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演説
Contest Entry
THE ROMAN EMPIRE – A Journey Through History#Roman Empire Contest
Show Parameters
- Original Prompt
- 紫色の上着の縁取りがあるトガを着た、堀の深い顔立ちの中年ローマ人が群衆に向けて演説している,digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed CG, detailed eyes, detailed skin
- Size
- 768 x 1280
- Sampling Steps
- 8
- Sampling Method
- Euler a
- CFG Scale
- 1.1
- Negative
- worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands,
Face Fix
Model & LoRA used
Similar Images
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Trajan – Glory of the Roman Empire 🏛️⚔️
Master Foolishly
t1
anime cartoon style woman, ultra-detailed, animeted, anime colored, cgptbg, (((Beautiful background))), (4k, 8k, Ultra HD), (Masterpiece), (Best quality), (High detailed), Epic cinematic anime illustration with painterly realism, a sweeping panoramic view of Ancient Rome at the height of the Roman Empire. At golden hour, a victorious emperor stands on the Forum's marble steps, wearing an ornate Roman cuirass, crimson cloak, and laurel wreath. Disciplined legionaries in historically inspired armor flank him, carrying scarlet standards and the golden eagle. Below, the bustling Forum brings Roman daily life to the scene: merchants, artisans, families in tunics and togas, fountains, and carts, alongside a returning legion in a dignified triumphal procession. In the distance, monumental temples, a triumphal arch, the Colosseum, aqueducts, and terracotta rooftops fill the skyline. Carved reliefs hint at the story of Romulus and Remus, while subtle, ethereal figures of Mars and Minerva appear in the clouds. Awe-inspiring scale, rich historical detail, elegant composition, intricate marble and bronze, flowing fabric, warm gold light, ivory stone, imperial red, atmospheric depth, grand yet full of human life, no gore and sexy girl.
Negative prompt: Modern objects, cars, modern skyline, electricity, guns, futuristic technology, medieval armor, gothic castles, anachronisms, inaccurate costumes, fantasy armor, text, letters, logo, watermark, blurry, low resolution, muddy colors, cluttered composition, distorted anatomy, extra limbs, extra fingers, malformed hands, duplicate faces, excessive gore.
TDK1992
t1
character: athena_(mythology)
panoramic view, wide shot, from below, golden hour, warm gold light, ancient rome, imperial rome at its height, marble forum steps, victorious emperor standing, ornate roman cuirass, crimson cloak, laurel wreath, disciplined legionaries flanking emperor, historically inspired roman armor, scarlet standards, golden eagle standard, aquila, returning legion, dignified triumphal procession, crowded forum, roman merchants, artisans, families in tunics and togas, stone fountains, horse-drawn carts, monumental temples, triumphal arch, colosseum, aqueducts, terracotta rooftops, carved marble reliefs, romulus and remus relief, ethereal figures in clouds, mars in the clouds, minerva in the clouds, ivory stone, imperial red, intricate marble and bronze, flowing fabric, atmospheric depth, awe-inspiring scale, rich historical detail, highly detailed, sharp focus, vivid clean colors, no text, no lettering, no logos, watermark-free, clean image, no blood, no wounds, anatomically correct, five fingers, distinct faces, classical roman armor, ancient transport only, daylight and torchlight only
The camera sits low at the foot of the Forum's marble steps and looks up and outward, the whole valley of the city opening above the stair line in one sweeping panorama. In the foreground-left the emperor stands three steps above the crowd on ivory-white marble, weight on his right leg with the left foot set one step lower, torso turned a quarter toward the right so the crowd sees his profile sharpen into three-quarter; his right hand rests flat on the gilded hilt at his hip and his left arm is flung out and open, palm down, holding the gesture that ends the triumph. Beneath the ornate cuirass, embossed in low bronze relief across the chest, the muscle-cuirass straps ride over a crimson tunic; the crimson cloak streams from both shoulders and bellies away downhill, its lower hem lifting and folding in the warm updraft off the crowded square. A laurel wreath of green-gold leaves sits low on his brow; his chin is lifted, eyes narrowed against the low sun, gaze sweeping the crowd below him, and a faint closed-lip smile of completion sits at one corner of his mouth. His personal guard flank him in a disciplined wedge down the steps to his right: six legionaries in segmented iron lorica with bronze fittings, scarlet tunics under the plates, crested helmets, oval scuta held at rest against the outer leg, their eyes