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Miku Nakano, The Quintessential Quintuplets
AI art by 天种 on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 中野三玖，删去耳机，白色紧身衣物，装扮成幽灵，中野三玖皮肤和衣物十分有光泽，衣物胸部的腰部勒得很紧。中野三玖躺着并被许多小孩举起，紧身衣的被撕得破碎，只留极少量布料，双手挣扎着，双腿抬高。背景为纯白色，中野三玖表情羞耻又慌张。
- Mode
- ultra
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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天种
character: nakano_miku
1girl, solo, nakano_miku, long hair, brown hair, hair between eyes, blue eyes, head completely bare, no headphones, nothing over the ears, both ears fully exposed and unobstructed, white tight-fitting bodysuit, ghost costume, glossy skin, shiny skin, glossy clothing, shiny bodysuit, skin sheen, bodysuit pulled very tight at chest, tight at waist, constriction creases at the waist, torn bodysuit, shredded clothes, torn fabric, rips at the hip and thigh, lying down, lying on back, held aloft, lifted by many children, small hands supporting her from below, hands struggling, spread fingers, arms reaching up, legs raised up, knees bent, thighs lifted, embarrassed, flustered, blush, sweat, wide-eyed, open mouth, trembling, motion lines, from above, foreshortening, pure white background, white void, high contrast
The camera looks straight down from above onto a pure white void: there is no floor, no wall, no horizon, only an even field of unbroken white in every direction. Miku Nakano lies on her back in the middle of that white field, suspended a little above nothing, her body tilted diagonally across the frame from the lower left to the upper right. Beneath her, a tight cluster of children — around ten of them, rendered small, only their heads, shoulders and upstretched arms visible — press in from the lower edge of the frame, their hands flat under her back, under her shoulder blades, under her hips and under her thighs, lifting her whole body up. Her long brown hair spills loose into the empty white behind her head, a few strands drifting upward as if falling. Her head is completely bare: no headphones, nothing over the ears, both ears fully exposed and unobstructed, the hair free at the temples. Her blue eyes are wide and darting up toward the hands supporting her, brows drawn up in the middle, cheeks deeply flushed, mouth open in a small panicked gasp, and a sheen of sweat sits on her forehead and collarbone.
She wears a white tight-fitting full-body suit cut as a ghost costume, glossy like wet enamel: high-lit streaks run down the chest and along the tops of her thighs, and the fabric is pulled very tight at the chest and cinched hard at the waist, where the material gathers into sharp constriction creases that cut into her waist. The suit is torn to shreds at the hip, the outer thigh and one shoulder, ragged flaps hanging away and exposing bare glossy skin beneath. Her arms are raised and struggling, elbows bent, both hands spread wide with fingers splayed and curled, wrists twisting, one forearm crossing in front of her chest as though she is trying to push the many small hands away. Her legs are lifted high, both knees bent and drawn up, feet kicking in the air, the torn hem of the suit flaring off her thighs. Small children's fingers dent the taut white fabric where they grip her, and the fabric bunches and wrinkles around every handhold.
The lighting is a single flat, cool white studio light from directly above; every upward-facing surface — the tops of her thighs, the swell of her chest, her forehead, her knuckles — catches a hard glossy highlight, while the undersides of her body, the shadowed hollows under the lifted knees and the gaps between the children's arms fall into soft grey shadow that keeps her body legible against the white field. The palette is white, white and skin, with only the brown of her hair and the blue of her eyes and a hot flush of pink across her cheeks and ears admitted. Detail is spent on her face, her splayed hands, the glossy stretched fabric and the exact points where the children's hands press into her; the children themselves stay simple, their faces cropped away at the frame edge. Flustered, helplessly bright.
天种
天种
character: nakano_miku
1girl, solo, nakano miku, long brown hair, hair between eyes, blue eyes, head completely bare, ears fully uncovered and bare, no headphones anywhere, plain white ghost costume, white skin-tight bodysuit, high-gloss fabric, wet-look shiny skin, glossy sheen on arms and face, fabric stretched taut over chest, fabric pulled tight at waist, tight cinch at midriff, shredded torn collar, torn open neckline, bare clavicles exposed, lying on back, supine, carried, lifted up by many children, many small hands supporting her body, crowd of children, hands struggling, arms flailing upward, fingers splayed, grabbing at air, legs raised high, both legs lifted and kicking, knees drawn up, ashamed, flustered, panicked expression, blush, wide-eyed, furrowed brows, open mouth, gritted teeth, sweat, trembling, pure white background, white void, no scenery, from above, foreshortening, high angle, motion blur, effort lines, dramatic lighting, glossy highlights, half-closed eyes, trembling, sweat, motion lines, heavy breathing, distressed
The camera looks down from directly above in a steep high-angle foreshortening, the pure white background an unbroken void with no horizon, no floor line and not one scenery element — only Midori's supine body and the swarm of small hands holding her fill the frame. She lies on her back dead center, spine arched off an unseen support, head near the top edge and the raised legs foreshortened toward the bottom of the shot, so her body reads as a diagonal wedge of white against white. Her long dark brown hair fans out loose beneath her head in a tangled halo, the strands visibly flattened and splayed where they press the invisible ground; her forehead and the hair between her eyes are clear, her blue eyes wide and darting up toward the lens then sideways toward the hands, brows drawn up in the middle, cheeks flushed bright red, mouth open mid-gasp with the lower lip pulled back from her teeth — ashamed, flustered and thoroughly panicked at once.
