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长生

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character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka_(honkai:_star_rail), purple hair, long hair, hair between eyes, purple eyes, sunglasses on head, round eyewear, white shirt, open jacket, shorts, pantyhose, purple gloves, side view, profile, from side, squatting, crouching, one leg stretched out, one hand on wall, arm support, hand on ground, looking at viewer, sideways glance, confident, smug, imposing presence, pure white background, white wall, glossy skin, shiny clothes, studio lighting, full body, dutch angle Side view, her body turned in profile across the frame while her chin swivels back toward the lens so both purple eyes land directly on the viewer. She crouches low in front of the camera, hips dropped deep, right leg folded under her carrying her weight on the ball of the foot, left leg extended out long and straight to the right edge of the frame, boot heel resting on the seamless white floor. The arm on the far side of her torso reaches across and back, gloved palm flat against a plain white wall that rises behind her shoulder; the near arm drops down, purple-gloved hand splayed on the floor with fingers spread and wrist bent, taking part of her weight so the shoulder line slants. Back straight, chest open, head tipped slightly down while her eyes ride up under the brow — a small lopsided smirk, one corner of the mouth pulled higher, a single brow arched. Long purple hair falls forward over the raised shoulder and spills down her back, a few strands lifting in a faint updraft. Tailored white shirt unbuttoned over a dark top, jacket hanging open off her shoulders, dark shorts, sheer pantyhose catching light along the extended leg; round sunglasses pushed up in her hair. Every surface of her reads wet-polished: high specular highlights running the length of the extended shin, along the curve of the thigh, over the shoulder and the cheekbone, a tight glossy rim on the gloves and the jacket's leather; fabric sheen so clean it looks lacquered. Behind and around her, a soft violet-black flame-like aura curls upward, translucent, brightest just off her silhouette and dissolving into nothing against the white — the only heat in an otherwise shadowless white void. She is the sole source of darkness in the frame, and the wall, the floor and the air are one continuous seamless white, no horizon line. Studio key light from camera left, cool and hard, throwing the shine down her extended leg; a faint violet bounce fills the shadow side. Palette limited to white, deep violet, black and the purple of her hair and gloves. Tight low camera, slight upward tilt, the extended leg foreshortened toward the lens. Effortlessly dangerous.
Show Parameters
Original Prompt
卡芙卡(崩坏星穹铁道),背景为纯白色,侧面,蹲在镜头前,一条腿伸出去,一只手身体另一侧的扶着白墙,另一只手撑地,看向镜头,卡芙卡,有气场。人物皮肤和衣物十分有光泽。
Mode
ultra
Size
1408 x 1408
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka, purple hair, long hair, hair between eyes, purple eyes, sunglasses on head, round eyewear, white shirt, jacket, shorts, pantyhose, purple gloves, gloves, pure white background, white wall, from side, profile, crouching, squatting, facing viewer, head turned to camera, leg extended, outstretched leg, one hand on wall, arm support, hand on ground, expressionless, blank stare, half-closed eyes, looking at viewer, glossy skin, shiny clothes, sheen, imposing, wide shot, full body, Side view from a low, slightly-below eye-level camera, against a seamless pure-white ground that runs unbroken into a pure-white wall rising behind her: she squats close to the lens in profile silhouette, her body angled so the whole line of her is read side-on, while her head is turned back around to face the camera dead-on. The leg nearer the wall is stretched straight out along the floor to her right, boot heel planted, toe pointed; the other leg is folded deep under her hip, thigh against calf, the weight of her seat carried on that folded leg and the back heel lifted. Her far arm crosses behind her body and the flat of her purple-gloved palm presses the white wall on the far side, elbow locked, shoulder drawn up; her near arm drops inside the line of her knee and the other purple glove is splayed flat on the white floor, fingers spread, wrist bent, taking part of her weight. The two supports brace her like a tripod, so her torso leans forward out of the wall toward the lens and her chin is level. Her face holds absolutely nothing: mouth closed and flat, brows level, eyes half-lidded and fixed straight down the lens with a flat violet stare that gives nothing away, no smile, no tension in the cheek. Long purple hair with a strand falling between her eyes hangs forward over the shoulder that faces the camera, most of its length sliding behind her back and out of sight; the sunglasses perched on top of her head catch one small hard highlight. The white shirt is open at the collar over a black inner layer, its fabric pulled taut across the forward-leaning chest; the dark jacket hangs off the near shoulder and drags its hem on the white floor behind her folded leg, and the dark shorts and sheer pantyhose stretch tight over the bent hip and the extended leg, a seam running straight down the stretched thigh. Everything about her is polished: a broad, soft specular band runs down the outer curve of the stretched leg and the raised forearm, tight hot highlights sit on each knuckle of the glove on the wall, a fine wet gleam edges her lips and the ridge of her nose and the curve of her bare thigh where the shorts end, and the patent sheen of the jacket and the slick of the pantyhose mirror the same source. One soft, large, cool-white key light comes from high and slightly to the camera side; it lays the highlights along the top planes of her extended leg, her shoulder and her hair, while the wall behind her takes only a faint graduated shadow radiating from where her palm presses it and a soft contact shadow pools under her folded hip and the flat hand on the floor. The palette admits only white, the violet of her hair and eyes, black and near-black in the clothing, and the cool gleam of skin and fabric; nothing else. Nothing is added to the pristine white field beyond her own shadow. Still, cold, effortlessly dominant.
