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Dicavecdff

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Dicavecdff

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character: rosa_(pokemon) single girl, rosa (pokemon), brown hair, double bun, donut hair bun, twintails, long hair, blue eyes, shiny black spy bodysuit, skin-tight, latex, glossy, high collar, long sleeves,, no visor cap, no shorts, no shirt, no pantyhose, walking forward, mid-stride, arms loose at sides, chin lifted, confident, closed-mouth smile, looking to the side, from below, close-up, cowboy shot, depth of field, 4girls? no -- four people total: 1 girl, 3 men, two men lying on the ground, unconscious, sprawled, suspicious strangers, dark clothing, one director, middle-aged man, holding megaphone, gesturing toward her, film set interior, abandoned warehouse set, fake brick walls, scaffolding, wooden crates, cables on floor, film camera on tripod, boom mic, cine lights, c-stands, high-contrast cinematic lighting, teal and orange, practical haze, speech bubble, quote "cut", quote "well done", text on bubbles The camera is low, tilted up from floor level, so the girl's figure fills the left two-thirds of the frame in a tight close-up that crops her at mid-thigh: the shiny black bodysuit pulls taut over her hip and thigh as her weight drives onto her front foot, the other leg trailing behind with the knee still bent, and the glossy latex catches a long hard highlight down her side and across the front of her thigh. Her twin buns sit high on her head with the long brown hair falling past her shoulders and swinging a half-beat behind her motion; her blue eyes are turned to the right of frame toward the director, one brow slightly raised, her lips closed around a small satisfied smile, chin lifted as she steps in. Nothing at her throat but the bodysuit's high collar; her palms are open and relaxed at her sides, fingers just uncurling from the take. Behind and to her right the abandoned-warehouse set is built, not real: painted brick flats with visible seams, a scaffold of dull steel, stacked crates, coiled cable taped to the concrete floor, a heavy film camera on a tripod at right midground, a boom arm angling in from top right, and haze hanging in the light. The director stands at the right edge in a canvas jacket with a megaphone in one hand and the other arm flung out toward her; his head is turned to her, mouth open on the word, and a round speech bubble at the upper right carries the bold hand-lettered line "well done" with a smaller bubble just below his megaphone reading "cut". Two men in dark rumpled clothes lie flat on the floor in the midground between them, one face-down with an arm thrown out, one on his back with a knee fallen sideways, both eyes shut, both perfectly still, their shadows pinned beneath them by the overhead lamp. The key light is a single hard cine lamp from high left behind the girl, so her glossy suit throws one hot rim down her shoulder and hip while her face sits in soft half-light; a cool fill from the right keeps the director readable, and the haze glows where the beams cross. The palette is confined to black latex, cold blue-grey set dressing and warm amber lamp glare, with her brown hair the only mid-tone. The floor tape curls up at one corner where the camera crew's dolly has rolled over it. Cinematic, sleek, quietly triumphant.
Show Parameters
Original Prompt
rosa (pokemon), cô ấy đang mặc bộ trang phục điệp viên đen bó sát da bóng Bối cảnh bên trong 1 phim trường về 1 nhà kho bỏ hoang Cô đang tiến vào trong phòng có 2 tên lạ mặt đáng nghi đang nằm dưới đất Đạo diễn đóng thước phim bảo "cut" rồi quay qua cô nói "well done" Cảnh quay đậm chất điện ảnh, cảnh quay gần thấy rõ đường nét cơ thể
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

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AI artwork
d
character: rosa_(pokemon) single girl, rosa (pokemon), brown hair, double bun, donut hair bun, twintails, long hair, blue eyes, shiny black spy bodysuit, skin-tight, latex, glossy, high collar, long sleeves,, no visor cap, no shorts, no shirt, no pantyhose, walking forward, mid-stride, arms loose at sides, chin lifted, confident, closed-mouth smile, looking to the side, from below, close-up, cowboy shot, depth of field, 4girls? no -- four people total: 1 girl, 3 men, two men lying on the ground, unconscious, sprawled, suspicious strangers, dark clothing, one director, middle-aged man, holding megaphone, gesturing toward her, film set interior, abandoned warehouse set, fake brick walls, scaffolding, wooden crates, cables on floor, film camera on tripod, boom mic, cine lights, c-stands, high-contrast cinematic lighting, teal and orange, practical haze, speech bubble, quote "cut", quote "well done", text on bubbles The camera is low, tilted up from floor level, so the girl's figure fills the left two-thirds of the frame in a tight close-up that crops her at mid-thigh: the shiny black bodysuit pulls taut over her hip and thigh as her weight drives onto her front foot, the other leg trailing behind with the knee still bent, and the glossy latex catches a long hard highlight down her side and across the front of her thigh. Her twin buns sit high on her head with the long brown hair falling past her shoulders and swinging a half-beat behind her motion; her blue eyes are turned to the right of frame toward the director, one brow slightly raised, her lips closed around a small satisfied smile, chin lifted as she steps in. Nothing at her throat but the bodysuit's high collar; her palms are open and relaxed at her sides, fingers just uncurling from the take. Behind and to her right the abandoned-warehouse set is built, not real: painted brick flats with visible seams, a scaffold of dull steel, stacked crates, coiled cable taped to the concrete floor, a heavy film camera on a tripod at right midground, a boom arm angling in from top right, and haze hanging in the light. The director stands at the right edge in a canvas jacket with a megaphone in one hand and the other arm flung out toward her; his head is turned to her, mouth open on the word, and a round speech bubble at the upper right carries the bold hand-lettered line "well done" with a smaller bubble just below his megaphone reading "cut". Two men in dark rumpled clothes lie flat on the floor in the midground between them, one face-down with an arm thrown out, one on his back with a knee fallen sideways, both eyes shut, both perfectly still, their shadows pinned beneath them by the overhead lamp. The key light is a single hard cine lamp from high left behind the girl, so her glossy suit throws one hot rim down her shoulder and hip while her face sits in soft half-light; a cool fill from the right keeps the director readable, and the haze glows where the beams cross. The palette is confined to black latex, cold blue-grey set dressing and warm amber lamp glare, with her brown hair the only mid-tone. The floor tape curls up at one corner where the camera crew's dolly has rolled over it. Cinematic, sleek, quietly triumphant.
