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秋の夕暮れの紅葉

どこか懐かしい日本の風景

Published on Nov 11, 2026

深見祭理

2girls, two female middle school students, walking home, leaving school, school gate, rural wooden school building, wooden schoolhouse, autumn evening, autumn foliage, red leaves, cherry tree, schoolyard, fallen leaves, from below, wide shot, dutch angle, looking up, arms up, outstretched arm, carrying school bag, sailor collar, pleated skirt, black hair, brown hair, short hair, long hair, loose hair, hair between eyes, light smile, open mouth, one eye closed, blush, wind, scarf, loafers, dusk, orange sky, long shadows. The camera sits low near the ground just inside the gate and tilts slightly, so both girls rise against the sky in a wide, mildly canted shot. In the foreground, slightly right of centre, the concrete gateposts stand weathered and moss-flecked; the nearer post is cut by the right edge of the frame, and the school's nameplate on it is worn to illegible pale scratches. Beyond the posts, the wooden schoolhouse runs across the midground, its dark weathered board walls and steep tiled roof half-dissolved in the low sun, every window along its length catching fire-orange reflections. Two girls walk toward the camera and a little to the left, having just passed under the gate. The girl on the left is the shorter of the two. Her black hair is short and swings loose, a few strands blown across her brow; she wears a navy sailor-style uniform with a white scarf at the collar and a pleated skirt, and a leather school bag hangs from her right shoulder, her right hand hooked in its strap. She has broken into a half-skip: her left arm is flung up and out toward the branches above, fingers splayed, an open-mouthed grin on her face, one eye squeezed shut, one cheek flushed. Her weight rides on her left foot, her right heel just lifting, toes trailing a scuff through the drifts of red leaves. She is looking up into the cherry tree's canopy, not at the lens. The girl on the right walks half a step behind. She is taller, her brown hair long and loose, lifted off her shoulders by the same wind. She wears the same navy sailor uniform with a white scarf, her bag carried properly by the top handle in her left hand, her right hand raised to hold her hair clear of her face. She looks sideways at her friend's flung-up arm with a small closed-lip smile, chin tilted a fraction. Her shadow and her friend's stretch long and thin toward the camera, thrown by the low sun behind them. The cherry tree dominates the upper left of the frame: its leaves have gone entirely crimson and vermilion, backlit so each cluster glows translucent at the edges and deeper red where masses overlap; a few leaves let go and spin down, and the wind pushes the canopy so branches rock and loose leaves skip across the ground. The entire schoolyard is carpeted in fallen red leaves, gathered deepest against the foot of the gateposts and along the building's foundation, and the leaves on the ground lie flat and dull while the backlit ones in the air glow. The sun is low behind the tree and the schoolhouse, so the light comes from behind the girls: their hair and shoulders take a hot rim of orange, their faces fall into soft shadow, and long dark shadows of trunk, post and girls run toward the viewer across the leaf-strewn ground. Warm amber and crimson fill the upper frame; the lower frame cools into the violet of the shaded yard. The sky above the roofline is clear, grading from gold at the horizon to a pale washed apricot. Late autumn dusk, bright and wistful.

秋の夕暮れの紅葉

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