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ニニモモ（ニュモ）

AI art by ニニモモ（ニュモ） on PixAI. Made with Tsubaki.3.

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ニニモモ（ニュモ）

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1boy, solo, middle-aged man, mature male, cityscape, shop window, storefront glass, jazz atmosphere, night, from side, profile, cowboy shot, walking past, hands in pockets, looking ahead, looking to the side, head tilted slightly, faint closed-lip smile, half-closed eyes, short dark hair with grey at the temples, stubble, deep lines at the eye corners, worn brown overcoat, collar turned up, dark scarf, bare hands, both ears bare, hair completely unadorned, open bare collar under the scarf, warm interior light, cool street light, reflections in glass, glowing sign, rain-slicked pavement, muted amber and deep blue palette, cinematic A profile view, camera at chest height just off his right shoulder and slightly behind the glass line, holds him in a cowboy shot from mid-thigh up as he walks the sidewalk left to right. He is a middle-aged man: short dark hair greying at the temples, close stubble along the jaw, deep creases at the outer corners of his eyes, a heavier settled build carried in the shoulders and chest. A worn brown overcoat hangs open over a dark scarf wound once and tucked, the coat collar turned up against the night; his hands are pushed deep into the coat pockets, so the wool pulls taut across his back and bunches at the wrists, and both hands stay hidden. His weight is on the front foot, the rear heel just lifting off the wet pavement, torso leaned a few degrees forward into the walk. His chin is turned a fraction toward the window on his right, lids lowered to half, one corner of the mouth pulled into a faint closed-lip smile — the look of a man hearing something he likes and not yet admitting it. His gaze goes sideways into the shop window, not to the lens. The shop window fills the right third of the frame: a tall plate-glass pane in a dark bronze frame, an interior of warm amber light behind it, brass fittings and shadowed shapes inside, and across the glass the doubled image of his own profile and shoulder sliding over the reflections of the street. The glass carries both — his reflection ghosted over the warm interior, and the interior winning wherever the amber is brightest, so the reflection thins and vanishes at the pane's lit edge. That reflection is the revealer: darker and softer than the man himself, its edges blurred by the pane. Behind him the cityscape recedes in layers: a receding row of building fronts on the left with lit and unlit windows, an illegible glowing sign above the shopfront whose lettering dissolves into bloom, a striped awning, a distant streetlamp. The pavement under his feet is rain-slicked and holds long vertical smears of the amber window light and the cool blue of the street, broken into wet patches where the stone is dry. Scattered notes of jazz read only as atmosphere: the lit window's warm spill, a saxophone silhouette hinted deep inside the shop glass among the brass, and the hush of the empty late street. Light comes from two directions only: warm amber from inside the window striking the right side of his face, his scarf and the coat's right shoulder, and a cool blue streetlamp from high behind-left rimming his hair and the back of his collar. The left side of his face falls into deep shadow. Palette is muted amber and deep blue with the brown of the coat between them; nothing else admitted. The air is damp and still, quietly nostalgic.
Show Parameters
Original Prompt
街並み、ショーウインドウ、ジャズ、男性、中年、
Mode
pro
Style
Classic Anime
Size
1104 x 1824
Sampling Method
Euler
Negative
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Style: Classic Anime
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PixAI DiT.3

