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Maksim Mak

AI art by Maksim Mak on PixAI. Made with Tsubaki.3 Flash.

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Maksim Mak

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character: kanroji_mitsuri, kochou_shinobu, kanroji_mitsuri_and 2girls, kanroji mitsuri, kochou shinobu, official costume, demon slayer uniform, cinematic, sexy style, dynamic pose, from below, dutch angle, cowboy shot, dutch angle, low camera, knee-up framing, butterfly hair ornament, black hair, purple hair, short hair, multicolored hair, parted bangs, purple eyes, long hair, pink hair, green hair, gradient hair, twin braids, braid, hair between eyes, green eyes, mole, black skirt, pleated skirt, green thighhighs, open shirt, open clothes, long sleeves, haori, looking at another, outstretched arm, head tilt, crossed legs, arm support, light smile, raised eyebrow, one eye closed, wind, night, moonlight, rim light The camera sits low and tilted a few degrees off level, looking up at both women from knee height so their figures tower into a deep indigo night sky streaked with thin cloud; the frame is a cowboy shot cropping at mid-thigh. Kochou Shinobu stands on the left, weight on her back right leg with her left hip pushed forward, torso turned three-quarters toward Kanroji Mitsuri; her chin lifts so the low lens catches the underside of her jaw, and her short black-and-purple gradient hair with parted bangs falls in a sharp asymmetrical wedge, the butterfly hair ornament pinned at the back of her head catching a sliver of moonlight. Her purple eyes are narrowed in a closed-lip smile that shows only at one corner, one brow arched, and her right hand rests on the hilt at her waist while her left forearm extends across the gap toward Mitsuri, fingers relaxed and open, not quite touching. She wears her official uniform -- the dark tailored jacket and pleated skirt over black legwear, long sleeves buttoned to the wrist, the haori with its butterfly-and-wind pattern hanging open off her shoulders, its hem bellied out to the right by the wind. At her feet, the fabric of her skirt pulls taut across the thrust hip and folds in a vertical crease below it. Kanroji Mitsuri stands on the right, a head taller in the composition because she is nearer the lens, her body in a long S-curve: left foot forward and turned out, right knee bent, right hand raised to sweep a thick pink-green braid back over her shoulder so the braid swings outward past her elbow and its end hangs free. Her long gradient hair, pink at the crown shading to green at the ends, with a braid falling between her eyes, lifts in strands toward the left, and her green eyes look down and sideways at Shinobu with an open-mouthed, delighted grin, tongue just behind her teeth, a small beauty mole under the outer corner of her left eye. Her official uniform is the white open shirt with sleeves rolled to the forearm, the dark pleated skirt flaring at the hem, and the green thighhighs that catch the moonlight along the front of each thigh. The open haori slips from one shoulder and trails behind her. Her left hand hangs low with the fingers curled loosely, brushing the edge of her skirt. Contact and occlusion: the low angle puts Mitsuri's forward shoulder and swinging braid in front of Shinobu's extended forearm, so the braid crosses the sleeve and the two never quite meet; Shinobu's face is unobstructed above that line. Cold moonlight comes from high behind and to the right of the frame, rimming both women along the top of hair, shoulders and the outer edge of the extended sleeve, while their fronts fall into shadow lifted only by a soft violet ambient bounce; the long cast shadows run toward the camera and off the bottom edge, foreshortened into short dark wedges. Beyond them the ground is a bare stone path receding upward into darkness, the background unfocused to deep blue-grey. The palette is disciplined to violet, indigo, black and the two inescapable accent colors -- the pink-to-green of Mitsuri's hair and hose, the purple of Shinobu's -- with white shirt and pale skin as the only other notes. Wind is made visible by the braid's arc, the haori hems and the drifting cloud; a single strand of Mitsuri's hair has caught against the rim of Shinobu's sleeve and stays there, pinned by the wind. Cinematic, charged and elegant.
Show Parameters
Original Prompt
Sexy style cinematic , character: kanroji_mitsuri and character: kochou_shinobu , official costume
Mode
flash
Size
1056 x 1888
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.15k

