plastic thickness, smooth glossy finish, product photography., yami_witch, masterpiece, best quality, high quality, ultra detailed, highres, high quality, masterpiece, masterpiece, ultra detailed, detailed hair, detailed eyes, detailed background, highres, high saturation, best quality, photoshop, top aesthetic, dynamic angle, cinematic light, gentle shadows
- Mode
- flash
- Size
- 1408 x 1408
Prompt Helper
Model & LoRA used
Similar Images
Show moreml
solo, 1girl, startouch elf, absurdly long hair, very long hair, long straight hair, wispy hair, white hair, half updo, hair looped upward at the back, dark geometric diamond-shaped hairpins, hair flowing down the back, magenta eyes, white details in eyes, black sclera, white eyelashes, beautiful face, stunningly feminine face, medium chest, slim legs, flowing ornate black hooded cloak, hood down, elegant celestial fantasy dress, cosmic silver accents, midnight blue accents, looking at viewer, standing, intricate crystal display base, full body, from below, slight low angle, pvc figure, figure photography, smooth shading, sharp details, studio lighting, masterpiece
The camera sits low and close to the display base, tilted up so the figure gains presence: a single PVC figure standing on an intricate crystal display base, the sculpted rock-crystal plinth faceted in overlapping prisms that climb in three uneven tiers and flare wider at the bottom. She stands with her weight on her left leg, right knee softly bent, right foot slightly forward with the toe set just past the edge of the top tier, both slim legs bare below the dress hem and modelled with a clean seam running down the outer calf; her left arm hangs relaxed with the fingers lightly curled against her thigh, and her right arm is lifted so the hand rests at the collarbone holding the cloak's edge, which lifts the black fabric a little off the shoulder.
Her absurdly long, straight, wispy white hair is the scale of the piece: half of it is gathered in a half updo, with one section looped upward at the back in a taut rolled curl and pinned by three dark geometric diamond-shaped hairpins spaced along the loop, their faceted black surfaces catching a hard specular glint; the rest flows down her back, past her waist, past her hips, and spills off the back edge of the crystal base in sculpted strands, the finest of them cut as translucent white PVC that lets a faint glow through where the rim light passes. The hair is a single moulded mass with fine incised strand lines and a soft semi-gloss, not a separate wig.
Her face is turned fully to the viewer, chin level, magenta eyes with white flecks suspended in the iris, black sclera with the white eyelashes picked out and bent at the tips, brows thin and pale, mouth in a faint closed-lip calm. Above, the hood of the flowing ornate black cloak is folded back over her shoulders, so the cloak drapes as a heavy black mantle over the celestial fantasy dress: the collar of the dress and the bodice band are midnight blue, the bodice in a deeper blue with small sculpted star points, and the accents run in matte cosmic silver along the hem line, the belt knot and the edges of the cloak, while the skirt falls in long vertical folds that widen toward the ankles.
Lighting is studio lighting from camera-left above, a single large softbox with a cool fill from the right: a smooth gradient of soft sheen rolling down the black cloak, a hard narrow highlight running along the outer edge of the white hair loop, a bright specular dot on the black hairpin facets, and a reflected white bounce under the chin. The crystal plinth throws broken prism spots across the base and paints a small magenta-tinted caustic behind her right ankle; her cast shadow falls sharp-edged across the front facet of the stone. The background is a seamless dark charcoal studio sweep, deepening to near black at the top of frame so the white hair separates cleanly from it. Palette limited to white, black, midnight blue, cosmic silver and the magenta of the eyes. Smooth shading, sharp details, stunningly elegant.
Mary Linda
em
1girl, solo, startouch elf, long straight wispy white hair, white hair with pale lilac tips, half updo, section looped upward at the back, dark geometric diamond-shaped hairpins, hair flowing down the back, magenta eyes, white details in iris, black sclera, white eyelashes, indigo skin, translucent nebula-like skin, white freckles, stunningly feminine face, medium chest, slim legs, oversized black cloak, golden embroidery on cloak, looking at viewer, standing, intricate crystal display base, full body, from below, slight low angle, PVC figure, figure photography, studio lighting, smooth shading, sharp details, masterpiece, gemstone base, dark background, rim light
The camera sits low, near the foot of the display base, tilted slightly up so the figure reads as a collectible photographed from just beneath its plinth: a single girl stands full-length in the frame, centered, her body turned a quarter away from the lens while her head turns back so her magenta eyes with black sclera and white-flecked irises look straight into the viewer. Her weight rests on her right leg with the hip pushed out, left knee bent and the left toe set forward on the crystal, arms hanging inside the pooled sleeves of the oversized black cloak, its heavy hem breaking around her calves and its golden embroidery catching the key light in thin, sharp lines across the shoulders and down the front edges. The cloak's collar stands high at the nape; below it the half-updo gathers, one section of white hair looped upward and pinned at the back with dark geometric diamond-shaped hairpins that sit flat against the crown, while the rest of the long straight wispy white hair spills down her back past the cloak's shoulders and ends in pale lilac tips that fade into shadow behind the hem. Her face is a three-quarter turn back over her shoulder, chin lowered, white eyelashes half-lowered then lifted, lips together and faintly parted on a breath; her gaze locks on the lens and holds, conveying a cool, posed self-possession rather than a smile. Translucent nebula-like skin in deep indigo glows faintly where the key light skims her cheek, throat, the backs of her hands and the front of her left thigh below the cloak's sweep, white freckles scattered like dust across the bridge of her nose, her shoulders and the exposed shin, densest where the light hits and thinning to nothing in shadow.
