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Chiyuki Kuwayama, The Idolmaster
Show Parameters
- Original Prompt
- 1girl, masterpiece, best quality,beautiful hair, warm smile, highly detailed, 8k quality, --ar 3:4 --stylize,long sleeve, tight rib long onepiece,long skirt, office lady,office background,hanging nametag,Blushing, feeling embarrassed, morning,Kuwayama Chiyuki, Blushing, feeling embarrassed, I'm breaking out in a cold sweat,seethrough
- Mode
- ultra
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt Helper
Model & LoRA used
Similar Images
Show morecharacter: kuwayama_chiyuki
1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed mouth smile, blush, embarrassed, cold sweat, sweat on face, sweatdrop, long sleeves, tight ribbed one-piece dress, long skirt, ribbed knit fabric, office lady, office background, hanging nametag, see-through, sheer fabric, morning, cowboy shot, from below, dutch angle, looking at viewer, head tilt, arms up, hands at chest, clenched hands, standing, window light, soft light,
Shot from slightly below and canted a few degrees off level, a young woman stands in a bright morning office, caught in the middle of an awkward moment. Her brown hair is long and beautiful, falling past her shoulders with a loose braid running down one side and a single ahoge curling up from the crown; the low morning sun coming through the blinds behind her picks out a warm rim of light along the strand edges. Her face is flushed pink across the cheeks and the bridge of the nose, her warm smile pulled slightly tight and lopsided at one corner, brows tilted up in the middle, and a row of drawn sweat drops sits on her temple and cheek as she breaks out in a cold sweat; she tilts her head a little and her eyes flick toward the viewer with a helpless, embarrassed look. Both hands are drawn up to her chest, fingers loosely clenched in front of the collarbone, and her shoulders are pulled in and slightly hunched as though she would like to shrink.
She wears a tight ribbed long-sleeved one-piece dress in a soft warm neutral knit, the vertical ribbing running unbroken from the high neckline down over the hips into a long skirt that falls to her calves; the knit hugs her waist and the sleeves are snug to her wrists. Where the morning light strikes the side of the skirt and the upper sleeve at a shallow angle, the fabric turns see-through, the pale outline of the garment beneath faintly readable through the stretched knit and the gaps of the ribbing, while the shadowed side of the dress stays opaque. A nametag on a thin cord hangs at her chest, swinging slightly forward from the neckline where her raised hands have nudged it, its face turned away from the camera so it reads as a small blank card. Nothing else is layered over the dress and no jewelry is worn; her ears are bare and her hair is unadorned apart from the braid itself.
The office behind her is a clean open-plan floor in morning light: the ribs of a venetian blind cast horizontal bands of light across the wall and the edge of her skirt, the far desks and monitors fall soft and out of focus, and the window is the one light source, leaving the depths of the room in cool shadow against the warm skin and warm knit in the foreground; the small hard shadow of the nametag drops onto the ribbed fabric of her chest. The palette is warm creams, sunlit browns and muted office greys, with the pink of her flush as the strongest colour in the frame. Sheer knit caught between modesty and the light, and the nervous laugh of an early shift; tenderly funny.
uru
character: kuwayama_chiyuki
1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed mouth smile, blush, embarrassed, cold sweat, sweat on face, sweatdrop, long sleeves, tight ribbed one-piece dress, long skirt, ribbed knit fabric, office lady, office background, hanging nametag, see-through, sheer fabric, morning, cowboy shot, from below, dutch angle, looking at viewer, head tilt, arms up, hands at chest, clenched hands, standing, window light, soft light,
Shot from slightly below and canted a few degrees off level, a young woman stands in a bright morning office, caught in the middle of an awkward moment. Her brown hair is long and beautiful, falling past her shoulders with a loose braid running down one side and a single ahoge curling up from the crown; the low morning sun coming through the blinds behind her picks out a warm rim of light along the strand edges. Her face is flushed pink across the cheeks and the bridge of the nose, her warm smile pulled slightly tight and lopsided at one corner, brows tilted up in the middle, and a row of drawn sweat drops sits on her temple and cheek as she breaks out in a cold sweat; she tilts her head a little and her eyes flick toward the viewer with a helpless, embarrassed look. Both hands are drawn up to her chest, fingers loosely clenched in front of the collarbone, and her shoulders are pulled in and slightly hunched as though she would like to shrink.
She wears a tight ribbed long-sleeved one-piece dress in a soft warm neutral knit, the vertical ribbing running unbroken from the high neckline down over the hips into a long skirt that falls to her calves; the knit hugs her waist and the sleeves are snug to her wrists. Where the morning light strikes the side of the skirt and the upper sleeve at a shallow angle, the fabric turns see-through, the pale outline of the garment beneath faintly readable through the stretched knit and the gaps of the ribbing, while the shadowed side of the dress stays opaque. A nametag on a thin cord hangs at her chest, swinging slightly forward from the neckline where her raised hands have nudged it, its face turned away from the camera so it reads as a small blank card. Nothing else is layered over the dress and no jewelry is worn; her ears are bare and her hair is unadorned apart from the braid itself.
