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Emerson Gutierrez Palomino

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Emerson Gutierrez Palomino

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1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, navel, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, full body, standing on one leg, leaning forward, looking to the side, head tilt, half-closed eyes, light smile, dutch angle, A low three-quarter camera looks up along the body of a single mature woman standing in an empty wind-scoured stone courtyard, one leg bearing her weight while the other lifts a half-step off the flagstones so the ball of that foot hovers with toes just brushed by dust. Her very long black hair, heavier than the wind can lift, trails past her hips and swings a few strands across her bare shoulder; a delicate gold ornament pins the hair at one temple, its metal warm against the black. Her blue eyes travel sideways past the frame rather than at the lens, lids lowered a quarter, one corner of her mouth lifted in a faint closed-lip smile, brows eased. Her loose top is cut high on the breast so its lower swell shows clear of the cloth, the bare skin of her shoulders and midriff continuous from collarbone to the low-slung waist; a thin gold chain rests in the notch of her throat and a second, longer loop of the same chain falls against the upper slope of her chest, its pendant catching a single bright point. Below the navel a black loincloth panel and a matching pelvic curtain hang in overlapping strips that shift against her thighs as her leg lifts, and black thighhighs cover the length of both legs to mid-thigh, their tops cutting a sharp line against bare skin; her feet are strapped into flat-soled sandals, the raised foot's sole tipping to show the leather cord over the arch. Her right hand grips a tall metal polearm shaft at her side, knuckles tight around the haft, the butt of it planted and pushing a shallow chip-marked contact into the stone; her left hand is lowered and open at her hip, fingers relaxed. Long angled shadows fall away from her across the courtyard, thrown by a low sun from the left that strikes her face, chest, shoulders and the black fabric with a warm rim while the far side of her body and the underside of the pelvic curtain sit in cool shade; the polearm's shadow lies thin and straight across the ground beside her. Red-ochre and grey stone, black cloth, gold and warm skin carry the whole palette. Quiet, poised confidence.
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Original Prompt
1girl, black hair, blue eyes, large breasts, necklace, hair ornament, mature female underboob, midriff, bare shoulders, very long hair, black thighhighs, sandals, polearm, pelvic curtain, loincloth.
Mode
flash
Size
816 x 1232
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.12k

