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AI art "Rest period" featuring #Furry, #Bra, #Shirt, #Pants, #Military, #Wooden Floor, #Snout and #Female Furry
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Rest period

#Furry#Bra#Shirt#Pants#Military#Wooden Floor#Snout#Female Furry
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1girl, solo, furry female, anthro, brown fur, dog woman, adult, mature female, tall, muscular, big breasts, perfect body, face scar, taking off top, clothes removed, undressing, holding shirt, black lace bra, lace, white skinny cotton pants, tight pants, black military boots, military, soldier, barracks, steampunk, victorian, brass fittings, front view, straight-on, cowboy shot, standing, weight on one leg, one arm raised, head tilt, looking at viewer, lopsided grin, raised eyebrow, bare arms, thick fur, tail, pointed ears, gas lamp light, warm amber palette, intricate detail Front view, camera at chest height, straight-on and level, framing from mid-thigh to just above the head with the raised forearm left inside the frame. A single adult brown-furred dog woman stands square to the lens in the middle of a Victorian-era military barracks: her weight rests on her straight left leg, right hip pushed slightly out, knees loose, the black leather of her boots laced to the mid-calf and planted apart on wide-sawn floorboards. Both hands are up at the hem of a rough olive military tunic, gripping the fabric at either side of her ribs, the garment pulled up off her shoulders and bunched at her elbows, the sleeves inside out and hanging in heavy folds so the front of her torso is exposed to just below the bust. Beneath the tunic she wears a black lace bra, the cup sheer and the web pattern sitting against dense brown fur that prickles through the openwork, the band biting a shallow line under each heavy breast, the straps flat over her shoulders. White skinny cotton pants ride high at the waist, drawn taut across the hips and thighs, the thin fabric creasing in horizontal folds behind the knee where the leg is straight and pulling into a tight diagonal at the bent hip. A pale scar runs from the outer corner of her right brow down across the cheekbone to the jaw, the fur along it parted and slightly lighter. Her pointed ears stand up, one tilted further than the other, and her heavy furred tail is swept back behind her right leg, out of contact with the floor. Her head tips a little to her left; her brows are level but the right one is cocked higher, her mouth pulled into a lopsided half-grin showing one canine, and her eyes sit directly on the viewer, chin slightly lowered, the look confident and unhurried. Behind and around her the barracks is a long low room: iron-framed windows along the right wall, a row of narrow wooden billets with folded grey blankets down the left, a cast-iron stove with a segmented flue, and a wall of riveted brass pipework and pressure gauges with one leaking valve venting a thin thread of steam that drifts and curls upward toward the ceiling beams. A brass-housed gas lamp hangs above her and slightly to camera-left; that is the only light โ€” it strikes the top of her muzzle, the upper curve of each breast above the bra cup and the raised ridge of the bunched tunic, throws a hard shadow of her forearms down her belly, and leaves the corners of the room and the far billets in near blackness, so the steam catches light only where it passes through the lamp's cone. Palette is limited to warm amber lamplight, the cold grey-green of the tunic, the black of lace and boots, and the deep brown of her fur. Quiet, smoky, self-assured.
