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우아한 엘리베이터 안의 순간
엘리베이터 안에서 만난 이 우아한 실루엣이 너무나도 인상적이었어요. 특히 저를 압도하는 시원한 하늘색 드레스와 우아한 포즈가 마음에 깊이 남았답니다. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 여러분의 생각도 들려주세요.
Show Parameters
- Original Prompt
- Realistic, realistic style, Korean selfie style, impossiblebeauty_sr, unrealistically beautiful face, photorealistic anatomy, idealized facial proportions, luminous eyes, flawless skin, realistic hair, natural human proportions, 초현실적으로 생생한 일상 스냅 사진, 세로 비율 9:16. 성인 아시아 여성이 엘리베이터 안에 서서, 두 손을 머리 뒤로 올려 머리를 고치고 있으며, 얼굴을 살짝 숙이고 눈을 가볍게 감고 있다. 그녀는 몸에 딱 붙는 짧은 보디콘 드레스를 입고 있는데, 아이스 블루 색상으로, 높은 할터넥 디자인에 어깨와 등 부분이 파여 있으며, 드레스 몸통은 암홀 부분이 딱 맞고, 부드럽고 신축성 있는 니트 소재로 표면이 매끄럽고 자연스럽게 몸에 착 달라붙으며, 무릎 위로 한쪽에 슬릿이 있는 짧은 드레스, 아이스 블루 색상의 가느다란 끈 하이힐. 검은 머리를 낮게 단정하게 묶었고, 사이드 뱅은 비대칭으로 가볍게 양쪽 얼굴로 흘러내린다. 배경은 엘리베이터 내부의 어두운 갈색 목재 패널, 스테인리스 스틸 손잡이, 옆에 있는 제어 패널. 엘리베이터의 자연스러운 조명, 사실적인 색감, 전면에서 스마트폰으로 찍은 전신 샷, 무작위로 찍힌 듯한 느낌으로 전문적인 포즈가 아니다.
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
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三
1girl, solo, realistic style, photorealistic, young Korean woman in her early twenties, dyed hair, ash-brown hair with soft rose-gold balayage through the lengths, long wavy hair, side-swept, fair pale skin, flawless porcelain complexion, detailed eye makeup, shimmering champagne eyeshadow, sharp winged black eyeliner, long eyelashes, thick dark lashes, glossy pink lips, high-gloss pink lipstick, elegant figure, large breasts, slim waist, curvy hips, long legs, perfect body proportions, pure-desire style, innocent yet alluring, standing, weight on one leg, contrapposto, hip cocked, one hand resting on the opposite forearm, head tilt, looking at viewer, half-closed eyes, faint closed-lip smile, bare ears, bare earlobes, hair completely unadorned, sleeveless fitted knit dress, off-white dress, mock turtleneck, open bare collar at the throat, bare shoulders, no jewelry at the neck or wrists, thigh gap, from below, cowboy shot, three-quarter view, shallow depth of field, seamless studio sweep, soft key light
A low camera angle looks up at her from just below hip height, so her long legs run toward the bottom of the frame and her shoulders and tilted head fill the upper third of a vertical composition. She stands in a three-quarter view with her body angled slightly toward the right edge of the frame but her chin turned back to face the viewer: her weight rides on her left leg, planted straight, while her right knee softens and her right foot slides half a step forward, toe pointing out — the cocked hip pushes her silhouette into a long S-curve that reads as slim waist over curvy hips. Her left hand rests palm-up along her right forearm, fingers loosely curled around the sleeve edge of her right elbow, and her right forearm crosses low over her stomach with the elbow turned out; the crossed arm presses the knit fabric gently against her ribcage and leaves the large bust and the narrowed waist fully visible in outline. Her head tilts perhaps eight degrees to her right; chin slightly down, eyes raised to the lens under half-lowered lids, lips closed in a faint, knowing smile that is not quite a smirk, the gloss catching a thin highlight on the lower lip.
Her hair is a warm ash brown dyed with rose-gold ends: a clean side part on her left, a broad wave swelling off the crown and a second wave curling forward over her right shoulder to graze the collarbone, the fine ends lifting slightly away from the skin where the key light passes behind them. The eye makeup is the detail budget of the frame: a wash of champagne shimmer over the lid fading into matte taupe in the crease, a fine blended transition above it, a sharp black liner wing flicking out and up from the outer corner, and lashes drawn thick and separated with a slight outward flare at the tips; a narrow band of highlighter runs along the brow bone and a soft pink blush sits low on each cheek. Her lips are a single even coat of glossy pink lipstick, with a hard specular dot on the center of the lower lip and a paler reflected edge along the upper — the gloss is the one surface in the image that is mirror-smooth while everything else stays matte.
The ground is a completely empty seamless studio sweep in a warm off-white, with no horizon line and no props: it darkens to a soft grey in the lower left corner and lightens toward the top right behind her head, so she reads as a clean cut-out against the field. One large soft key sits high and to the front-left of frame, wrapping her face with a broad graduated falloff; its light strikes the left side of her face, the front of her chest and the top of her left thigh while her right side and the right side of her jaw fall into gentle shadow, and a long soft shadow drops from her feet toward the lower right of the frame. A dimmer fill from the right keeps the shadow open and warm rather than black, and a narrow rim light traces the outer edge of her right arm and the curve of her hip, delimiting the silhouette from the background.
The palette is restrained: warm off-white ground, skin in pale peach, the dress in a soft oat white, hair in ash brown fading to rose gold, and the only saturated note in the frame the high-gloss pink of her lips and the matching warmth in the eyeshadow — no other strong color is admitted. Her figure is rendered with realistic anatomy, correct clavicle and shoulder structure, defined waist-to-hip ratio and long legs in believable proportion, the knit fabric showing soft ribbing and a slight pull across the bust and the raised elbow. A faint shadow from her hair falls across her right collarbone, and the lip gloss catches a small, slightly-darker mirrored image of the key light — softer and dimmer than the light itself. Quiet, poised, subtly alluring.
三刀劉
dn
Hà y liên
Dat Nguyen
デ1
メールドゥシュドドレス
デー16
デ1
アジュールドレス
デー16
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