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AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, navel, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, full body, standing on one leg, leaning forward, looking to the side, head tilt, half-closed eyes, light smile, dutch angle, A low three-quarter camera looks up along the body of a single mature woman standing in an empty wind-scoured stone courtyard, one leg bearing her weight while the other lifts a half-step off the flagstones so the ball of that foot hovers with toes just brushed by dust. Her very long black hair, heavier than the wind can lift, trails past her hips and swings a few strands across her bare shoulder; a delicate gold ornament pins the hair at one temple, its metal warm against the black. Her blue eyes travel sideways past the frame rather than at the lens, lids lowered a quarter, one corner of her mouth lifted in a faint closed-lip smile, brows eased. Her loose top is cut high on the breast so its lower swell shows clear of the cloth, the bare skin of her shoulders and midriff continuous from collarbone to the low-slung waist; a thin gold chain rests in the notch of her throat and a second, longer loop of the same chain falls against the upper slope of her chest, its pendant catching a single bright point. Below the navel a black loincloth panel and a matching pelvic curtain hang in overlapping strips that shift against her thighs as her leg lifts, and black thighhighs cover the length of both legs to mid-thigh, their tops cutting a sharp line against bare skin; her feet are strapped into flat-soled sandals, the raised foot's sole tipping to show the leather cord over the arch. Her right hand grips a tall metal polearm shaft at her side, knuckles tight around the haft, the butt of it planted and pushing a shallow chip-marked contact into the stone; her left hand is lowered and open at her hip, fingers relaxed. Long angled shadows fall away from her across the courtyard, thrown by a low sun from the left that strikes her face, chest, shoulders and the black fabric with a warm rim while the far side of her body and the underside of the pelvic curtain sit in cool shade; the polearm's shadow lies thin and straight across the ground beside her. Red-ochre and grey stone, black cloth, gold and warm skin carry the whole palette. Quiet, poised confidence.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, navel, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, full body, standing on one leg, leaning forward, looking to the side, head tilt, half-closed eyes, light smile, dutch angle, A low three-quarter camera looks up along the body of a single mature woman standing in an empty wind-scoured stone courtyard, one leg bearing her weight while the other lifts a half-step off the flagstones so the ball of that foot hovers with toes just brushed by dust. Her very long black hair, heavier than the wind can lift, trails past her hips and swings a few strands across her bare shoulder; a delicate gold ornament pins the hair at one temple, its metal warm against the black. Her blue eyes travel sideways past the frame rather than at the lens, lids lowered a quarter, one corner of her mouth lifted in a faint closed-lip smile, brows eased. Her loose top is cut high on the breast so its lower swell shows clear of the cloth, the bare skin of her shoulders and midriff continuous from collarbone to the low-slung waist; a thin gold chain rests in the notch of her throat and a second, longer loop of the same chain falls against the upper slope of her chest, its pendant catching a single bright point. Below the navel a black loincloth panel and a matching pelvic curtain hang in overlapping strips that shift against her thighs as her leg lifts, and black thighhighs cover the length of both legs to mid-thigh, their tops cutting a sharp line against bare skin; her feet are strapped into flat-soled sandals, the raised foot's sole tipping to show the leather cord over the arch. Her right hand grips a tall metal polearm shaft at her side, knuckles tight around the haft, the butt of it planted and pushing a shallow chip-marked contact into the stone; her left hand is lowered and open at her hip, fingers relaxed. Long angled shadows fall away from her across the courtyard, thrown by a low sun from the left that strikes her face, chest, shoulders and the black fabric with a warm rim while the far side of her body and the underside of the pelvic curtain sit in cool shade; the polearm's shadow lies thin and straight across the ground beside her. Red-ochre and grey stone, black cloth, gold and warm skin carry the whole palette. Quiet, poised confidence.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, navel, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, full body, standing on one leg, leaning forward, looking to the side, head tilt, half-closed eyes, light smile, dutch angle, A low three-quarter camera looks up along the body of a single mature woman standing in an empty wind-scoured stone courtyard, one leg bearing her weight while the other lifts a half-step off the flagstones so the ball of that foot hovers with toes just brushed by dust. Her very long black hair, heavier than the wind can lift, trails past her hips and swings a few strands across her bare shoulder; a delicate gold ornament pins the hair at one temple, its metal warm against the black. Her blue eyes travel sideways past the frame rather than at the lens, lids lowered a quarter, one corner of her mouth lifted in a faint closed-lip smile, brows eased. Her loose top is cut high on the breast so its lower swell shows clear of the cloth, the bare skin of her shoulders and midriff continuous from collarbone to the low-slung waist; a thin gold chain rests in the notch of her throat and a second, longer loop of the same chain falls against the upper slope of her chest, its pendant catching a single bright point. Below the navel a black loincloth panel and a matching pelvic curtain hang in overlapping strips that shift against her thighs as her leg lifts, and black thighhighs cover the length of both legs to mid-thigh, their tops cutting a sharp line against bare skin; her feet are strapped into flat-soled sandals, the raised foot's sole tipping to show the leather cord over the arch. Her right hand grips a tall metal polearm shaft at her side, knuckles tight around the haft, the butt of it planted and pushing a shallow chip-marked contact into the stone; her left hand is lowered and open at her hip, fingers relaxed. Long angled shadows fall away from her across the courtyard, thrown by a low sun from the left that strikes her face, chest, shoulders and the black fabric with a warm rim while the far side of her body and the underside of the pelvic curtain sit in cool shade; the polearm's shadow lies thin and straight across the ground beside her. Red-ochre and grey stone, black cloth, gold and warm skin carry the whole palette. Quiet, poised confidence.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, underboob, midriff, bare shoulders, necklace, hair ornament, black thighhighs, sandals, polearm, pelvic curtain, loincloth, holding weapon, standing, from below, cowboy shot, dutch angle, looking to the side, parted lips, serious, windblown hair, Low camera looking up at a single mature woman planted on a bare stone ledge, shot as a cowboy shot from below with a slight dutch tilt so her height and the polearm's length read as one continuous diagonal. She stands with her weight sunk into her right leg, left knee relaxed and turned out, hip cocked; her right hand grips the polearm shaft at chest height with the weapon's butt planted on the stone beside her right sandal, and her left arm hangs loose with the fingers curled half-shut near the pelvic curtain's edge. Her very long black hair pours down past her hips in loose heavy strands, lifted and dragged to one side by a wind coming from frame left; a hair ornament of dark metalwork sits pinned above her right ear, visible against the black. Her blue eyes look off to frame right, chin lifted, lids low, lips parted slightly on a held breath -- a wary, measuring glance at something outside the picture. Her garment is a single wrapped dark cloth: it crosses under the breasts so the underboob is exposed on a bare midriff, leaves both shoulders and collarbones bare, and at the hips becomes a layered loincloth whose pelvic curtain hangs down the front in overlapping panels, swaying with the wind so the near panel lifts and the far one clings to her thigh. A necklace of dark beads and a single carved pendant rests flat in the hollow of her throat, catching the light there. Black thighhighs sheath her legs tightly from mid-thigh down to the ankles, the tops sitting with a small roll of compression against the skin, and her feet are strapped into flat leather sandals, toes and heels exposed, a thin band of dust on the toes. Lighting is a single hard, low sun from frame left, warm and slightly amber: it strikes the outer edge of her left shoulder, the underside of the breasts above the cloth, the top of her right thigh and the metal of the polearm's blade, and throws long shadows across the stone to the right; everything on her right side falls into cool shadow, sky above is a pale graded blue, the background is a shallow depth of scumbled rock and empty air with no other figure. Dust hangs in the beam where the wind crosses it. Colour is held to black, warm skin, leather brown and the pale rock, nothing else except the blue of the eyes. Quietly commanding.
Emerson Gutierrez Palomino

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
3#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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