Dicavecdff
AI artwork
d
character: rosa_(pokemon) single girl, rosa (pokemon), brown hair, double bun, donut hair bun, twintails, long hair, blue eyes, shiny black spy bodysuit, skin-tight, latex, glossy, high collar, long sleeves,, no visor cap, no shorts, no shirt, no pantyhose, walking forward, mid-stride, arms loose at sides, chin lifted, confident, closed-mouth smile, looking to the side, from below, close-up, cowboy shot, depth of field, 4girls? no -- four people total: 1 girl, 3 men, two men lying on the ground, unconscious, sprawled, suspicious strangers, dark clothing, one director, middle-aged man, holding megaphone, gesturing toward her, film set interior, abandoned warehouse set, fake brick walls, scaffolding, wooden crates, cables on floor, film camera on tripod, boom mic, cine lights, c-stands, high-contrast cinematic lighting, teal and orange, practical haze, speech bubble, quote "cut", quote "well done", text on bubbles The camera is low, tilted up from floor level, so the girl's figure fills the left two-thirds of the frame in a tight close-up that crops her at mid-thigh: the shiny black bodysuit pulls taut over her hip and thigh as her weight drives onto her front foot, the other leg trailing behind with the knee still bent, and the glossy latex catches a long hard highlight down her side and across the front of her thigh. Her twin buns sit high on her head with the long brown hair falling past her shoulders and swinging a half-beat behind her motion; her blue eyes are turned to the right of frame toward the director, one brow slightly raised, her lips closed around a small satisfied smile, chin lifted as she steps in. Nothing at her throat but the bodysuit's high collar; her palms are open and relaxed at her sides, fingers just uncurling from the take. Behind and to her right the abandoned-warehouse set is built, not real: painted brick flats with visible seams, a scaffold of dull steel, stacked crates, coiled cable taped to the concrete floor, a heavy film camera on a tripod at right midground, a boom arm angling in from top right, and haze hanging in the light. The director stands at the right edge in a canvas jacket with a megaphone in one hand and the other arm flung out toward her; his head is turned to her, mouth open on the word, and a round speech bubble at the upper right carries the bold hand-lettered line "well done" with a smaller bubble just below his megaphone reading "cut". Two men in dark rumpled clothes lie flat on the floor in the midground between them, one face-down with an arm thrown out, one on his back with a knee fallen sideways, both eyes shut, both perfectly still, their shadows pinned beneath them by the overhead lamp. The key light is a single hard cine lamp from high left behind the girl, so her glossy suit throws one hot rim down her shoulder and hip while her face sits in soft half-light; a cool fill from the right keeps the director readable, and the haze glows where the beams cross. The palette is confined to black latex, cold blue-grey set dressing and warm amber lamp glare, with her brown hair the only mid-tone. The floor tape curls up at one corner where the camera crew's dolly has rolled over it. Cinematic, sleek, quietly triumphant.
