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AI art "和モダンな黒髪少女の設定画"
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和モダンな黒髪少女の設定画

シックな黒の着物に銀の花模様がとても上品で、クールな表情の中に秘めた可愛らしさに惹かれます。シンプルながらこだわりを感じるこのデザイン、私もとても気に入っています！気に入っていただけたらいいねとフォローをお願いします。コメントでの感想も励みになります〜

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character reference sheet, three-view turnaround, front view, side view, back view, views arranged side by side in a horizontal row, 1girl, solo, japanese girl, ginkgo-musubi hair, nape-length hair folded up into a fan-shaped ginkgo-leaf bun at the back of the head, black hair, short-sleeved gothic wa-fuku, kimono-style outfit, matching half hakama, same pattern on robe and hakama, white deer leather tabi, no shoes, detailed sewing, traditional pattern, leather texture, full body, standing, arms at sides, neutral expression, closed mouth, eyes open, looking at viewer, plain seamless off-white background, even studio lighting, cel shading, high animation quality, ultra-fine lineart, detailed hair strands, detailed eyes, cinematic rim light, A character reference sheet laid out as a horizontal three-view turnaround: a front view at the left, a strict side profile in the middle, and a back view at the right, all three the same height, the same scale and standing on the same invisible baseline, each figure facing the viewer's left-right axis so that the middle figure's profile and the right figure's back read as the same body rotated. It is one and the same Japanese girl in all three — identical height, identical shoulder width, identical waist and hip line, identical hem length — with her black hair combed back and folded up at the nape into a fan-shaped ginkgo-leaf musubi, the folded fan of hair spreading wider than the skull and its edge flicking outward at the tips; the front view shows the smooth swept crown and the fan's silhouette peeking at both sides of the neck, the profile shows the fan projecting behind the occiput with a few loose strands curling at the temple, and the back view shows the fold's full fan shape with its central wrapped knot sitting just above the collar. She wears a short-sleeved gothic wa-fuku: a kimono-cut robe with a crossed collar, sleeves ending mid-upper-arm and squared off, and a matching half hakama tied at the waist with a broad flat sash, its front and back panels falling to mid-calf with a narrow gap at the sides. The same traditional pattern runs across robe and hakama alike — a repeating ginkgo-leaf and arabesque vine motif in pale silver-white over deep black cloth — and in all three views the motif lands at identical heights: the collar band, the sleeve hems, the sash's lower edge and the hakama's wide leg hems each carry a continuous border of the same pattern, and the leaf repeats sit at the same spacing on the chest in front and on the shoulder blades behind, so the wraps and seams line up view to view. On her feet, white deer leather tabi split-toed and fastened with small metal clasps up the outer ankle, the leather's fine pebbled grain catching the light on the instep, the soles flat on the shared floor line; the tabi are identical in all three views, the profile showing the split toe in silhouette and the clasps in a row. Every hand hangs relaxed with the fingers softly curled and slightly separated, the thumb forward; the side view shows the arm hanging exactly over the hip seam; the back view shows both hands framed by the hakama's side gap. Her chin is level, her expression quiet and composed with a faint closed-lip line, her gaze directed straight out of the frame at the viewer in the front view, out past the profile's nose line at the middle, and away into depth at the back, the eyes' direction the only thing that changes. The ground is a completely empty, seamless warm off-white sweep with no horizon, no props and no cast scenery, and a soft even key light from the upper left of the sheet plus a gentle rim from behind wraps each figure's silhouette; the light is identical for all three figures so the pattern and the leather's sheen read at the same value in each. Where the sheet's light meets the silver-white motif the pattern lifts off the black cloth with a faint sheen, while the same motif sits matte and flat on the sash — a single fabric variable made visible. Palette is black, silver-white, warm off-white paper ground, and the girl's warm skin tone, nothing else. Meticulous, catalogue-calm.
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三面図 【キャラクター・顔立ち】 日本人女子。 【髪型】 銀杏返し。 【衣装】 半袖のゴス和服。同柄の半袴。 白い鹿革製の足袋。 【三面図・構図】 正面・側面・背面の三面図を横並びに配置する。 同一人物・同一衣装・同一体格で統一する。 三方向で衣装の色・柄・部品の位置を正確に統一する。 【描画・画風】 最高峰のアニメーションクオリティの作画、緻密で均一な極細の線画、完全に計算された正確なキャラクターデッサン、細部まで描き込まれた繊細な髪の毛の束、吸い込まれるような美しい瞳の描き込み、 高度なデジタルアニメペイント、 繊細なグラデーションと滑らかな陰影表現、肌の透明感と血色感、環境光を反射した美しい色使い、 シネマティックなライティング、美しいレンズフレアと柔らかな光の回り込み、逆光による美しいリムライト、圧倒的な雰囲気。 衣装の縫製、伝統文様、革素材の質感を丁寧に描き分ける。
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flash
Size
1232 x 1632
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リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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