fixed forward on the crowd and on the emperor's flank, shoulders squared, feet planted in identical stances. Behind them two standard-bearers carry the scarlet vexillum snapping and the golden eagle with wings half-spread on its pole, the eagle catching the sun so its bronze feathers flare white along the upper edges. Down in the Forum, the returning legion enters from the left in a loose dignified column: legionaries walking with helmets under their arms, spears shouldered, a mounted officer at the head; the crowd parts around them, a merchant in a coarse brown tunic lifting a hand from his stall, an artisan at a workbench setting down a hammer, a family in cream and ochre togas with children pressed against a fountain's rim, the fountain's water throwing a bright spray that catches the sun in fine droplets. A two-wheeled cart with iron-rimmed wheels waits drawn by a single bay horse at the colonnade's shadow line; the horse's ears are forward, the driver's hand on the rein. Above and beyond the roofs, the sun's last hour rakes across the skyline: terracotta rooftops warm to orange, the triumphal arch's attic in pale stone, a temple's colonnade throwing long parallel shadows down the marble paving, the Colosseum's stacked arcades rising with their upper rim gilded, and the aqueduct's arches stepping away to the right in receding haze. In the upper-left sky the low cloud bank breaks into two luminous forms, one a tall spear-holding figure with a crested helm dissolving at the edges into vapor, the other a robed figure with an owl-shaped shadow at her shoulder, both half-transparent, lit from within by the same gold. Carved into the marble parapet of the steps in the near right, low relief shows the she-wolf on her haunches over two small figures at her teats, the stone's cut edges softened by centuries of weather. The light comes from a single low sun at the left-rear, striking the emperor's cuirass and the eagle, throwing his long shadow down the steps to the right and leaving the colonnade's inner face in deep warm brown; only the sky's glow and the sun's direct light exist, with no other illumination. The palette is ivory marble, terracotta, imperial crimson and warm gold, with a single deeper blue sitting in the far aqueduct haze for distance. Fine detail goes to the emperor's face, hands and cloak folds, to the eagle's feathers, to the fountain's spray, and to the carved wolf relief; the distant crowd resolves as warm masses of moving color under dust. Grand, sunlit and utterly alive.
TDK1992
pc
roman centurion, solo, ancient roman armor, lorica segmentata, transverse crested helmet, crimson cape, standing, three-quarter view, from below, low angle, shallow depth of field, ancient roman palace interior, marble columns, coffered ceiling, mosaic floor, dramatic shaft of sunlight, dust motes, bronze and crimson palette, hyper-detailed metalwork, cinematic lighting, ancient roman style
Shot from below and slightly to the side, a lone Roman centurion stands at the center of a vast ancient Roman palace hall, his body angled three-quarters away toward the right while his helmeted head turns back over his left shoulder, eyes scanning off-frame toward the sunlit colonnade. He wears segmented Roman plate armor banded across the chest and shoulders with articulated steel lames, leather straps and bronze studs binding the cuirass at the sides; beneath it a deep crimson military tunic and a leather belt weighted with the short sword at his right hip. A transverse horsehair crest sweeps red across the crown of his bronze helmet, cheek guards framing his jaw. His left hand grips the hilt of the sword at his waist, the right arm hanging relaxed with fingers loosely curled. One booted foot rests slightly forward, weight on the back leg, the crimson cape falling from his shoulders and pooling against the pale marble floor.
Behind and around him the palace interior opens in depth: a row of fluted marble columns with gilded Corinthian capitals marching away on either side, a coffered and painted ceiling far overhead, mosaic floor tesserae catching the light beneath his boots. A shaft of warm sunlight slices diagonally from a high clerestory window on the left, illuminating the dust suspended in the air and striking the polished bronze of his helmet and the edge of his pauldron, while the column bases and far end of the hall fall into deep shadow. The palette is bronze, warm marble white, crimson cape and crest, and the deep umber of shadowed stone, nothing else admitted. The dust motes in the sunbeam reveal every footstep's disturbance of the still air.
Cinematic, monumental.
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