Dicavecdff
AI artwork
d
character: rosa_(pokemon) single girl, rosa (pokemon), brown hair, double bun, donut hair bun, twintails, long hair, blue eyes, shiny black spy bodysuit, skin-tight, latex, glossy, high collar, long sleeves,, no visor cap, no shorts, no shirt, no pantyhose, walking forward, mid-stride, arms loose at sides, chin lifted, confident, closed-mouth smile, looking to the side, from below, close-up, cowboy shot, depth of field, 4girls? no -- four people total: 1 girl, 3 men, two men lying on the ground, unconscious, sprawled, suspicious strangers, dark clothing, one director, middle-aged man, holding megaphone, gesturing toward her, film set interior, abandoned warehouse set, fake brick walls, scaffolding, wooden crates, cables on floor, film camera on tripod, boom mic, cine lights, c-stands, high-contrast cinematic lighting, teal and orange, practical haze, speech bubble, quote "cut", quote "well done", text on bubbles The camera is low, tilted up from floor level, so the girl's figure fills the left two-thirds of the frame in a tight close-up that crops her at mid-thigh: the shiny black bodysuit pulls taut over her hip and thigh as her weight drives onto her front foot, the other leg trailing behind with the knee still bent, and the glossy latex catches a long hard highlight down her side and across the front of her thigh. Her twin buns sit high on her head with the long brown hair falling past her shoulders and swinging a half-beat behind her motion; her blue eyes are turned to the right of frame toward the director, one brow slightly raised, her lips closed around a small satisfied smile, chin lifted as she steps in. Nothing at her throat but the bodysuit's high collar; her palms are open and relaxed at her sides, fingers just uncurling from the take. Behind and to her right the abandoned-warehouse set is built, not real: painted brick flats with visible seams, a scaffold of dull steel, stacked crates, coiled cable taped to the concrete floor, a heavy film camera on a tripod at right midground, a boom arm angling in from top right, and haze hanging in the light. The director stands at the right edge in a canvas jacket with a megaphone in one hand and the other arm flung out toward her; his head is turned to her, mouth open on the word, and a round speech bubble at the upper right carries the bold hand-lettered line "well done" with a smaller bubble just below his megaphone reading "cut". Two men in dark rumpled clothes lie flat on the floor in the midground between them, one face-down with an arm thrown out, one on his back with a knee fallen sideways, both eyes shut, both perfectly still, their shadows pinned beneath them by the overhead lamp. The key light is a single hard cine lamp from high left behind the girl, so her glossy suit throws one hot rim down her shoulder and hip while her face sits in soft half-light; a cool fill from the right keeps the director readable, and the haze glows where the beams cross. The palette is confined to black latex, cold blue-grey set dressing and warm amber lamp glare, with her brown hair the only mid-tone. The floor tape curls up at one corner where the camera crew's dolly has rolled over it. Cinematic, sleek, quietly triumphant.
Dicavecdff
AI artwork
d3
character: rosa_(pokemon) 1girl, rosa (pokemon), solo, brown hair, double bun, long hair, donut hair bun, blue eyes, glossy black skin-tight spy agent bodysuit, latex catsuit, high collar, long sleeves, belt, tight fit, body contours, from below, cowboy shot, close-up, tilted angle, walking, mid-step, one leg forward, arms loose, unsteady balance, swaying, dizzy, drowsy, sleepy, half-closed eyes, unfocused gaze, heavy eyelids, open mouth slightly, flushed cheeks, head lolling back, film studio interior, hallway, soundstage corridor, cinematic lighting, dramatic shadow, dark palette, cool key light, warm practicals, haze The camera looks up from hip height at a steep tilted angle, a low cowboy-shot close-up that runs from the top of her head to mid-thigh, so her body fills the frame and the hallway's ceiling line recedes above her. Rosa walks mid-step toward the lens but her weight has gone unreliable: her right foot has just landed flat and her left heel is still lifted behind her, hips canted off-axis, one shoulder dropped lower than the other, her whole line of action sagging into a loose S. The glossy black skin-tight suit hugs her without a wrinkle in the fabric, and the light runs down its surface in one long continuous specular streak from her collar over the chest, the ribs, the waist and the thigh, so every contour of her body reads as a clean unbroken edge; at the hip seam and the inner elbow the suit creases once, sharply, and holds. Her head has lolled back and slightly to one side, chin up, the twin brown buns tipped back with the movement and one loose strand of long brown hair stuck to her damp temple; her eyelids are half lowered and heavy, blue eyes unfocused and gazing past the camera into the middle distance, lips parted a fraction on an exhale, cheeks flushed, a faint sheen at her brow. Her arms hang loose and unsynchronized with her legs, one hand half-curled and trailing behind her hip, the other drifting out from her side for balance after a stumble she has not quite corrected, fingers splayed. The film studio hallway behind her is a real soundstage corridor: a scuffed concrete floor with taped cable runs and a light-stand wheel track arcing toward her feet, dark acoustic baffles and a half-open stage door on the left, a rack of coiled cables and a sandbag on the right, and beyond it the corridor's far end swallowed in shadow with a single distant work lamp. The key light is a hard cool source from high behind her right shoulder that rims her buns and the curve of her shoulder and lays the long specular streak down the suit; a dim warm practical leaks from the open stage door on the left to fill the shadow side of her face and hip. The hallway floor carries a soft, darker contact shadow beneath her planted right foot. Palette is near-monochrome — black suit, grey concrete, cold steel blue in the highlights — and the only warmth is the amber practical at frame left and the flush in her cheeks. The mood is woozy, on-the-verge-of-collapse cinematic tension.
Dicavec3
#Rosa

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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