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Ichigo Hitofuri, Touken Ranbu
AI art by 白武遼 on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- 美女に主導権を取られたい願望がある一期一振(刀剣乱舞の服装、ウエストが細く、容姿端麗、顔の輪郭が整っている)、本丸に侵入してきた美女忍者に往復ビンタされている一期一振。
- Mode
- flash
- Size
- 1104 x 1824
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Model & LoRA used
Similar Images
Show more白
character: ichigo_hitofuri, copyright: touken_ranbu
2girls, 2boys, male focus, ichigo_hitofuri \(touken_ranbu\), short hair, blue hair, aqua hair, yellow eyes, touken ranbu uniform, military uniform, white gloves, cape, necktie, slender waist, beautiful face, well-defined facial features, beautiful female ninja, female ninja, black shinobi shozoku, face mask, headband, kunoichi, slapping, multiple slaps, alternating hands, backhand slap, impact, being slapped, head turned by slap, from side, profile, dutch angle, close-up, cowboy shot, angry, dominant female, submissive male, motion blur, speed lines, looking at another, clenched teeth, sweat, indoors, genkan, wooden floor
A tight, low, tilted cowboy shot from the side, camera raked into a dutch angle so the two figures lean across the frame diagonally: the man takes the right half of the picture, the woman drives in from the left. Both are shown in profile, faces close together at the centre of the frame where the slaps land.
He is turned half away from the viewer, upper body wrenched to the left by the blow, chin snapped sideways and to the right, one cheek reddening and beginning to swell under the open-handed impact; his short aqua-blue hair is flung across his brow by the motion, a few strands lifted off the nape and hanging in the air behind it. His yellow eyes are wide and half-hooded at once, wet at the lower lid, staring up and away at her wrist rather than at her face, jaw slack, one corner of his mouth pulled by the strike. He wears the Touken Ranbu uniform: the dark military jacket with its braided trim sits yanked open at the collar, the necktie knocked askew and flipped up over one shoulder, and the long pale cape swings out behind him away from the blow, its hem lifting. His waist is narrow enough that the belted jacket cinches sharply at it before the skirt of the coat flares. Both gloved hands are half-raised at chest height, white-gloved fingers curled and not quite reaching her arm — a motion caught before it decides whether to stop her or accept it. His weight is thrown onto the back foot, heel skidding on the boards, the front knee buckling inward.
She is a beautiful woman in a black shinobi shozoku, cloth wrapped tight over the bridge of her nose and mouth so only her eyes and brow are bare, a dark headband holding her hair back; the hood and sleeve cloth pull taut along her extended arm as her open palm follows through across his face, her other hand already gathered back at her own shoulder, raised and ready for the return slap. Her eyes are narrowed and bright, fixed hard on his face — she is watching the mark she just left, not the room. Her stance is planted, front foot between his feet, hip rotated into the strike, weight low and stable while his is failing. Her costume is matte black against the warm wood of the entryway.
The setting is the genkan of a traditional compound: dark polished floorboards underfoot, a step up to a shadowed interior corridor behind them, one shoji panel slid open at the left edge of frame, and a scatter of knocked-over items — a single straw sandal flipped sole-up, a loose floorboard seam running diagonally beneath their feet. Depth of field falls off fast, the corridor dissolving into dim brown.
Light comes from a single paper lantern hanging above and behind the woman's shoulder, warm and low, so her back and the top of her hood catch the glow while his face and throat are lit across the cheek she is striking; their long shadows rake away to the right across the boards, hers longer and steady, his broken and off-balance. Fine dust drifts in the lantern's cone, and the sandal's shadow sits separate from the sandal itself. Palette: warm amber wood, matte black cloth, the cold aqua of his hair, and the red blooming on his cheek. The slap is still in motion — his hair and cape have not caught up with his head. Tense, heady.
白武遼
白
character: ichigo_hitofuri, copyright: touken_ranbu
2girls, 2boys, male focus, ichigo_hitofuri \(touken_ranbu\), short hair, blue hair, aqua hair, yellow eyes, touken ranbu uniform, military uniform, white gloves, cape, necktie, slender waist, beautiful face, well-defined facial features, beautiful female ninja, female ninja, black shinobi shozoku, face mask, headband, kunoichi, slapping, multiple slaps, alternating hands, backhand slap, impact, being slapped, head turned by slap, from side, profile, dutch angle, close-up, cowboy shot, angry, dominant female, submissive male, motion blur, speed lines, looking at another, clenched teeth, sweat, indoors, genkan, wooden floor
A tight, low, tilted cowboy shot from the side, camera raked into a dutch angle so the two figures lean across the frame diagonally: the man takes the right half of the picture, the woman drives in from the left. Both are shown in profile, faces close together at the centre of the frame where the slaps land.
