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Published on Nov 11, 2026

Hector Larra

1boy, solo, mature male, professor, scientist, silver hair, short hair, swept back hair, electric blue eyes, intelligent gaze, confident expression, wise expression, dark futuristic long coat, long coat, high collar, cyan glowing accents on coat, subtle glowing lines on sleeves, black underlayer, dark trousers, dark boots, standing, full body, full-body shot, from below, slight dutch angle, arms crossed, one hand raised holding a holographic projection, looking at holographic display, advanced holographic technology, floating holographic screens, holographic molecular model, rotating data rings, futuristic laboratory, dark blue and cyan palette, cinematic lighting, volumetric light, rim light, lens flare, 3D anime render, high quality 3D character design, detailed shading, no text, no extra characters, A full-body shot taken from a low angle with a slight dutch tilt, so the man rises from the lab floor toward the top of the frame, soles of his boots planted wide on a dark polished floor. He is the only figure in the image: a mature adult man with a sharp-boned, composed face, silver hair swept back from a high forehead with a few strands loosening at the temples, and electric blue eyes that hold steady, narrowed in thought above a faint, knowing closed-lip smile that pulls a little higher on his left side. He stands with his weight on his right leg, left knee slightly bent, hips angled a few degrees off the camera axis. His arms are crossed at the chest, the long dark coat hanging open in two heavy panels; his right hand rests cupped over his left elbow, while his left hand lifts free, palm up, fingers half-curled, and a palm-sized holographic molecular lattice floats just above it, its cyan wireframe lines reflecting as thin bright streaks along his knuckles and the inside of his cuff. The coat is deep midnight blue, floor-length, with a stiff high collar turned up at the neck, and its seams, cuffs and hem run with subtle cyan light that is brightest where the panels fold and dims toward the shoulders; the light bleeds a faint cool glow onto the black underlayer at his throat and the tops of his boots. His gaze drops slightly toward the floating model at his hand, past the lens, so the connection is with his own work rather than the viewer. All around him the laboratory opens up: a dark tiered floor with recessed cyan strips, cylindrical glass containment columns and server banks receding into a deep blue haze on both sides, and a scatter of translucent holographic screens floating at chest and head height around him, one wide curved display arcing behind his shoulders with faint illegible charts and spin-axis diagrams too small and too distant to read, their glow catching the edges of his hair and throwing a soft cyan rim along the top of his collar. A single cold key light comes from high behind his right shoulder, cutting a bright edge down that side of his face and coat and dropping the front of his torso into deep blue shadow, while the holograms provide the only fill from below; his cast shadow stretches long and soft toward the camera across the reflective floor, and the reflections of the floating screens wobble on that polished surface where his boots interrupt them. The palette admits dark blue, near-black, silver and cyan only. Sharp clean 3D anime character rendering, smooth subsurface-lit skin, crisp specular highlights, professional animated-feature finish. Confident, cinematic.

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