The office behind her is a clean open-plan floor in morning light: the ribs of a venetian blind cast horizontal bands of light across the wall and the edge of her skirt, the far desks and monitors fall soft and out of focus, and the window is the one light source, leaving the depths of the room in cool shadow against the warm skin and warm knit in the foreground; the small hard shadow of the nametag drops onto the ribbed fabric of her chest. The palette is warm creams, sunlit browns and muted office greys, with the pink of her flush as the strongest colour in the frame. Sheer knit caught between modesty and the light, and the nervous laugh of an early shift; tenderly funny.
uru
character: kuwayama_chiyuki
1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, braid, brown eyes, beautiful hair, warm smile, closed mouth smile, blush, embarrassed, cold sweat, sweat on face, sweatdrop, long sleeves, tight ribbed one-piece dress, long skirt, ribbed knit fabric, office lady, office background, hanging nametag, see-through, sheer fabric, morning, cowboy shot, from below, dutch angle, looking at viewer, head tilt, arms up, hands at chest, clenched hands, standing, window light, soft light,
Shot from slightly below and canted a few degrees off level, a young woman stands in a bright morning office, caught in the middle of an awkward moment. Her brown hair is long and beautiful, falling past her shoulders with a loose braid running down one side and a single ahoge curling up from the crown; the low morning sun coming through the blinds behind her picks out a warm rim of light along the strand edges. Her face is flushed pink across the cheeks and the bridge of the nose, her warm smile pulled slightly tight and lopsided at one corner, brows tilted up in the middle, and a row of drawn sweat drops sits on her temple and cheek as she breaks out in a cold sweat; she tilts her head a little and her eyes flick toward the viewer with a helpless, embarrassed look. Both hands are drawn up to her chest, fingers loosely clenched in front of the collarbone, and her shoulders are pulled in and slightly hunched as though she would like to shrink.
She wears a tight ribbed long-sleeved one-piece dress in a soft warm neutral knit, the vertical ribbing running unbroken from the high neckline down over the hips into a long skirt that falls to her calves; the knit hugs her waist and the sleeves are snug to her wrists. Where the morning light strikes the side of the skirt and the upper sleeve at a shallow angle, the fabric turns see-through, the pale outline of the garment beneath faintly readable through the stretched knit and the gaps of the ribbing, while the shadowed side of the dress stays opaque. A nametag on a thin cord hangs at her chest, swinging slightly forward from the neckline where her raised hands have nudged it, its face turned away from the camera so it reads as a small blank card. Nothing else is layered over the dress and no jewelry is worn; her ears are bare and her hair is unadorned apart from the braid itself.
The office behind her is a clean open-plan floor in morning light: the ribs of a venetian blind cast horizontal bands of light across the wall and the edge of her skirt, the far desks and monitors fall soft and out of focus, and the window is the one light source, leaving the depths of the room in cool shadow against the warm skin and warm knit in the foreground; the small hard shadow of the nametag drops onto the ribbed fabric of her chest. The palette is warm creams, sunlit browns and muted office greys, with the pink of her flush as the strongest colour in the frame. Sheer knit caught between modesty and the light, and the nervous laugh of an early shift; tenderly funny.
uru
character: kuwayama_chiyuki
1girl, solo, kuwayama chiyuki, brown hair, long hair, ahoge, single braid, brown eyes, office lady, long sleeves, tight ribbed knit long one-piece dress, long skirt, hanging nametag, blushing, embarrassed, forced warm smile, nervous sweat, sweat on face, cold sweat drop on cheek, trembling, standing, hands clasped in front, from side, close-up, cowboy shot, office background, morning, window light, looking at viewer,
A vertical cowboy shot framed from the side at chest height, one office lady seen three-quarters from her left as she stands beside a desk in a morning office. Her long brown hair falls over one shoulder, a single braid drawn forward across the ribbed knit collar, a short ahoge springing up off the crown and bent to the side by the still air. She wears the tight ribbed long one-piece dress that clings to her torso and descends into a long skirt, long sleeves snug from shoulder to wrist, and the hanging nametag on its clip rides forward off her chest, its lanyard pulled taut, the card swinging just clear of the ribbed fabric. Her brown eyes are lifted straight to the viewer, brows drawn up at the inner ends in a plea, a warm smile held wide at the corners even as the lower lip works and the teeth press behind it; deep red blush floods both cheeks. One single cold bead of sweat sits high on her left temple, a second runs from the hairline down past her cheekbone and hangs unbroken under the jaw, catching a bright pinpoint of light. Her shoulders are lifted tight and one hip is cocked onto the desk edge, hands pressed palm to palm at her waist with both thumbs hooked and wringing, one foot turned in on its toe.
Morning light arrives from behind her, a low window of cool daylight striking through the blinds in soft horizontal bands that paint the far wall and catch the loose strands of her hair in a pale rim; the front of her face stays in gentle shadow from the office ambient, and her cast shadow falls forward across the ribbed knit of her skirt and onto the desk edge, visible right where the light passes her shoulder. Warm neutral palette: her brown hair and eyes, the deep red blush and the cream and pale grey of the dress, with the office behind her held in desaturated greys and greens, blurred by shallow focus, a filing cabinet and the suggestion of a window blind without any legible signage. The sharpest detail budget goes to her face, cheeks and that single suspended drop of sweat, then to the stretch and rib of the sleeve at her wrist. Nervous, tender.
uru
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