He is turned half away from the viewer, upper body wrenched to the left by the blow, chin snapped sideways and to the right, one cheek reddening and beginning to swell under the open-handed impact; his short aqua-blue hair is flung across his brow by the motion, a few strands lifted off the nape and hanging in the air behind it. His yellow eyes are wide and half-hooded at once, wet at the lower lid, staring up and away at her wrist rather than at her face, jaw slack, one corner of his mouth pulled by the strike. He wears the Touken Ranbu uniform: the dark military jacket with its braided trim sits yanked open at the collar, the necktie knocked askew and flipped up over one shoulder, and the long pale cape swings out behind him away from the blow, its hem lifting. His waist is narrow enough that the belted jacket cinches sharply at it before the skirt of the coat flares. Both gloved hands are half-raised at chest height, white-gloved fingers curled and not quite reaching her arm — a motion caught before it decides whether to stop her or accept it. His weight is thrown onto the back foot, heel skidding on the boards, the front knee buckling inward.
She is a beautiful woman in a black shinobi shozoku, cloth wrapped tight over the bridge of her nose and mouth so only her eyes and brow are bare, a dark headband holding her hair back; the hood and sleeve cloth pull taut along her extended arm as her open palm follows through across his face, her other hand already gathered back at her own shoulder, raised and ready for the return slap. Her eyes are narrowed and bright, fixed hard on his face — she is watching the mark she just left, not the room. Her stance is planted, front foot between his feet, hip rotated into the strike, weight low and stable while his is failing. Her costume is matte black against the warm wood of the entryway.
The setting is the genkan of a traditional compound: dark polished floorboards underfoot, a step up to a shadowed interior corridor behind them, one shoji panel slid open at the left edge of frame, and a scatter of knocked-over items — a single straw sandal flipped sole-up, a loose floorboard seam running diagonally beneath their feet. Depth of field falls off fast, the corridor dissolving into dim brown.
Light comes from a single paper lantern hanging above and behind the woman's shoulder, warm and low, so her back and the top of her hood catch the glow while his face and throat are lit across the cheek she is striking; their long shadows rake away to the right across the boards, hers longer and steady, his broken and off-balance. Fine dust drifts in the lantern's cone, and the sandal's shadow sits separate from the sandal itself. Palette: warm amber wood, matte black cloth, the cold aqua of his hair, and the red blooming on his cheek. The slap is still in motion — his hair and cape have not caught up with his head. Tense, heady.
白武遼
白
character: ichigo_hitofuri, copyright: touken_ranbu
2girls, 2boys, male focus, ichigo_hitofuri \(touken_ranbu\), short hair, blue hair, aqua hair, yellow eyes, touken ranbu uniform, military uniform, white gloves, cape, necktie, slender waist, beautiful face, well-defined facial features, beautiful female ninja, female ninja, black shinobi shozoku, face mask, headband, kunoichi, slapping, multiple slaps, alternating hands, backhand slap, impact, being slapped, head turned by slap, from side, profile, dutch angle, close-up, cowboy shot, angry, dominant female, submissive male, motion blur, speed lines, looking at another, clenched teeth, sweat, indoors, genkan, wooden floor
A tight, low, tilted cowboy shot from the side, camera raked into a dutch angle so the two figures lean across the frame diagonally: the man takes the right half of the picture, the woman drives in from the left. Both are shown in profile, faces close together at the centre of the frame where the slaps land.
He is turned half away from the viewer, upper body wrenched to the left by the blow, chin snapped sideways and to the right, one cheek reddening and beginning to swell under the open-handed impact; his short aqua-blue hair is flung across his brow by the motion, a few strands lifted off the nape and hanging in the air behind it. His yellow eyes are wide and half-hooded at once, wet at the lower lid, staring up and away at her wrist rather than at her face, jaw slack, one corner of his mouth pulled by the strike. He wears the Touken Ranbu uniform: the dark military jacket with its braided trim sits yanked open at the collar, the necktie knocked askew and flipped up over one shoulder, and the long pale cape swings out behind him away from the blow, its hem lifting. His waist is narrow enough that the belted jacket cinches sharply at it before the skirt of the coat flares. Both gloved hands are half-raised at chest height, white-gloved fingers curled and not quite reaching her arm — a motion caught before it decides whether to stop her or accept it. His weight is thrown onto the back foot, heel skidding on the boards, the front knee buckling inward.