Show Parameters
Original Prompt
1girl, furry female, furry, fur body, brown dog woman, adult, taking off top, black lace bra, militery army girl, white skinny cotton pants, tight pants, black militery boots, steampunk era, victorian era, face scar, Military barracks, perfect body, front view angle, big boobs,
Mode
pro
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
Avatar image of Furrelia
1girl, solo, furry female, dog woman, anthropomorphic dog, fur body, short hair, tomboy, skinny, adult, perfect body, taking off top, shirt lift, arms up, black lace bra, lace, military army girl, white skinny cotton pants, tight pants, black military boots, face scar, black military uniform jacket, military barracks interior, steampunk era, victorian era, standing, from below, cowboy shot, head tilt, looking down at viewer, smug, one eye closed, barracks window, iron bed frame, brass fittings, steam pipes, gears, muted brass-and-slate palette Shot from below in a low cowboy framing, the tall skinny anthropomorphic dog woman stands at the foot of a narrow barracks bed with her arms raised, gripping the hem of her dark military jacket and hauling it up over her head so the garment bunches and stretches across her lifted forearms. Her short hair is a rough sandy brown, tousled and matted up by the jacket collar as it clears her brow; a single pale scar cuts a short diagonal line across her right cheek and catches the window light. Her face is canine: a long narrow muzzle, black nose, one tall ear perked and the other flicked back, and white fur running from her jaw down her throat where the jacket has opened. Fur covers her whole body โ€” short, dense, white with pale grey shading over the hollow flank and shoulders that show her skinny build, ribbed and lean under the raised arms. Her paws have dark fingertips and hook into the jacket's shoulder seams, and above the waistband of the tight white cotton pants, which strain across narrow hips and crease at the crotch and behind the knee, the black lace bra shows fully: a delicate web-patterned black lace cup tight against her furred chest, a lace edge, with the jacket's open front slipping off one shoulder and nothing else under it. The black military boots sit solid on the plank floor, laced to the ankle, scuffed at the toe, one heel lifted slightly against a raised floorboard. Her head tips back slightly and one eye shuts in a smug squeeze with a small twisted smile on the half-open mouth, and she looks directly down the low camera, chin high. Behind her the barracks: a long iron barrack bed with a folded wool blanket and a rounded riveted frame, a small barred window in a stone wall that lets in a shaft of pale grey daylight across the floorboards, and in the upper background riveted steam pipes running along the ceiling with a pressure gauge and a bank of brass gears at a wall valve, a faint thread of steam drifting from a joint. A wooden locker, a bullet-belt on a nail and a tacked blanket sit along the wall. The window is the only light source; it strikes her from her right, rims her raised arm, forearm fur and the edge of the scar, leaves her left side in cool shadow and casts a long leaning shadow of the boots on the boards. Palette is muted brass, slate grey and soot with the white cotton and white fur pulling light, and the only black reserved for the lace bra, the boots and the jacket cloth. Dust motes hang in the window shaft. Quiet military hush, effortlessly rakish.
Furrelia
AI artwork
Avatar image of Furrelia
1girl, solo, furry female, dog woman, anthropomorphic dog, fur body, short hair, tomboy, skinny, adult, perfect body, taking off top, shirt lift, arms up, black lace bra, lace, military army girl, white skinny cotton pants, tight pants, black military boots, face scar, black military uniform jacket, military barracks interior, steampunk era, victorian era, standing, from below, cowboy shot, head tilt, looking down at viewer, smug, one eye closed, barracks window, iron bed frame, brass fittings, steam pipes, gears, muted brass-and-slate palette Shot from below in a low cowboy framing, the tall skinny anthropomorphic dog woman stands at the foot of a narrow barracks bed with her arms raised, gripping the hem of her dark military jacket and hauling it up over her head so the garment bunches and stretches across her lifted forearms. Her short hair is a rough sandy brown, tousled and matted up by the jacket collar as it clears her brow; a single pale scar cuts a short diagonal line across her right cheek and catches the window light. Her face is canine: a long narrow muzzle, black nose, one tall ear perked and the other flicked back, and white fur running from her jaw down her throat where the jacket has opened. Fur covers her whole body โ€” short, dense, white with pale grey shading over the hollow flank and shoulders that show her skinny build, ribbed and lean under the raised arms. Her paws have dark fingertips and hook into the jacket's shoulder seams, and above the waistband of the tight white cotton pants, which strain across narrow hips and crease at the crotch and behind the knee, the black lace bra shows fully: a delicate web-patterned black lace cup tight against her furred chest, a lace edge, with the jacket's open front slipping off one shoulder and nothing else under it. The black military boots sit solid on the plank floor, laced to the ankle, scuffed at the toe, one heel lifted slightly against a raised floorboard. Her head tips back slightly and one eye shuts in a smug squeeze with a small twisted smile on the half-open mouth, and she looks directly down the low camera, chin high. Behind her the barracks: a long iron barrack bed with a folded wool blanket and a rounded riveted frame, a small barred window in a stone wall that lets in a shaft of pale grey daylight across the floorboards, and in the upper background riveted steam pipes running along the ceiling with a pressure gauge and a bank of brass gears at a wall valve, a faint thread of steam drifting from a joint. A wooden locker, a bullet-belt on a nail and a tacked blanket sit along the wall. The window is the only light source; it strikes her from her right, rims her raised arm, forearm fur and the edge of the scar, leaves her left side in cool shadow and casts a long leaning shadow of the boots on the boards. Palette is muted brass, slate grey and soot with the white cotton and white fur pulling light, and the only black reserved for the lace bra, the boots and the jacket cloth. Dust motes hang in the window shaft. Quiet military hush, effortlessly rakish.
Furrelia

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