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AI artwork featuring #Japanese clothes, #solo, #Black hair, #Japanese sword, #Sword, #Purple eyes, #Boy, #Demon Slayer: Kimetsu no Yaiba and #Swordsman

Demon Slayer: Kimetsu no Yaiba, Japanese clothes

AI art by rikuduhhh- on PixAI. Tags: Black hair, Japanese sword, Sword, Purple eyes, Swordsman. Made with Tsubaki.3 Flash.

#Japanese clothes #solo #Black hair #Japanese sword #Sword #Purple eyes #Boy #Demon Slayer: Kimetsu no Yaiba #Swordsman

Published on Nov 12, 2026

rikuduhhh-

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1boy, solo, 18-year-old male, slim lightweight agile build, deep-brown skin, soft youthful face, heavy dark freckles across cheeks nose and upper face, vivid magenta eyes, fox-like eyes, sharp alert expression, messy heavily layered black hair past shoulders, black demon slayer corps uniform, short jacket, high folded collar, two-tone black and charcoal hakama-style trousers, wrapped lower legs, tabi footwear, short black-to-deep-violet gradient haori, haori ends at waist, layered wave patterns, distorted wave patterns toward the edges, katana, straight narrow violet blade, darker-violet spine, black-wrapped handle, small oval tsuba, open mirage-wave tsuba design, matte-black saya, subtle violet wave lines on saya, white sageo cord, from below, cowboy shot, dutch angle, looking to the side, half-closed eyes, parted lips, hand on hilt, crouched, weight on toes, hair blown across face, haori hem lifting, graphite sketch, pencil sketch, rough lineart, hatching shading, sketchbook style, unfinished look, monochrome with violet accent The camera sits low and tilted a few degrees off level, so the boy looms up out of the bottom third of the frame in a cowboy shot that cuts him at mid-thigh, tilted slightly so his vertical axis leans against the frame's edge. He is caught in a low crouch on the ball of his right foot, left knee dropped and hovering a hand's breadth above the ground, spine pitched forward, shoulders rolled tight — a runner's ready-set frozen an instant before release. His right hand wraps the black-wrapped handle at his right hip with the blade still seated in the matte-black saya, knuckles white, thumb hooked over the small oval tsuba whose open mirage-wave spokes catch the light; his left hand is flung out low and behind for balance, fingers splayed, and the white sageo cord swings free from the saya's mouth in an arc that lags a beat behind the motion. The short black jacket with its high folded collar sits open at the throat, the collar edge folded sharp and standing away from his neck; the two-tone black and charcoal hakama-style trousers bunch hard at the dropped knee, their seam caught in a fold, and the wrapped lower legs and tabi-clad feet plant on the ground with the right foot's toes gripping and the left heel lifted clear. The short haori ends exactly at his waist and lifts with the crouch, its layered wave patterns bending around his ribs so the bands run true at the shoulders and smear into distorted, breaking curls at the hem's edges. His head is snapped around to his left, chin over the shoulder, the deep-brown skin of his neck drawn taut; the heavy dark freckles crowd his cheeks, the bridge of his nose and up across his forehead, densest where the light rakes the cheekbone. His vivid magenta fox-like eyes are narrowed to a sharp edge under a lowered brow, the lower lids lifted, the outer corners drawn up and out; his lips are parted a slit, breath caught, and a single strand of the messy heavily layered black hair has blown across the bridge of his nose while the rest sweeps past his shoulders and lifts off his collar in the same gust. He is not looking at the lens — his gaze cuts hard off to the left of frame, tracking something past the picture's edge. Behind and above him is empty pale paper, nothing drawn but a scatter of hatching, with the only darker tone pooling at the bottom of the frame under his feet, so the low angle throws his dark silhouette against a blank sheet. A single hard raking light comes from the upper left: it strikes the top plane of his collar, the outer edge of his right forearm and the ridge of his cheekbone, skims across the violet blade's flat where it peeks from the saya and along the darker-violet spine, and drops everything beneath his jaw and below his left arm into dense cross-hatched shadow, with a short blunt cast shadow tucked at the toes of his right foot. Graphite on toothy paper throughout: rough, broken lineart that doubles back on itself, hatching for the shadows, the jacket and trousers held in black and charcoal, the only chromatic note a rubbed violet pencil bloomed into the blade, the haori's gradient and the eyes — nothing else coloured. Taut, coiled.

Demon Slayer: Kimetsu no Yaiba, Japanese clothes

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