Both hands are raised and struggling: the left flung up near her jaw with the wrist bent back and the fingers splayed and curled at nothing, the right driving outward across her chest with the palm twisted, tendons standing proud along the forearms. Her legs are lifted high, both knees pulled toward her chest and the shins kicking upward at different angles so the two limbs never mirror each other. Every point where she is held is a named contact: a child's hand clamped under each shoulder blade, three more hooked beneath her waist, a cluster of small fingers spread flat along her outer thighs, one small palm pressed to the small of her back lifting the whole torso — the children themselves reduced to a multitude of short pale childish arms and little hands crowding in from every edge of the frame, sleeves and fingertips only, gripping and heaving her body upward.
Her costume is a plain white skin-tight ghost garment, high-gloss and slick like wet latex, pulled so taut across the chest that the fabric reads drum-tight and strained at the bust, then cinched hard at the waist where the material pinches and creases in tight tension folds. The collar is torn and shredded open at the throat, the ripped edge ragged and lifted away from her bare collarbones, thread-ends standing up. Her skin carries the same heavy gloss — a slick wet-look sheen running along her cheekbones, throat, shoulders and the taut line of her belly — so she and the garment are two grades of the same polished white. Motion blur trails off the kicking shins and the struggling forearms; a few bright effort lines snap outward around the flailing hands, and the ends of her fanned hair are lifted as though the air was just displaced.
Light comes from a single hard source high to one side, and because everything else in the frame is pure white, the light proves itself only through what it does to her: crisp specular highlights ride the crest of her shoulders, the strained chest, the ridge of her cinched waist and the wet gleam of her skin, while soft grey shadows gather in the hollow of her throat, the creases of the stretched fabric and the armpits of the reaching arms. Where a hand grips her thigh it presses a visible dent into the glossy fabric and the skin beneath, a small pale children's handprint blooming on the shine. Palette: white, warm skin, dark brown hair, the single red of her blush. Tense, humiliating, electric.
天种
character: nakano_miku
1girl, solo, nakano_miku, long hair, brown hair, hair between eyes, blue eyes, bare head, nothing on ears, ears fully visible and unobstructed, no headphones, white tight-fitting clothing, ghost costume, glossy skin, glossy clothing, shiny, skintight, tight at chest, tight at waist, torn neckline, v-neck, cleavage, candy, food-themed clothes, both hands up, gripping collar, holding collar up, collar pulled upright, bright smile, closed mouth, shy, blush, looking at viewer, upper body, cowboy shot, from below, pure white background, white void, simple background, cel shading, clean lineart, high contrast
Shot from slightly below at cowboy-shot range, one girl alone against a seamless pure white field that admits nothing else—no gradient, no horizon, no floor line. She is Nakano Miku: long brown hair falling past her shoulders with a soft strand between her eyes, blue eyes, and her head completely bare—no headphones, nothing over or on her ears, both ears fully visible and exposed to the white. She wears a white skintight ghost costume that clings with a slick glossy sheen; the fabric strains taut across her chest and cinches tight at her waist, catching hard specular streaks along every curve. The neckline has been torn open by her own hands into a jagged V, and both her hands grip the ripped edges and pull the collar upright, framing the V so the hollow between chest and collar brims with candy—small glossy sweets piled and wedged into the opening. Her posture leans slightly forward, weight shifted onto one hip, elbows lifted as she hoists the collar, chin dipped a little shyly. Her smile is bright and sunny but softened at the corners with a bashful blush, eyes meeting the viewer. Pure white background surrounds the pale glossy figure, lit by a cool even source that leaves crisp highlights on skin and fabric and a faint soft shadow only where the candy nestles in the V. Clean cel shading, crisp lineart, tender and playful.
长生
그깎
Tsuyakage, glossy delicate anime, clean thin lineart, soft cel shading, subtle gradient shading, vivid accents, strong contrast, delicate highlights, masterpiece, best quality, very aesthetic, detailed illustration, ultra detailed, anime coloring, detailed eyes, detailed hair, soft lighting, smooth shading, highest quality, masterpiece, ultra high resolution, very detailed description, sharp focus, elaborate eye detail, professional illustration, soft lineart, natural gradient coloring, soft shading, subtle cinematic lighting, one woman in her 20s. Side hair falling naturally beside the face, naturally flowing burgundy straight hair, messy hair, long hair, burgundy hair. Bangs. Blue eyes, eye highlights. Soft impression. Out-of-focus white room background, white wall with natural shadows. Slightly low-cut tight grey t-shirt, collarbone, slight cleavage, upper body. Flustered expression, dark circles, looking at viewer, blush, unfocused eyes, mouth slightly open. Both hands raised naturally, sweat. Medium shot. Front view, composition centered on the upper body showing down to the thighs, medium long shot. Natural composition. Cinematic everyday atmosphere.
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