Tsubaki.3
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Avatar image of ニニモモ（ニュモ）
1boy, solo, middle-aged man, mature male, cityscape, shop window, storefront glass, jazz atmosphere, night, from side, profile, cowboy shot, walking past, hands in pockets, looking ahead, looking to the side, head tilted slightly, faint closed-lip smile, half-closed eyes, short dark hair with grey at the temples, stubble, deep lines at the eye corners, worn brown overcoat, collar turned up, dark scarf, bare hands, both ears bare, hair completely unadorned, open bare collar under the scarf, warm interior light, cool street light, reflections in glass, glowing sign, rain-slicked pavement, muted amber and deep blue palette, cinematic A profile view, camera at chest height just off his right shoulder and slightly behind the glass line, holds him in a cowboy shot from mid-thigh up as he walks the sidewalk left to right. He is a middle-aged man: short dark hair greying at the temples, close stubble along the jaw, deep creases at the outer corners of his eyes, a heavier settled build carried in the shoulders and chest. A worn brown overcoat hangs open over a dark scarf wound once and tucked, the coat collar turned up against the night; his hands are pushed deep into the coat pockets, so the wool pulls taut across his back and bunches at the wrists, and both hands stay hidden. His weight is on the front foot, the rear heel just lifting off the wet pavement, torso leaned a few degrees forward into the walk. His chin is turned a fraction toward the window on his right, lids lowered to half, one corner of the mouth pulled into a faint closed-lip smile — the look of a man hearing something he likes and not yet admitting it. His gaze goes sideways into the shop window, not to the lens. The shop window fills the right third of the frame: a tall plate-glass pane in a dark bronze frame, an interior of warm amber light behind it, brass fittings and shadowed shapes inside, and across the glass the doubled image of his own profile and shoulder sliding over the reflections of the street. The glass carries both — his reflection ghosted over the warm interior, and the interior winning wherever the amber is brightest, so the reflection thins and vanishes at the pane's lit edge. That reflection is the revealer: darker and softer than the man himself, its edges blurred by the pane. Behind him the cityscape recedes in layers: a receding row of building fronts on the left with lit and unlit windows, an illegible glowing sign above the shopfront whose lettering dissolves into bloom, a striped awning, a distant streetlamp. The pavement under his feet is rain-slicked and holds long vertical smears of the amber window light and the cool blue of the street, broken into wet patches where the stone is dry. Scattered notes of jazz read only as atmosphere: the lit window's warm spill, a saxophone silhouette hinted deep inside the shop glass among the brass, and the hush of the empty late street. Light comes from two directions only: warm amber from inside the window striking the right side of his face, his scarf and the coat's right shoulder, and a cool blue streetlamp from high behind-left rimming his hair and the back of his collar. The left side of his face falls into deep shadow. Palette is muted amber and deep blue with the brown of the coat between them; nothing else admitted. The air is damp and still, quietly nostalgic.
ニニモモ（ニュモ）
AI artwork
Avatar image of ニニモモ（ニュモ）
1boy, solo, middle-aged man, mature male, cityscape, shop window, storefront glass, jazz atmosphere, night, from side, profile, cowboy shot, walking past, hands in pockets, looking ahead, looking to the side, head tilted slightly, faint closed-lip smile, half-closed eyes, short dark hair with grey at the temples, stubble, deep lines at the eye corners, worn brown overcoat, collar turned up, dark scarf, bare hands, both ears bare, hair completely unadorned, open bare collar under the scarf, warm interior light, cool street light, reflections in glass, glowing sign, rain-slicked pavement, muted amber and deep blue palette, cinematic A profile view, camera at chest height just off his right shoulder and slightly behind the glass line, holds him in a cowboy shot from mid-thigh up as he walks the sidewalk left to right. He is a middle-aged man: short dark hair greying at the temples, close stubble along the jaw, deep creases at the outer corners of his eyes, a heavier settled build carried in the shoulders and chest. A worn brown overcoat hangs open over a dark scarf wound once and tucked, the coat collar turned up against the night; his hands are pushed deep into the coat pockets, so the wool pulls taut across his back and bunches at the wrists, and both hands stay hidden. His weight is on the front foot, the rear heel just lifting off the wet pavement, torso leaned a few degrees forward into the walk. His chin is turned a fraction toward the window on his right, lids lowered to half, one corner of the mouth pulled into a faint closed-lip smile — the look of a man hearing something he likes and not yet admitting it. His gaze goes sideways into the shop window, not to