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怖い方のヤンデレ
怖い方のヤンデレ AI art by toshi-mtgs on PixAI. Tags: Looking down, Black hair, from below, Night. Made with Tsubaki.3 Flash.
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1girl, solo, black hair, long hair, straight hair, hair past waist, glasses, clear-framed rectangular glasses, beautiful girl, single mole, mole near mouth, mole under the corner of her mouth, slanted eyes, slender, curvy figure, school uniform, blazer, dark navy blazer, white collared shirt, ribbon necktie, pleated skirt, tartan plaid pleated skirt, black tights, no earrings, bare ears, school hallway, daytime, indoors, front view, facing the viewer, looking at viewer, upper thighs, standing, mid-step, hand on skirt hem, corridor receding behind her, window light, linoleum floor, lockers, classroom doors, soft daylight, gentle mood,
A straight-on front view at eye level, camera placed square to a single girl in the middle of a school corridor, the perspective running away behind her so that the polished floorboards and the ceiling light rows converge toward a vanishing point directly behind her head. She is one person, alone in the frame, and she faces the lens squarely, chin level, her dark eyes set on the viewer with a calm, faintly knowing look; her lips are shut in a small closed smile that lifts the right corner only, and the single small mole sits just under the outer edge of her mouth on that side, exactly one mark and no other. Her black hair is long, dead straight, and hangs down past her waist, parting in two sheets ahead of her shoulders so the strands fall in front of the blazer's lapels; clear-framed rectangular glasses rest on the bridge of her nose, the frames thin enough that the daylight puts a narrow bright streak across the left lens. She wears a dark navy school blazer, open, over a white collared shirt buttoned to the top and a ribbon necktie at the throat; the blazer is cut slim at the waist and the shirt pulls gently across a full chest before tapering into a narrow waist and a rounded hip line. The tartan pleated skirt falls to mid-thigh, its knife pleats standing in crisp ridges; her black tights run from the skirt hem down over slender legs to her shoes, the fabric catching a faint sheen down the front of each shin. Her weight is on her left leg, the right knee bent and the right toe just settling onto the floor mid-step; her right hand rests flat on the side of the skirt, fingers spread and pressing one pleat against her thigh, while her left arm hangs loose with the fingertips brushing the blazer's hem. Secondary motion: the skirt's pleats still swing from the step, the ribbon tail lifts a little at her throat, and one thin strand of hair drifts across her cheek. Environment: the corridor is empty around her, a row of grey lockers along the left wall, classroom doors with small windows along the right, a long band of tall windows on the right side pouring white daylight across the floor so that a wide rectangle of light lies diagonally behind her and her shadow stretches forward onto the linoleum toward the viewer, longer than she is; the light falls on the left side of her face and the right side of her body, and the far end of the corridor sits softer and cooler in shadow. Palette: navy, white, tartan red-and-charcoal, black, and the pale grey-green of the linoleum, nothing else admitted. Reflected light from the floor faintly brightens the underside of her chin and the inner edges of her tights. Composed, quietly confident.
user-1933930960950615780
無題
割り箸
大
1girl, solo, original character, young adult woman, about 18 years old, slender hourglass figure with full bust, narrow waist, wide hips, long legs, mature feminine proportions, long wavy chestnut-brown hair, side-swept fringe, dark brown eyes, light smile with one corner tilted up, half-closed eyes, raised eyebrow, glancing sideways at viewer over her shoulder, chin turned back toward the lens, upper body twisted, hip cocked to one side, weight on the far leg, one hand resting on the doorframe at shoulder height, other hand loose at her hip, fingers curled on the wood, oversized off-shoulder knit sweater slipping low, one sleeve sliding down to her elbow, bare shoulder and bare collarbone exposed, short high-waisted skirt, bare legs, leaning against the frame, from behind, over-shoulder composition, cowboy shot, looking back, dutch angle, warm lamplight, rim light, wood interior, no text,
A dutch-tilted three-quarter back view from slightly below: the doorway's vertical edge cuts the frame into a dark near-side strip on the left and the warm-lit room beyond. Her back and turned hip face the camera; her head comes round over her right shoulder so her chin sits above the line of her collar and one dark eye meets the lens sideways, the other mostly hidden by the fall of hair along her cheek. Her weight is all on the far leg, near hip pushed out so the short skirt rides to one side and the sweater's hem lifts off the waistband; her fingers on the doorframe at shoulder height take the strain of the lean, the knuckles gone pale against the wood. The knit sweater hangs off the near shoulder, the collar stretched, the loose sleeve bunched at her elbow and the bare collarbone catching the light as it slopes into shadow. Behind her the room is dark except for a single warm lamp out of frame to the right, so a soft rim of amber runs down her arm, the curve of the shoulder and the outer edge of her hair while the front of her body and the doorframe fall into brown-black; the shadow of her hand and the tilted frame cast long across the boards, and the lamplight thins against her hair so it glows brightest at the crown and goes dull toward the ends. Palette of deep walnut brown, black shadow and warm amber, with her skin the brightest value in the frame. Intimate, quietly confident.
大村奈々斗
1girl, solo, super low-angle, from below, worm's-eye view, close-up, cropped legs, one leg, barefoot, no shoes, black opaque tights, short-sleeve fitted dress, charcoal grey knit dress, straight brown hair, shoulder-length hair, large structured black handbag hanging from left arm, going down stairs, descending staircase, indoors, at home, foot in midair, toes pointed, weight on one support leg, hand on banister, standing on one leg, looking down, head tilted down, dutch angle, foreshortening, warm interior lamplight, soft shadow, quiet intimacy
The camera sits almost on the stair tread itself, pointing straight up the flight, so the nearest thing in the frame is the sole and underside of one bare foot inside black opaque tights, huge and close, toes curled slightly around the nosing of a step it is just leaving; the leg rises away from the lens, tapering with real foreshortening, calf and heel pressing a faint taut sheen into the tight knit fabric of the tights, wrinkles gathering behind the ankle and knee as the foot lifts. The other leg carries the weight further up the flight, its knee bent, thigh planted, visible past the descending shin with a clear step edge crossing in front of it. Above the knees the cropped frame takes in the hem of the short-sleeve fitted dress, garment hugging waist and hips, hem pushed out in a soft travelling flare as she steps down. Her left arm bends away from the camera, and the large structured black handbag hangs from that forearm, squared panel and stiff top handle, its weight tilting her shoulder down toward that side; her right hand closes on the wooden banister spindle beside her, fingers wrapped over the rail. Straight brown hair falls to her shoulders and swings forward past her cheek as her head tips down over the descending foot, eyes lowered to the step beneath her, chin tucked, lips slightly parted on a held breath, no smile, a small private concentration. Staircase steps rise behind her in receding layers, varnished wood treads with a runner carpet, a painted skirting board along the left wall, and a doorframe and a warm wall below on the right, all interior, all domestic. A single warm tungsten ceiling fixture overhead and slightly behind throws soft light down the steps: bright on the top planes of the treads and the front of the lifted shin, dimmer under the foot where the sole shadows itself, cast shadow of her body dropping down the flight toward the lens. Palette of charcoal grey, warm honey-brown wood, cream runner and near-black tights. A faint indentation blooms in the carpet where her standing foot presses it. Quiet, close, domestic tenderness.
むぎ
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