She is a beautiful woman in a black shinobi shozoku, cloth wrapped tight over the bridge of her nose and mouth so only her eyes and brow are bare, a dark headband holding her hair back; the hood and sleeve cloth pull taut along her extended arm as her open palm follows through across his face, her other hand already gathered back at her own shoulder, raised and ready for the return slap. Her eyes are narrowed and bright, fixed hard on his face — she is watching the mark she just left, not the room. Her stance is planted, front foot between his feet, hip rotated into the strike, weight low and stable while his is failing. Her costume is matte black against the warm wood of the entryway.
The setting is the genkan of a traditional compound: dark polished floorboards underfoot, a step up to a shadowed interior corridor behind them, one shoji panel slid open at the left edge of frame, and a scatter of knocked-over items — a single straw sandal flipped sole-up, a loose floorboard seam running diagonally beneath their feet. Depth of field falls off fast, the corridor dissolving into dim brown.
Light comes from a single paper lantern hanging above and behind the woman's shoulder, warm and low, so her back and the top of her hood catch the glow while his face and throat are lit across the cheek she is striking; their long shadows rake away to the right across the boards, hers longer and steady, his broken and off-balance. Fine dust drifts in the lantern's cone, and the sandal's shadow sits separate from the sandal itself. Palette: warm amber wood, matte black cloth, the cold aqua of his hair, and the red blooming on his cheek. The slap is still in motion — his hair and cape have not caught up with his head. Tense, heady.
白武遼
白
character: ichigo_hitofuri, copyright: touken_ranbu
2girls, 1boy, male focus, 2girls, ichigo hitofuri, short hair, blue hair, aqua hair, yellow eyes, touken ranbu military uniform, white gloves, cape, necktie, slender narrow waist, beautiful refined face, well-defined facial contour, beautiful female ninja, female ninja, ninja outfit, shinobi shozoku, hooded mask pulled down, black cloth wrapping the arms and calves, small throwing knives at her hip, hand strike to cheek, open palm slap, palm pressed flat against his cheek, cheek compressed and reddening, head snapped sideways, spray of spit and sweat flying from the impact, eyes squeezed shut, brows drawn up in pain, faint flush across nose and cheeks, male dominated by female, submissive, looking at another, standing in a Japanese citadel courtyard, wooden veranda, shoji screens, tiled roof, from side, profile, dutch angle, medium shot, two subjects, arms up, outstretched arm, dynamic pose, grinning, smug, satisfied smile, half-closed eyes, focused gaze, windblown hair, depth of field, spring night, lantern light.
The camera sits low and to the side, a dutch angle tilted a few degrees off plumb, holding both figures in profile against the citadel: in the left half of the frame the tall young man in the Touken Ranbu military uniform is caught in the instant after the blow, and in the right half the female ninja stands with her striking arm still extended. He faces her at three-quarter profile, his head snapped sideways away from the camera so his chin points left and the whole length of his long neck is exposed above the uniform's high collar; the well-defined facial contour reads as a clean line from brow to jaw, and his beautiful refined face is turned just enough toward the lens that one yellow eye is visible, squeezed shut, the other hidden in shadow. A faint rose flush spreads across his nose and cheeks, and the skin of his left cheek is compressed, blanched white under the heel of her palm, reddening at its edges — the point of contact sits low on the cheekbone, the fingers curved over his jaw and the thumb braced against the bridge of his nose. Spit and sweat flick off his lips in a fine curved spray toward the upper left, and a few aqua strands of his short hair are lifted and torn loose from behind his ear. His white-gloved right hand is up but not blocking, hovering near her wrist without closing on it, and his narrow waist is cinched tight by the uniform's sash so the line of his body draws a taut S from his shoulder to his hip; his weight has shifted onto his back heel and the cape swings forward over his shoulder with the force of the turn.
She plants both feet wide on the wooden veranda, the left hip loaded, her striking arm flung out in a straight line from shoulder to his cheek and her body following it forward; her other hand is knuckled on her hip, her chin lifted, and her half-closed eyes are fixed on his face over the top of the long cloth mask pulled down beneath her chin. Her black shinobi shozoku is wrapped close at the arms and calves, the hood tied back so her face is clear, small throwing knives flat along her hip; her long dark ponytail trails behind her in the direction the slap threw her weight, and her clothing is pressed back against her torso as if she has just moved fast from stillness. In the background the citadel's shoji screens and the open veranda recede into shadow, roof tiles stacked dark against a spring-night sky; a stone lantern at frame left is the only light, warm and low, striking her cheek and shoulder and catching the edge of his jaw, while the far side of the veranda falls into blue-black dark, and every shadow in the image is thrown hard to the right. Palette locks to warm lantern amber, the deep blue-black of her ninja cloth and the night, the aqua of his hair, and the pale white of his uniform and gloves. The scene is silent and charged, tender in a strange way, abrupt.
白武遼
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