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Bambietta Basterbine, Bleach
AI art by nyx23 on PixAI. Tags: Bleach: Thousand-Year Blood War. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- 1girl, bambietta basterbine, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, white hat, white gloves, jacket, wandenreich uniform, belt, military uniform, white skirt, long sleeves, white jacket, peaked cap, purple eyes, v-shaped eyebrows, pleated skirt, buckle, quincy (bleach), miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, sternritter, very long hair, blue eyes, white shirt, black eyes, boots, jewelry, the bloody corpse of a half-naked quincy soldier lies in front of her split in half vertically, wandenreich background, bedroom background, red light, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, sitting on bed, putting clothes back on, zipping up jacket, discarded cape, malevolent, seductive look, bored, seductive pose,
- Mode
- flash
- Size
- 768 x 1280
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n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, solo, bambietta basterbine, very long black hair, floating hair, hair between eyes, purple eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, jacket half-zipped, zipper slider gripped in right hand, white shirt underneath, black belt, heart-shaped buckle, white pleated miniskirt, white gloves, boots, jewelry, sitting on bed, putting clothes back on, sitting at edge of bed, legs crossed at the knee, leaning forward, seductive pose, chin lowered, half-closed eyes, looking at viewer, smug lopsided smirk, bored half-lidded stare, malevolent, seductive look, discarded white cape heaped on the floor, bloody corpse of a shirtless male soldier split in half vertically, severed halves, blood pooling, bedroom background, Wandenreich shadow-palace architecture through the window, red light, ominous lighting, volumetric lighting, white outline, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, wide angle lens, depth of field, dim interior blue-grey shadows, vibrant red accent, moody atmosphere, cinematic perspective, highly detailed, perfect anatomy, masterpiece, best quality, absurdres,
The camera sits low and close, tilted slightly off level, looking up across the edge of the bed at a young woman with very long black hair that spills over the mattress behind her and hangs loose in strands between her eyes. She sits at the near corner of the bed with her hips turned a quarter away from the lens, one booted leg crossed over the other at the knee, the top boot swinging free with its heel off the floor -- all her weight on the hip and thigh pressed into the mattress, the quilt compressed in a deep hollow under her. Her torso leans forward toward the viewer, shoulders rolled in, and her chin is lowered so she looks up through half-closed purple eyes with a lopsided smirk: the lids heavy and bored, one brow arched higher than the other, the corners of the mouth pulled up only on one side. It reads as malevolent amusement rather than warmth. Her right hand is at her chest, white-gloved fingers pinching the zipper slider; the white jacket is half closed, closed teeth below the slider, separated teeth above it fanning open to show the white shirt beneath, the black belt and its heart-shaped buckle sitting at her waist above the white pleated miniskirt spread over the quilt. Her left gloved hand rests flat on the mattress behind her hip, taking her weight, fingers splayed and denting the sheet.
On the floor between the bed and the door, in front of her, lie two halves of a shirtless male soldier's body split vertically down the middle, laid apart a hand's width from each other, both halves face-up, blood pooled around them in a wide dark slick that creeps into the seams of the floorboards and touches the toe of her boot. Her white cape is heaped and discarded on the floor off to the side of the bed, crumpled with one edge trailing into the blood.
The room is a bedroom inside the Wandenreich's shadow palace: pale blue-white stone walls with a tall arched window behind the headboard, through which the inverted silhouette of a city hangs in the dark outside, rigid geometric towers and a spired palace form in the distance. The window is the only source of cool blue-grey dusk light, and everything else in the room is drowned in an ominous deep red glow that rises from the left of the frame and paints the right side of her face, the white of her cap, her glove and the rucked quilt in saturated crimson, leaving her far side and the corpse in heavy shadow. A thick white outline traces her silhouette, the cap brim and her shoulders, separating her from the dark background under the dramatic backlighting, and the rim light catches the floating stray hairs around her face.
