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Mipha entre flores

#The Legend of Zelda #Link #The Legend of Zelda: Breath of the Wild

Published on Nov 12, 2026

kaberk

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character: mipha, sidon, link, copyright: the_legend_of_zelda, the_legend_of_zelda:_breath_of_the_wild 1girl, solo, upper body, sideways pose, profile, from side, short hair, blonde hair, sidelocks, hair between eyes, pointy ears, closed eyes, closed mouth, open mouth, white shirt, jewelry, collarbone, water, leaf, purple flower, hibiscus, lily pad, zora, red skin, multicolored skin, two-tone skin, long hair, very long hair, yellow eyes, head fins, fins, tail, bracer, silver trim, bracelet, tiara, cape, flower, arms up, outstretched arm, head tilt, wet hair, light smile, :d Seen from the side in a tight upper-body framing, the girl stands in profile facing the right edge of the frame, her body turned a full quarter away from the lens so the line of her shoulder and the pale column of her throat read across the picture. She is a Zora: fine red skin shading into a lighter cream along the front of her neck and jaw, a tall slim head fin sweeping back over her crown, the long tail fin hanging behind her shoulder where the crop cuts it away, all of it beaded with water. Her hair is cut short and blonde, with two long sidelocks falling in front of her ears and a single strand dropping between her brows, the whole mass plastered flat with wet and dripping onto her collarbone. Her eyes are shut, the lids softly creased, and her mouth is open mid-word — jaw dropped, the pink inner lip and a glint of teeth showing — though the corner of the closed side of her jaw holds a small contented curl, so the open mouth and the closed mouth are the same held expression read from its two edges. Pointed ear tips pierce through the sidelocks. She wears a loose white shirt, its collar pulled wide and soaked through at the shoulders so the cloth clings translucently and the bare collarbones stand out sharp and wet above the neckline; silver jewelry — a thin armband, a bracelet, a small tiara set back among the short hair, a bracer strapped to her raised forearm — catches the light on every curve. Both arms are lifted: her near hand is reaching up to push a broad flat lily pad aside, fingertips dimpling its wet green surface, its edge flexing under her touch; her far hand hangs back down behind her hip, out of the crop. Water reaches her mid-torso, the surface broken into concentric rings where her elbow disturbed it, and one purple hibiscus with a pale center floats on a single broad leaf a hand's width from her chest, riding the ripple she made, its petals turning slowly. More lily pads and a scatter of loose green leaves drift in the shallow plane between her and the viewer; beyond them the pond falls into a soft green blur with no far shore visible. Late afternoon sun comes in low from behind her, so her front is in cool open shade and the sunlight only rims the top of her head fin, the wet curve of her shoulder and the floating hibiscus — the rest of the water holding the sky's reflection, softer and darker than the sky itself. The palette is a tight discipline: red-to-cream skin, wet gold hair, white cloth, green water and leaves — the purple of the hibiscus and a few scattered purple blossoms the only other colour in the frame. Serene, sun-warm.

Mipha entre flores

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