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AI artwork
mm
character: kanroji_mitsuri, kochou_shinobu, kanroji_mitsuri_and 2girls, kanroji mitsuri, kochou shinobu, official costume, demon slayer uniform, cinematic, sexy style, dynamic pose, from below, dutch angle, cowboy shot, dutch angle, low camera, knee-up framing, butterfly hair ornament, black hair, purple hair, short hair, multicolored hair, parted bangs, purple eyes, long hair, pink hair, green hair, gradient hair, twin braids, braid, hair between eyes, green eyes, mole, black skirt, pleated skirt, green thighhighs, open shirt, open clothes, long sleeves, haori, looking at another, outstretched arm, head tilt, crossed legs, arm support, light smile, raised eyebrow, one eye closed, wind, night, moonlight, rim light The camera sits low and tilted a few degrees off level, looking up at both women from knee height so their figures tower into a deep indigo night sky streaked with thin cloud; the frame is a cowboy shot cropping at mid-thigh. Kochou Shinobu stands on the left, weight on her back right leg with her left hip pushed forward, torso turned three-quarters toward Kanroji Mitsuri; her chin lifts so the low lens catches the underside of her jaw, and her short black-and-purple gradient hair with parted bangs falls in a sharp asymmetrical wedge, the butterfly hair ornament pinned at the back of her head catching a sliver of moonlight. Her purple eyes are narrowed in a closed-lip smile that shows only at one corner, one brow arched, and her right hand rests on the hilt at her waist while her left forearm extends across the gap toward Mitsuri, fingers relaxed and open, not quite touching. She wears her official uniform -- the dark tailored jacket and pleated skirt over black legwear, long sleeves buttoned to the wrist, the haori with its butterfly-and-wind pattern hanging open off her shoulders, its hem bellied out to the right by the wind. At her feet, the fabric of her skirt pulls taut across the thrust hip and folds in a vertical crease below it. Kanroji Mitsuri stands on the right, a head taller in the composition because she is nearer the lens, her body in a long S-curve: left foot forward and turned out, right knee bent, right hand raised to sweep a thick pink-green braid back over her shoulder so the braid swings outward past her elbow and its end hangs free. Her long gradient hair, pink at the crown shading to green at the ends, with a braid falling between her eyes, lifts in strands toward the left, and her green eyes look down and sideways at Shinobu with an open-mouthed, delighted grin, tongue just behind her teeth, a small beauty mole under the outer corner of her left eye. Her official uniform is the white open shirt with sleeves rolled to the forearm, the dark pleated skirt flaring at the hem, and the green thighhighs that catch the moonlight along the front of each thigh. The open haori slips from one shoulder and trails behind her. Her left hand hangs low with the fingers curled loosely, brushing the edge of her skirt. Contact and occlusion: the low angle puts Mitsuri's forward shoulder and swinging braid in front of Shinobu's extended forearm, so the braid crosses the sleeve and the two never quite meet; Shinobu's face is unobstructed above that line. Cold moonlight comes from high behind and to the right of the frame, rimming both women along the top of hair, shoulders and the outer edge of the extended sleeve, while their fronts fall into shadow lifted only by a soft violet ambient bounce; the long cast shadows run toward the camera and off the bottom edge, foreshortened into short dark wedges. Beyond them the ground is a bare stone path receding upward into darkness, the background unfocused to deep blue-grey. The palette is disciplined to violet, indigo, black and the two inescapable accent colors -- the pink-to-green of Mitsuri's hair and hose, the purple of Shinobu's -- with white shirt and pale skin as the only other notes. Wind is made visible by the braid's arc, the haori hems and the drifting cloud; a single strand of Mitsuri's hair has caught against the rim of Shinobu's sleeve and stays there, pinned by the wind. Cinematic, charged and elegant.
Maksim Mak
AI artwork
mm
character: kanroji_mitsuri, kochou_shinobu, kanroji_mitsuri_and 2girls, kanroji mitsuri, kochou shinobu, official costume, demon slayer uniform, cinematic, sexy style, dynamic pose, from below, dutch angle, cowboy shot, dutch angle, low camera, knee-up framing, butterfly hair ornament, black hair, purple hair, short hair, multicolored hair, parted bangs, purple eyes, long hair, pink hair, green hair, gradient hair, twin braids, braid, hair between eyes, green eyes, mole, black skirt, pleated skirt, green thighhighs, open shirt, open clothes, long sleeves, haori, looking at another, outstretched arm, head tilt, crossed legs, arm support, light smile, raised eyebrow, one eye closed, wind, night, moonlight, rim light The camera sits low and tilted a few degrees off level, looking up at both women from knee height so their figures tower into a deep indigo night sky streaked with thin cloud; the frame is a cowboy shot cropping at mid-thigh. Kochou Shinobu stands on the left, weight on her back right leg with her left hip pushed forward, torso turned three-quarters toward Kanroji Mitsuri; her chin lifts so the low lens catches the underside of her jaw, and her short black-and-purple gradient hair with parted bangs falls in a sharp asymmetrical wedge, the butterfly hair ornament pinned at the back of her head catching a sliver of moonlight. Her purple eyes are narrowed in a closed-lip smile that shows only at one corner, one brow arched, and her right hand rests on the hilt at her waist while her left forearm extends across the gap toward Mitsuri, fingers relaxed and open, not quite touching. She wears her official uniform -- the dark tailored jacket and pleated skirt over black legwear, long sleeves buttoned to the wrist, the haori with its butterfly-and-wind pattern hanging open off her shoulders, its hem bellied out to the right by the wind. At her feet, the fabric of her skirt pulls taut across the thrust hip and folds in a vertical crease below it. Kanroji Mitsuri stands on the right, a head taller in the composition because she is nearer