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Avatar image of 长生
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka_(honkai:_star_rail), purple hair, long hair, hair between eyes, purple eyes, sidelocks, from side, profile, squatting, one leg extended, one knee up, hand on wall, other hand on ground, looking at viewer, looking back, head turned to viewer, purple gloves, white shirt, black jacket, shorts, pantyhose, sunglasses on head, round eyewear, glossy skin, shiny skin, very glossy clothes, latex sheen, specular highlights, pure white background, white wall, empty white field, aura, glowing aura, purple aura, dramatic presence, dutch angle, low angle, from below, close-up, cowboy shot, cool expression, half-closed eyes, smirk, parted lips A low, slightly tilted camera looks up at her from knee height, and she is seen in profile: her left side faces the lens, hip sunk low, knees folded so that her right leg is thrust straight out toward the right edge of the frame with the boot's heel planted and the toe pointed, while her left leg is folded under her with the knee lifted and the calf tucked back under her thigh. Her weight rides on that left hip and the left knee, not on the extended leg. The extended leg is a clean straight line from the sunk hip to the heel, and it reads the length of her body against the white. Her right palm is flat on the floor beside her folded knee, wrist bent, fingers spread and pressing down so the tendons stand up along the back of her hand; her left arm reaches across and up, the flat of her glove pressed to the white wall that rises at the left behind her shoulder, elbow slightly bent and shoulder lifted into the push. The wall is a plain flat white plane meeting the white floor along a faint seam that runs behind her folded knee; the floor and the wall and the void beyond are the same seamless white, so she is the only thing in the picture, with no horizon, no furniture, no shadow beyond the small soft contact shadows pooled under her right hand and her planted heel. Her torso leans a little away from the wall, chest open, jacket falling open over the white shirt so the collar and the top buttons show, the tails of the jacket hanging down past her hip and the long ends dragging on the white floor behind her folded leg. Her right glove is bunched slightly at the wrist from the pressure on the ground; her left glove is flat and pale against the white wall, and the wall gives back nothing but the cool rim of the light on the backs of her fingers. Her head is turned back over her left shoulder toward the lens -- a true over-the-shoulder turn, chin tucked a little and jawline hard against the white -- so the profile of her nose and the long fan of her lashes are visible and both purple eyes are fixed directly on the viewer, half-lidded, cool. Her mouth is slightly parted in a small, knowing curl at one corner, not a smile but the beginning of one, and one brow is lifted a fraction higher than the other. Long purple hair falls forward over the shoulder that turns toward the lens, the hair between her eyes hanging loose against the cheek, and the rest of it slides back over the far shoulder into the white. Round dark glasses sit pushed up on the crown of her head, their lenses catching two small hard white highlights. The lighting is a single soft, very large key from the upper front-left, and it is the only light: it lays long continuous specular streaks down the glossy black of her jacket sleeve, the front of her shorts, the pantyhose stretched over the extended thigh, and the curve of her cheek, her shoulder, and the back of her grounded hand -- every surface of skin and cloth carrying a wet, lacquered sheen with the highlights running in one direction. Where the light does not fall, the darks on her jacket sit deep and cool, and the small contact shadows under her hand and heel are the only darkness the white ground admits. A faint violet glow hugs the outline of her shoulders, the crown of her head and the line of her extended leg, bleeding a soft halo into the white so that her presence presses outward from the silhouette. She is all saturated purple, black and pale skin against an absolute white field, and she holds the frame without haste -- effortlessly dominant, cold and magnetic.
长生
AI artwork
天种
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, purple hair, long hair, hair between eyes, purple eyes, sunglasses on head, round eyewear, jacket, white shirt, purple gloves, shorts, pantyhose, crouching, one leg extended, foot on ground, hand on wall, hand on ground, facing viewer, expressionless, head slightly raised, full body, from side, camera slightly far away, white background, glossy skin, shiny clothes, looking at viewer, The camera stands off at a slight distance and a little below her eye line, side-on to the white wall so the shot reads as a profile turned out toward the lens: she is crouched low in the middle of a pure white void, her body angled sideways to the camera but her face and chest rotated to meet the viewer head-on. Her near leg — the one close to the wall — is thrust out long and straight, boot sole planted flat on the unseen white floor, knee locked, the other leg folded deep under her with the shin flat and the thigh pressed against her ribs. Her far arm reaches across her torso and up behind her, palm braced flat against the white wall that rises just behind her shoulder on the opposite side, fingers spread and taking weight so the shoulder lifts and the collarbone hollows. Her near hand is planted on the floor beside her folded knee, wrist bent, gloved fingertips pressed down and the tendons standing on the back of the hand carrying half her balance. Both hips hang between those two props, weight riding the braced wall-arm, spine long, chin lifted so she looks slightly up and out at the lens. Her face is completely blank: eyes half-lidded and level at the viewer, brows unworried, lips closed and flat, jaw set — no smile, no smirk, nothing given away. Long purple hair falls past her shoulders in heavy strands, some of it swept forward over the raised arm and spilling down toward the floor, the tips catching light. Her jacket hangs open over the white shirt, the shorts and dark pantyhose smooth and taut down the extended leg, round sunglasses pushed up into her hair. Everything has a wet, polished sheen: the skin of her throat, shoulders, forearms and the bare thigh above the stocking carries a tight specular highlight, and the jacket, shirt and gloves read as slick and light-caught, highlights sliding along every curve and crease. A single broad, cool-white studio light comes from high in front and slightly to the camera's side, laying a crisp rim of glare down her raised arm, the top of her bent knee and the long shin of the outstretched leg, with soft grey shadow pooling only under her hips, beneath the planted hand and in a short smear where the boot meets the ground; the wall behind her takes her shadow as a faint soft-edged silhouette that does not quite match her because the light is so far forward. Palette: white ground, white wall, white light, and her own purple — hair, eyes, gloves — the only colour in the frame. Cool, immaculate, quietly imperious.
天种

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リオ