the lens. The shop window fills the right third of the frame: a tall plate-glass pane in a dark bronze frame, an interior of warm amber light behind it, brass fittings and shadowed shapes inside, and across the glass the doubled image of his own profile and shoulder sliding over the reflections of the street. The glass carries both — his reflection ghosted over the warm interior, and the interior winning wherever the amber is brightest, so the reflection thins and vanishes at the pane's lit edge. That reflection is the revealer: darker and softer than the man himself, its edges blurred by the pane. Behind him the cityscape recedes in layers: a receding row of building fronts on the left with lit and unlit windows, an illegible glowing sign above the shopfront whose lettering dissolves into bloom, a striped awning, a distant streetlamp. The pavement under his feet is rain-slicked and holds long vertical smears of the amber window light and the cool blue of the street, broken into wet patches where the stone is dry. Scattered notes of jazz read only as atmosphere: the lit window's warm spill, a saxophone silhouette hinted deep inside the shop glass among the brass, and the hush of the empty late street. Light comes from two directions only: warm amber from inside the window striking the right side of his face, his scarf and the coat's right shoulder, and a cool blue streetlamp from high behind-left rimming his hair and the back of his collar. The left side of his face falls into deep shadow. Palette is muted amber and deep blue with the brown of the coat between them; nothing else admitted. The air is damp and still, quietly nostalgic.
ニニモモ（ニュモ）
AI artwork
Avatar image of ニニモモ（ニュモ）
1boy, solo, middle-aged man, mature male, cityscape, shop window, storefront glass, jazz atmosphere, night, from side, profile, cowboy shot, walking past, hands in pockets, looking ahead, looking to the side, head tilted slightly, faint closed-lip smile, half-closed eyes, short dark hair with grey at the temples, stubble, deep lines at the eye corners, worn brown overcoat, collar turned up, dark scarf, bare hands, both ears bare, hair completely unadorned, open bare collar under the scarf, warm interior light, cool street light, reflections in glass, glowing sign, rain-slicked pavement, muted amber and deep blue palette, cinematic A profile view, camera at chest height just off his right shoulder and slightly behind the glass line, holds him in a cowboy shot from mid-thigh up as he walks the sidewalk left to right. He is a middle-aged man: short dark hair greying at the temples, close stubble along the jaw, deep creases at the outer corners of his eyes, a heavier settled build carried in the shoulders and chest. A worn brown overcoat hangs open over a dark scarf wound once and tucked, the coat collar turned up against the night; his hands are pushed deep into the coat pockets, so the wool pulls taut across his back and bunches at the wrists, and both hands stay hidden. His weight is on the front foot, the rear heel just lifting off the wet pavement, torso leaned a few degrees forward into the walk. His chin is turned a fraction toward the window on his right, lids lowered to half, one corner of the mouth pulled into a faint closed-lip smile — the look of a man hearing something he likes and not yet admitting it. His gaze goes sideways into the shop window, not to the lens. The shop window fills the right third of the frame: a tall plate-glass pane in a dark bronze frame, an interior of warm amber light behind it, brass fittings and shadowed shapes inside, and across the glass the doubled image of his own profile and shoulder sliding over the reflections of the street. The glass carries both — his reflection ghosted over the warm interior, and the interior winning wherever the amber is brightest, so the reflection thins and vanishes at the pane's lit edge. That reflection is the revealer: darker and softer than the man himself, its edges blurred by the pane. Behind him the cityscape recedes in layers: a receding row of building fronts on the left with lit and unlit windows, an illegible glowing sign above the shopfront whose lettering dissolves into bloom, a striped awning, a distant streetlamp. The pavement under his feet is rain-slicked and holds long vertical smears of the amber window light and the cool blue of the street, broken into wet patches where the stone is dry. Scattered notes of jazz read only as atmosphere: the lit window's warm spill, a saxophone silhouette hinted deep inside the shop glass among the brass, and the hush of the empty late street. Light comes from two directions only: warm amber from inside the window striking the right side of his face, his scarf and the coat's right shoulder, and a cool blue streetlamp from high behind-left rimming his hair and the back of his collar. The left side of his face falls into deep shadow. Palette is muted amber and deep blue with the brown of the coat between them; nothing else admitted. The air is damp and still, quietly nostalgic.
ニニモモ（ニュモ）

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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