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Kanade Hayami, The Idolmaster
AI art by 373 tomi on PixAI. Tags: The Idolmaster Cinderella Girls. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- masterpiece, best quality, highres, 1girl, hayami_kanade,solo, slight turn, looking at viewer, serious expression, cold gaze, crossed legs ,standing,watson cross, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, pleated skirt, black skirt, red trim, contrast trim, skirt with red accent, high waist, double belt, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, (subtle skin indentations:0.5), opaque white socks, There are a few wrinkles in the knee-high socks below the knees., machinery background, grey abstract background, sharp focus, detailed clothes, intricate design
- Mode
- ultra
- Quality Tag
- ๏นPrompts๏น
- Size
- 1056 x 1888
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more3t
character: hayami_kanade
1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, slight turn, looking at viewer, serious expression, cold gaze, crossed legs, standing, watson cross, arms crossed, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, pleated skirt, black skirt, red trim, contrast trim, high waist, double belt, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, from below, cowboy shot,
A low camera looks up from knee height in a three-quarter cowboy shot; the single figure stands with her weight sunk into the back leg while the front leg crosses it cleanly above the knee, calf overlapping calf, both white-socked feet flat on the invisible floor and both visible below the hem. Her torso is turned a few degrees off the lens, shoulders squared by the cross of her arms folded over the double-breasted chest, each hand cupping the opposite upper arm, fingertips pressed into the stiff white sleeve fabric. Her chin is level, lids low over yellow eyes that look straight down the barrel of the lens without a flicker; brows level, mouth a flat unsmiling line, jaw set, no warmth anywhere in the face. Short blue-black hair clips the jaw and parts into blunt bangs, a few strands lifted by the air around the machinery.
The jacket is crisp white, two columns of buttons, lapels cut in deep red, a black tie knotted tight at the throat and a gold ornament pinned at the collar; epaulettes sit square on both shoulders and the white cape hangs from them, flaring slightly so its red lining flashes along the inner fold. The skirt is black, high-waisted, pleated, edged in contrast red trim with a red accent stripe running the hem; a double belt cinches the waist and a chain accessory loops from it, hanging with a small swing that proves its weight. The thighhighs are opaque white, tight to the leg, and where the garter straps from the garter belt bite into them the fabric dimples the skin in faint (subtle skin indentations:0.5); below the knee the sock fabric puckers into a few horizontal wrinkles.
Behind her the grey abstract field is broken by cold machine forms -- pipes, cylinders, plates of dull metal stacked in shallow depth, all desaturated, edges sharp, their surfaces catching a hard raking light from the upper left. That light rims her shoulder and cheek in pale cool white, drops deep shadow under the cape's flare and along the undersides of her crossed arms, and throws a short contact shadow where her shoes meet the ground. The palette holds to white, black, deep red and muted steel grey, gold kept to the ornament and buttons only. Clean, severe, deliberately cold.
373 tomi
3t
character: hayami_kanade
1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, slight turn, looking at viewer, serious expression, cold gaze, crossed legs, standing, watson cross, arms crossed, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, pleated skirt, black skirt, red trim, contrast trim, high waist, double belt, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, from below, cowboy shot,
A low camera looks up from knee height in a three-quarter cowboy shot; the single figure stands with her weight sunk into the back leg while the front leg crosses it cleanly above the knee, calf overlapping calf, both white-socked feet flat on the invisible floor and both visible below the hem. Her torso is turned a few degrees off the lens, shoulders squared by the cross of her arms folded over the double-breasted chest, each hand cupping the opposite upper arm, fingertips pressed into the stiff white sleeve fabric. Her chin is level, lids low over yellow eyes that look straight down the barrel of the lens without a flicker; brows level, mouth a flat unsmiling line, jaw set, no warmth anywhere in the face. Short blue-black hair clips the jaw and parts into blunt bangs, a few strands lifted by the air around the machinery.
The jacket is crisp white, two columns of buttons, lapels cut in deep red, a black tie knotted tight at the throat and a gold ornament pinned at the collar; epaulettes sit square on both shoulders and the white cape hangs from them, flaring slightly so its red lining flashes along the inner fold. The skirt is black, high-waisted, pleated, edged in contrast red trim with a red accent stripe running the hem; a double belt cinches the waist and a chain accessory loops from it, hanging with a small swing that proves its weight. The thighhighs are opaque white, tight to the leg, and where the garter straps from the garter belt bite into them the fabric dimples the skin in faint (subtle skin indentations:0.5); below the knee the sock fabric puckers into a few horizontal wrinkles.
Behind her the grey abstract field is broken by cold machine forms -- pipes, cylinders, plates of dull metal stacked in shallow depth, all desaturated, edges sharp, their surfaces catching a hard raking light from the upper left. That light rims her shoulder and cheek in pale cool white, drops deep shadow under the cape's flare and along the undersides of her crossed arms, and throws a short contact shadow where her shoes meet the ground. The palette holds to white, black, deep red and muted steel grey, gold kept to the ornament and buttons only. Clean, severe, deliberately cold.