the lens, her body in a long S-curve: left foot forward and turned out, right knee bent, right hand raised to sweep a thick pink-green braid back over her shoulder so the braid swings outward past her elbow and its end hangs free. Her long gradient hair, pink at the crown shading to green at the ends, with a braid falling between her eyes, lifts in strands toward the left, and her green eyes look down and sideways at Shinobu with an open-mouthed, delighted grin, tongue just behind her teeth, a small beauty mole under the outer corner of her left eye. Her official uniform is the white open shirt with sleeves rolled to the forearm, the dark pleated skirt flaring at the hem, and the green thighhighs that catch the moonlight along the front of each thigh. The open haori slips from one shoulder and trails behind her. Her left hand hangs low with the fingers curled loosely, brushing the edge of her skirt. Contact and occlusion: the low angle puts Mitsuri's forward shoulder and swinging braid in front of Shinobu's extended forearm, so the braid crosses the sleeve and the two never quite meet; Shinobu's face is unobstructed above that line. Cold moonlight comes from high behind and to the right of the frame, rimming both women along the top of hair, shoulders and the outer edge of the extended sleeve, while their fronts fall into shadow lifted only by a soft violet ambient bounce; the long cast shadows run toward the camera and off the bottom edge, foreshortened into short dark wedges. Beyond them the ground is a bare stone path receding upward into darkness, the background unfocused to deep blue-grey. The palette is disciplined to violet, indigo, black and the two inescapable accent colors -- the pink-to-green of Mitsuri's hair and hose, the purple of Shinobu's -- with white shirt and pale skin as the only other notes. Wind is made visible by the braid's arc, the haori hems and the drifting cloud; a single strand of Mitsuri's hair has caught against the rim of Shinobu's sleeve and stays there, pinned by the wind. Cinematic, charged and elegant.
Maksim Mak
AI artwork
mm
character: kanroji_mitsuri, kochou_shinobu, kanroji_mitsuri_and 2girls, kanroji mitsuri, kochou shinobu, official costume, demon slayer uniform, cinematic, sexy style, dynamic pose, from below, dutch angle, cowboy shot, dutch angle, low camera, knee-up framing, butterfly hair ornament, black hair, purple hair, short hair, multicolored hair, parted bangs, purple eyes, long hair, pink hair, green hair, gradient hair, twin braids, braid, hair between eyes, green eyes, mole, black skirt, pleated skirt, green thighhighs, open shirt, open clothes, long sleeves, haori, looking at another, outstretched arm, head tilt, crossed legs, arm support, light smile, raised eyebrow, one eye closed, wind, night, moonlight, rim light The camera sits low and tilted a few degrees off level, looking up at both women from knee height so their figures tower into a deep indigo night sky streaked with thin cloud; the frame is a cowboy shot cropping at mid-thigh. Kochou Shinobu stands on the left, weight on her back right leg with her left hip pushed forward, torso turned three-quarters toward Kanroji Mitsuri; her chin lifts so the low lens catches the underside of her jaw, and her short black-and-purple gradient hair with parted bangs falls in a sharp asymmetrical wedge, the butterfly hair ornament pinned at the back of her head catching a sliver of moonlight. Her purple eyes are narrowed in a closed-lip smile that shows only at one corner, one brow arched, and her right hand rests on the hilt at her waist while her left forearm extends across the gap toward Mitsuri, fingers relaxed and open, not quite touching. She wears her official uniform -- the dark tailored jacket and pleated skirt over black legwear, long sleeves buttoned to the wrist, the haori with its butterfly-and-wind pattern hanging open off her shoulders, its hem bellied out to the right by the wind. At her feet, the fabric of her skirt pulls taut across the thrust hip and folds in a vertical crease below it. Kanroji Mitsuri stands on the right, a head taller in the composition because she is nearer the lens, her body in a long S-curve: left foot forward and turned out, right knee bent, right hand raised to sweep a thick pink-green braid back over her shoulder so the braid swings outward past her elbow and its end hangs free. Her long gradient hair, pink at the crown shading to green at the ends, with a braid falling between her eyes, lifts in strands toward the left, and her green eyes look down and sideways at Shinobu with an open-mouthed, delighted grin, tongue just behind her teeth, a small beauty mole under the outer corner of her left eye. Her official uniform is the white open shirt with sleeves rolled to the forearm, the dark pleated skirt flaring at the hem, and the green thighhighs that catch the moonlight along the front of each thigh. The open haori slips from one shoulder and trails behind her. Her left hand hangs low with the fingers curled loosely, brushing the edge of her skirt. Contact and occlusion: the low angle puts Mitsuri's forward shoulder and swinging braid in front of Shinobu's extended forearm, so the braid crosses the sleeve and the two never quite meet; Shinobu's face is unobstructed above that line. Cold moonlight comes from high behind and to the right of the frame, rimming both women along the top of hair, shoulders and the outer edge of the extended sleeve, while their fronts fall into shadow lifted only by a soft violet ambient bounce; the long cast shadows run toward the camera and off the bottom edge, foreshortened into short dark wedges. Beyond them the ground is a bare stone path receding upward into darkness, the background unfocused to deep blue-grey. The palette is disciplined to violet, indigo, black and the two inescapable accent colors -- the pink-to-green of Mitsuri's hair and hose, the purple of Shinobu's -- with white shirt and pale skin as the only other notes. Wind is made visible by the braid's arc, the haori hems and the drifting cloud; a single strand of Mitsuri's hair has caught against the rim of Shinobu's sleeve and stays there, pinned by the wind. Cinematic, charged and elegant.
Maksim Mak

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