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男装の麗人と怪人

Contest Entry

No inspiration, just winging it

#Rapier #Girl #Red cape

Published on Nov 12, 2026

桂

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anime screencap, (Anime coloring:1.5), source_anime, retro anime, vintage 1980s TV animation style, cel shading, flat color, muted desaturated palette, film grain, scanlines, CRT screen effect, bright daylight, motion blur, shonen manga action illustration, 2 characters, 1girl, 1boy, masked figure, short hair, dark navy hair, red beret, yellow hat lining, red ball earrings, large deep blue eyes, confident smile, blush, white puffed sleeves, navy sleeveless dress, white ribbon, white gloves, white belt, gold buckle, white tights, white boots, red cape, pink cape lining, navy trim, rapier, crossing swords, from side, from below, dutch angle, dynamic pose, looking at another, open mouth Seen from a low side angle tilted just off level, the frame catches two duelists locked at the instant their rapiers meet: the petite girl on the near left, the black-clad masked figure opposite her on the right, both in profile-ish three-quarter turn toward each other. She stands in a fencer's stance, weight sunk into her back leg, front foot angled forward, her slim straight blade driven up and across so it crosses his at a single bright contact point between their chests, her gloved fingers wrapped tight around the hilt, the other hand flung back for balance with the white cuff cinched at the wrist. Her calm, confident smile holds under the clash, though her mouth has just opened on an exhale and her eyes, huge and deep blue with several white highlights stacked in them and long upper lashes fanning out at the outer corners, are fixed on his mask rather than on the steel; a faint blush sits high on her round oval cheeks, her chin small and fine. Short dark navy hair, near black, rounds over her skull in a soft silhouette, thick bangs sweeping diagonally from the crown across her forehead so one side curls broadly over the brow while a sliver of forehead still shows; the tips flick outward at the nape and small tufts jump near her temples, boyish and a little uncombed, all of it tucked inside the yellow lining of a round puffed red beret whose base is wrapped by a navy-and-white horizontal band. Red ball earrings swing at her ears. The costume is theatrical, courtly: a white blouse whose puff sleeves swell hugely at the shoulders and are split by vertical navy seams into melon-like segments, a white ribbon ornament at the chest, white piping and small vertical ornaments marching down the bodice, a thin white belt with a large gold oval buckle cinching a navy sleeveless minidress that ends above the thighs with white trim at the hem, white tights running the whole length of her legs into slim white boots that read as one piece with them. Her long red cape, bright pink inside and edged navy, is thrown open at the front and bellies out to both sides behind her, its hem snapping at calf height from the turn of her body. Opposite her the masked figure is a black shape throughout — black clothes, a black cape hauling backward, a black phantom mask with no face readable on it — his blade angled down against hers, his arm braced. The blades bow very slightly at the crossing, and the metal throws a hard flat highlight along its upper edge only. Bright daylight floods from behind the pair, so the rims of the cape, the beret's edge and the masked man's shoulders take the light while their fronts fall into cool flat shadow. Every plane is filled with flat cel color, and the whole picture is veiled in film grain with subtle horizontal scanlines rippling over it like a CRT broadcast. Slightly bewitching, nostalgic.

男装の麗人と怪人

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