373 tomi
s6
character: hayami_kanade
1girl, solo, upper body, cowboy shot, slight turn, looking at viewer, serious expression, cold gaze, half-closed eyes, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red cape lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, clothes pressing into flesh, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, dutch angle, from below, arm support, contrapposto, clenched hand at collar, cape billowing
The camera sits low and a few degrees off axis, tilted slightly, so the girl's upper body fills the frame and looks down at the viewer โ from below, a shallow dutch angle tipping the horizon. She is caught in a slight turn: her shoulders are angled three-quarters toward the left of frame while her chin comes back over her right shoulder blade, head turning further than the torso, and her eyes land straight on the lens. Her expression is serious, mouth closed and level at the corners, brows drawn a fraction together, upper lids lowered so the yellow of her irises reads narrow and cold above small catchlights; the parted bangs fall over the brow and one lock drops between her eyes. Her short blue-black hair, brightest blue at the crown and deepening to black at the ends, is cut around the jaw, the tips lifting away from her cheek on the side her turn has swung forward. A slight weight shift onto her right hip and leg carries the posture, shoulders held back and level; her left hand rises to grip the red-edged collar of the jacket at her throat, knuckles pressed white into the double-breasted front, fingertips curling the fabric, while the right arm disappears out of the bottom of the frame. The white military jacket is buttoned in two columns down the chest, the fabric close enough that the seam lines draw faint indents into the chest and shoulders, a soft compressed ridge where the collar presses the base of the neck; each red lapel folds back in a hard-edged notch, two rows of gold ornamental buttons and a braided gold aiguillette at the shoulder catch the light, and the black necktie sits knotted tight in the V of the collar. Gold epaulettes with fringed ends ride the tops of the shoulders. The white cape falls from them, the outer white face curving down behind her back and one corner swinging forward across her left arm; the inside of the fold turned toward the camera flares crimson, and the hem bellies away from her body as if a draft were moving behind it, its edge lifting. The wide belt is cinched hard over the waist with a square gold buckle centered on it, and a fine gold chain accessory loops from the belt down across her hip. Below it a black pleated skirt breaks out of frame, the pleats fanned by the turn. The white thighhighs are tight on the thigh with the band pressing a shallow line into the skin; the garter belt's straps run down from under the skirt to the stocking tops, and the opaque white socks continue to the bottom edge. Behind her, machinery: pumping arms, a piston housing, ribbed cables and bolted plate steel in dull greys and blacks, rendered in flat sharp planes. Over and between the machinery, an abstract yellow field โ broad bands and torn geometric blocks of warm saturated yellow sweeping counter to the dutch tilt, painted flat and hard against the darker machine metal, so the yellow reads as a graphic layer of sun-colored shape rather than a light. A single cold key light comes from the lower left, raking up her throat and the underside of her chin, striking the gold epaulettes and buckle into bright specular points while the hollows behind her jaw and above the collar go deep; a thin rim of yellow ambient kicks off the cape's white edge and nothing else is lit. Palette: white, red, black and gold held against the saturated yellow abstract field. Every surface โ the jacket's seams, the chain's links, the pleats, the piston housings โ is rendered with sharp focus and intricate detail. Cold, poised.
sute69
3t
character: hayami_kanade
1girl, solo, hayami_kanade, short hair, blue hair, black hair, parted bangs, yellow eyes, slight turn, looking at viewer, serious expression, cold gaze, crossed legs, standing, watson cross, arms crossed, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, pleated skirt, black skirt, red trim, contrast trim, high waist, double belt, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, (subtle skin indentations:0.5), opaque white socks, wrinkles below knees, machinery background, grey abstract background, sharp focus, detailed clothes, intricate design, from below, cowboy shot,
A low camera looks up from knee height in a three-quarter cowboy shot; the single figure stands with her weight sunk into the back leg while the front leg crosses it cleanly above the knee, calf overlapping calf, both white-socked feet flat on the invisible floor and both visible below the hem. Her torso is turned a few degrees off the lens, shoulders squared by the cross of her arms folded over the double-breasted chest, each hand cupping the opposite upper arm, fingertips pressed into the stiff white sleeve fabric. Her chin is level, lids low over yellow eyes that look straight down the barrel of the lens without a flicker; brows level, mouth a flat unsmiling line, jaw set, no warmth anywhere in the face. Short blue-black hair clips the jaw and parts into blunt bangs, a few strands lifted by the air around the machinery.
The jacket is crisp white, two columns of buttons, lapels cut in deep red, a black tie knotted tight at the throat and a gold ornament pinned at the collar; epaulettes sit square on both shoulders and the white cape hangs from them, flaring slightly so its red lining flashes along the inner fold. The skirt is black, high-waisted, pleated, edged in contrast red trim with a red accent stripe running the hem; a double belt cinches the waist and a chain accessory loops from it, hanging with a small swing that proves its weight. The thighhighs are opaque white, tight to the leg, and where the garter straps from the garter belt bite into them the fabric dimples the skin in faint (subtle skin indentations:0.5); below the knee the sock fabric puckers into a few horizontal wrinkles.
Behind her the grey abstract field is broken by cold machine forms -- pipes, cylinders, plates of dull metal stacked in shallow depth, all desaturated, edges sharp, their surfaces catching a hard raking light from the upper left. That light rims her shoulder and cheek in pale cool white, drops deep shadow under the cape's flare and along the undersides of her crossed arms, and throws a short contact shadow where her shoes meet the ground. The palette holds to white, black, deep red and muted steel grey, gold kept to the ornament and buttons only. Clean, severe, deliberately cold.
373 tomi
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