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同期ちゃん
Show Parameters
- Original Prompt
- nsfw 同期ちゃんというキャラクター。 公式イラストを忠実に再現。 茶色い瞳とミディアムヘアの女性会社員。青いシャツに社員証、ペンシルスカート、パンティストッキング、パンプスを着用。 オフィス内。 机に身を乗り出して奥の書類を取ろうとしている。 少し突き出したお尻。 スカート越しにパンティラインが浮き出ている。 後ろ姿。 彼女のお尻を後ろから少し見上げる視点。
- Size
- 768 x 1280
- Sampling Steps
- 5
- Sampling Method
- DPM++ SDE Karras
- CFG Scale
- 3
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Model & LoRA used
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Office Lady's Elegant Bend
Kuro
from behind, facing away, 1girl, solo, young japanese businesswoman, extreme low-angle shot, camera very low to the ground looking up, full-body, crouching, squatting, on floor, modern office interior, black hair, neat inner-turned bob cut, nape of neck visible, back of head, well-tailored black business suit jacket, white shirt, open collar, open collar visible from side, tight black pencil skirt, back slit, sheer black tights, high heels, arms resting on knees, forearms hanging relaxed, head slightly lowered, looking down at floor ahead, soft corporate office lighting, blurred corporate background, photorealistic, highly detailed, depth of field
The camera sits almost on the floorboards, tilted up so her crouching form fills the frame from behind: the point of one heel takes the weight, the other foot flatter, both knees folded up high and apart enough for the pencil skirt to pull taut across the backs of her thighs, its single back slit parting a narrow vertical gap at the center hem through which the black tights show as a thin seam. The suit jacket's back hem rides up with the crouch and hangs in a crisp fold off her right hip; the jacket's shoulder line stays tailored and sharp because she is not slouching. Her white shirt's open collar is caught from the side, a triangle of bare pale throat and collarbone between the collar points where the jacket's lapel swings forward off her shoulder. Her black bob is a clean inward curl at the jawline, ending in points against the back of her neck; a few strands at the nape lift away because her head is tipped slightly down. Both hands rest loose, one forearm along each knee, fingers slack and hooked off the knee caps, palms down. Her gaze goes to the floor tiles just past her feet, unfocused, private.
The office lighting comes from overhead ceiling panels of cool white, so the tops of her shoulders, the crown of the bob, the ridge of the skirt's back and the tops of her knees are the lit faces; the undersides of her thighs, the hollow of the slit and the backs of her calves fall into soft grey shadow. Her shadow pools small and tight at her feet because the light is far above and diffuse, and the sheen of the tights picks up a single thin highlight running down each calf. Behind her the office recedes into heavy blur: the pale green-grey of desk partitions, the glow of a monitor, a strip of corridor carpet, all desaturated and low contrast so she is the only sharp thing in the frame. Palette is charcoal black, warm off-white, cool grey-green floor, and pale skin. Quiet, self-contained, believably corporate.
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