The base is an intricate cluster of faceted crystal prisms and cut spars rising in uneven steps from a low plinth, its edges refracting a faint magenta and lilac cast upward onto the undersides of her cloak and her bare ankles; her feet press flat on two polished facets, and the crystal directly beneath her bends her reflection into a distorted, softer, darker image that stops at her knees. A softbox high and to the left is the key, a weaker cool fill low right keeps the cloak's black from crushing, and a thin rim light traces the looped hair and the cloak's shoulder line; beyond the pool of studio light the seamless backdrop falls to near-black, and the cast shadow of the base spreads to the right across the sweep. Palette confines itself to indigo, magenta, pale lilac, black and gold against the dark ground, nothing else admitted. Smooth matte PVC shading with crisp specular highlights on the crystal and a faint seam line at the shoulder joint, hair strands modeled as fine separate wisps, meticulous high-quality figure photography. Quietly regal, jewel-like.
Ella More
ml
solo, 1girl, startouch elf, absurdly long hair, very long hair, long straight hair, wispy hair, white hair, half updo, hair looped upward at the back, dark geometric diamond-shaped hairpins, hair flowing down the back, magenta eyes, white details in eyes, black sclera, white eyelashes, beautiful face, stunningly feminine face, medium chest, slim legs, flowing ornate black hooded cloak, hood down, elegant celestial fantasy dress, cosmic silver accents, midnight blue accents, looking at viewer, standing, intricate crystal display base, full body, from below, slight low angle, pvc figure, figure photography, smooth shading, sharp details, studio lighting, masterpiece
The camera sits low and close to the display base, tilted up so the figure gains presence: a single PVC figure standing on an intricate crystal display base, the sculpted rock-crystal plinth faceted in overlapping prisms that climb in three uneven tiers and flare wider at the bottom. She stands with her weight on her left leg, right knee softly bent, right foot slightly forward with the toe set just past the edge of the top tier, both slim legs bare below the dress hem and modelled with a clean seam running down the outer calf; her left arm hangs relaxed with the fingers lightly curled against her thigh, and her right arm is lifted so the hand rests at the collarbone holding the cloak's edge, which lifts the black fabric a little off the shoulder.
Her absurdly long, straight, wispy white hair is the scale of the piece: half of it is gathered in a half updo, with one section looped upward at the back in a taut rolled curl and pinned by three dark geometric diamond-shaped hairpins spaced along the loop, their faceted black surfaces catching a hard specular glint; the rest flows down her back, past her waist, past her hips, and spills off the back edge of the crystal base in sculpted strands, the finest of them cut as translucent white PVC that lets a faint glow through where the rim light passes. The hair is a single moulded mass with fine incised strand lines and a soft semi-gloss, not a separate wig.
Her face is turned fully to the viewer, chin level, magenta eyes with white flecks suspended in the iris, black sclera with the white eyelashes picked out and bent at the tips, brows thin and pale, mouth in a faint closed-lip calm. Above, the hood of the flowing ornate black cloak is folded back over her shoulders, so the cloak drapes as a heavy black mantle over the celestial fantasy dress: the collar of the dress and the bodice band are midnight blue, the bodice in a deeper blue with small sculpted star points, and the accents run in matte cosmic silver along the hem line, the belt knot and the edges of the cloak, while the skirt falls in long vertical folds that widen toward the ankles.
Lighting is studio lighting from camera-left above, a single large softbox with a cool fill from the right: a smooth gradient of soft sheen rolling down the black cloak, a hard narrow highlight running along the outer edge of the white hair loop, a bright specular dot on the black hairpin facets, and a reflected white bounce under the chin. The crystal plinth throws broken prism spots across the base and paints a small magenta-tinted caustic behind her right ankle; her cast shadow falls sharp-edged across the front facet of the stone. The background is a seamless dark charcoal studio sweep, deepening to near black at the top of frame so the white hair separates cleanly from it. Palette limited to white, black, midnight blue, cosmic silver and the magenta of the eyes. Smooth shading, sharp details, stunningly elegant.
Mary Linda
k
For Reference 2
keno
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