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GOHAN & PICCOLO

Contest Entry

Assemble! The Strongest and Best Buddy!!

#Dragon Ball

Published on Nov 11, 2026

Dante Nadare

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character: son_gohan, piccolo two men, walking side by side, from above, downward perspective from the right, wide shot, high angle, black suit, black sunglasses, marble floor, marble pillars, hotel lobby, red carpet, window drapes, reception desk, three receptionists, people in background, spiked hair, short hair, blond hair, green skin, bald, pointy ears, antennae, black eyes, no footprints, clean floor, semi-realistic 3d render, mild tone colors, good shadows, looking ahead, serious, medium build, tall High angle looking down and inward from the upper right corner of a grand hotel lobby, the camera tilted so the space recedes diagonally toward the lower left. Two men walk abreast at a measured pace through the middle of the frame, moving from lower left toward upper right, their shoes a half-step apart on the polished marble. On the left walks the shorter of the two: a grown man with short spiked blond hair swept up and back, a broad-shouldered build filling the shoulders of a tailored black suit jacket, white shirt and dark tie beneath, a black sunglasses lens covering each eye, his jacket hem swinging slightly with the forward stride, one arm bent at the elbow in mid-swing. On his right, half a head taller, walks a bald green-skinned man with pointed ears and two antennae rising from his crown, his black suit cut wide across the chest and shoulders over a dark close-fitting collar, matching black sunglasses across his eyes, his long stride carrying him forward with the coat skirt flaring at the back knee. Both men face forward into the lobby, chins level, neither turning to the other, their gazes fixed on the corridor ahead through the dark lenses. Their shadows fall away from them toward the lower left, long and soft-edged on the marble, sharpening under each heel. The floor is pale marble tile in large square slabs with faint grey veining, joined by thin dark grout lines that run in perspective toward the vanishing point; the surface is utterly pristine, unmarked and unscuffed, reflecting the two walkers as inverted blurs beneath their feet with no impression of any tread left behind. A crimson carpet runner lies off to the right of the pair, its pile catching the key light in a dull sheen, its edges parallel to the columns. Two marble pillars rise at the frame's far corners, one cropping the left edge and one at right, both fluted and pale with darker base moldings. Along the upper right, tall windows are dressed in heavy drapes falling in long folds from a valance, the fabric a deep warm russet that screens the daylight into a soft amber wash. In the center-left midground a reception desk curves in pale stone, and behind it three receptionists stand in matching dark uniforms — one at the left turning a ledger, one at the center lifting her head, one at the right reaching toward a drawer — each small and simplified at this distance. Scattered across the background beyond the desk, a handful of hotel guests in dark and light clothing stand and pass in loose groups, shown as quiet silhouettes of shape and posture. The light enters from the draped windows at the upper right, warm and diffused, laying a pale amber glow across the marble and a gentle falloff into the lower left corner. The two men are lit from their right sides, the hard plane of each sunglasses lens catching a narrow bright highlight, their suits reading as deep matte black with soft grey folds. The palette is restrained: warm russet-brown and amber in the drapes and window light, ivory and pale cream in the marble and the desk, deep teal in the dark accents of the suits' shadows and the receptionists' uniforms, a muted rose-beige in the skin tones and the carpet's highlights. Everything holds a mild, low-contrast register with smooth semi-realistic 3D shading, soft ambient occlusion at every contact, and no harsh saturation. Calm, quietly cinematic.

GOHAN & PICCOLO

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