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AI art "Splitting Leaves"
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Splitting Leaves

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Dermot

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A full body shot from an eye-level 3/4 view captures a breathtaking woman in her 30s in a serene autumn courtyard. She is a petite, athletic swordswoman with luminous deep brown skin, a square jaw, and a knowing half-smile. Her vivid crimson hair is tied in a high ponytail with a gold ring, long strands framing her face. She wears a tiny cropped black silk dudou with crimson trim, low-slung short crimson silk trousers, and black cloth boots, leaving her toned midriff, shoulders, and legs bare. Black wraps bind her forearms, and a jade disc hangs at her throat. She holds a (fighting_stance:1.5) in a low, wide pose, her right arm extending a (sword:1.5) with a wavy blade and crimson tassel to the side, while her left hand is open at her chest. The background features raked white gravel, a blazing maple tree with (falling_leaves:1.5) sliced in two, and the blurred figure of an old master in grey robes. The style is "Sharp Ink," featuring bold black outlines, dense crosshatching, and a near-monochrome palette of ink black and paper white, punctuated by striking crimson accents and warm golden sunlight.
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A full body shot framed head to toe, at eye level, of a woman in her 30s, a swordswoman of the rivers and lakes from the southern isles, put to an old master's test of the blade in a courtyard of autumn leaves. The image has a martial arts and wuxia vibe of mountains wrapped in cloud and endless bamboo groves, of sword saints and rival sects, silk sleeves and sword tassels, weightless feats over pagoda roofs and duels on lakes and cliff edges, and it feels still, precise and openly flirtatious, perfect skill in one stroke. She is breathtaking, with a petite, athletic build: short, with compact, toned shoulders and arms, a firm, flat stomach, a small, tight waist, slim, firm hips and strong, slender legs, and medium, firm breasts. Her skin is a deep, warm brown with a rich, golden glow, smooth and luminous, and her face is square, with a strong, defined jaw, a broad brow, high cheekbones, a straight nose and a wide mouth with full lips, and her eyes are a dark, warm brown, steady and bright, below strong, straight black brows, and a row of fine gold rings climbs the edge of each ear. Her expression is a serene, knowing half-smile. Her hair is long and drawn up in a high ponytail: gathered at the crown and bound with a gold ring, the long, straight tail falling past her shoulder blades, with long, loose strands framing her face on both sides, and its colour is a vivid, glossy crimson, bright as a battle banner against her dark skin, the long tail swinging like a whip with every turn of her head. She wears a tiny cropped black silk dudou with crimson trim, ending high on her ribs, and low-slung crimson silk trousers cut very short, with black cloth boots, so that her shoulders, her arms, her back, her whole midriff from her ribs down, her hips above the waistband and her whole legs are bare. A wavy-bladed sword with a gold-wrapped hilt and a crimson tassel is her weapon, black cloth wraps bind both forearms from wrist to elbow, and a thin gold chain with a small jade disc hangs at her throat, and a small wine gourd hangs from her belt on a red cord. Her makeup is bold and warrior-bright: a sharp black liner swept up at the outer corners, a shimmer of gold on her lids, long lashes, a warm bronze glow on her high cheekbones and a glossy crimson lip to match her hair, with a tiny gold dot painted between her brows. The setting is a quiet courtyard of raked white gravel under a great maple in autumn in the afternoon, the tree blazing with leaves, a stone lantern and a bronze bell, the curved roofs of a mountain monastery behind, and an old master in grey robes watching from the steps, blurred. She holds a low, wide stance at the end of a single horizontal sword stroke, her body in three-quarter view toward the viewer, her right arm and blade extended far out to the right and her left hand open at her chest, her weight sunk deep. Her head is turned toward the viewer with that knowing smile. Every falling leaf in the path of the stroke drifts down sliced cleanly in two, and a crisp, inked arc of the stroke hangs in the air as her crimson ponytail swings. (falling_leaves:1.5), (sword:1.5), (fighting_stance:1.5) The low afternoon sun through the maple on the left is the dominant light: it lights the left side of her face in a warm gradient, her broad brow, strong jaw and smiling crimson lips, with a bright catchlight in each dark brown eye, while the right side of her face falls into flat ink shadow. It glows along her shoulders, her stomach and her legs and flashes along the blade. Her deep brown skin takes a warm, polished sheen wherever the sun reaches. The white gravel adds a much weaker pale bounce from below, and the monastery falls into inked shadow. Sharp Ink style: bold, crisp black ink outlines with confident line-weight variation and fine crosshatching, shading that swings between flat cel blocks and dense inked hatching rather than soft gradients, a high-contrast, near-monochrome palette of ink black and paper white with a single bold accent of crimson, and a graphic, poster-clean finish like a coloured manga cover, with mist, leaves and spray drawn in sharp ink strokes. Speed and power are drawn as sweeping, brush-like ink strokes trailing each movement, and the backgrounds dissolve into bold areas of flat black and empty white paper. Rendered in rich detail: her crimson ponytail and loose strands, her dark brown eyes and crimson lips, the wavy-bladed sword and its tassel, and the silk and cloth of her outfit drawn in crisp, confident lines. The palette is near-monochrome ink black and paper white, gravel white and sun gold, with a single bold accent of crimson in her hair, silk and the maple leaves, and her deep brown skin.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.96k

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