The palette is disciplined: white uniform, black hair and black belt, and red -- red light, red blood, red accents on the buckle and her lips -- against desaturated blue-grey stone. Sharp cel-shaded planes, high contrast, crisp hard-edged shadow shapes, a shallow depth of field keeping her face and the zipper sharply resolved while the window city and the far wall soften into haze. Her white glove pinches the slider, the separated teeth above it catching the red light while the closed teeth below stay in shadow. Quiet, cruel satisfaction.
nyx23
n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, 1boy, bambietta_basterbine, corpse, male, shirtless, split in half, vertical split, blood, gore, severed torso, sitting on bed, sitting, zipping up shirt, zipper, hand on zipper, putting clothes back on, cleavage, discarded cape, seductive pose, malevolent, seductive look, bored, expressionless, beautiful face, black hair, very long hair, long hair, hair between eyes, floating hair, eyelashes, v-shaped eyebrows, purple eyes, blue eyes, black eyes, white peaked cap, military hat, white hat, hat, white jacket, jacket, long sleeves, white shirt, shirt, white pleated miniskirt, miniskirt, white skirt, pleated skirt, black belt, belt, heart-shaped buckle, buckle, white gloves, gloves, boots, jewelry, wandenreich background, bedroom background, bed, red light, white outline, ominous lighting, volumetric lighting, depth of field, dramatic backlighting, rim lighting, high contrast, sharp cel-shading, wide angle lens, cowboy shot, sitting on bed, leaning back, one knee bent, looking down at viewer, shiny skin, detailed shading, vibrant accent colors, moody atmosphere, low angle, 8k, highres, masterpiece, best quality, ultra detailed
The shot is taken from a low angle, so she reads as tall and dominant even seated. At the centre of the frame she sits on the near edge of a wide bed, her weight sunk heavily into her right hip while her left knee is cocked up and the left boot is planted flat on the mattress beside her; the right leg is folded beneath her so that her white pleated miniskirt fans out across the rumpled duvet. She leans back with her shoulders dropped in weary boredom, one elbow resting on a heap of pillows behind her. Her black belt with its heart-shaped buckle sits against the skirt, cinching the waist below a long white military jacket worn open over the white shirt. Her left hand grips the zipper pull of the shirt at her sternum and drags it upward: the interlocked teeth run closed from her waist to her hand, the separated teeth above spread apart in a broad V, and the fabric it parts hangs wide to bare a deep plunging cleavage between her breasts. Her white-gloved fingers press the small metal tab, and the fabric of the shirt is taut across the pull where she tugs it. Her right hand is loose at her hip. Both gloves are white and clean, jeweled gold earrings at her ears. Her white peaked military hat sits low with its brim shading the upper half of her face. Her very long black hair, loose from the hat, floats and drifts as if caught in a slow current, strands crossing between her eyes, falling down over the bed edge, and pooling in dark ribbons over white sheets. Her purple eyes, cast heavily with eyelashes and set above the sharp v-shaped brows, are half-lidded with a bored, seductive, malevolent stare travelling down at the viewer; her lips are parted in an idle, insolent curl.
Flat across the floor in the foreground lies the corpse of a shirtless male quincy soldier, cut vertically in two, torso and legs split neatly down the centre line, the halves splayed apart from one another on the floorboards with a wide dark pool of blood spreading under and between them, ribboning out along the floorboard seams. The dead man is pale, eyes open and blank, a discarded white cape crumpled in folds at his side.
The bedroom is a vast Wandenreich chamber of pale, carved stone, tall pillars and arched windows behind the bed, hung with an enormous crimson banner. A single red light floods the room from the long window at the left, hot and low, so her right side and the fallen body's nearer half are washed blood red while deep shadow gathers at the other side of the bed; the lamp-like glare leaves a hard rim of light along her hat brim, her shoulder and her hair. The white of her uniform, the white hat, white gloves and the white bedsheets are the only clean bright notes in the red darkness. Every figure and every edge is traced with a crisp white outline that separates them from the shadowed backdrop. Sharp cel-shaded colour, hard-edged highlights, dramatic backlighting, high contrast, moody and predatory.
nyx23
n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, solo, bambietta basterbine, very long black hair, floating hair, hair between eyes, purple eyes, blue eyes, black eyes, heterochromia, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white jacket, long sleeves, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, boots, wandenreich uniform, sternritter, quincy, cowboy shot, standing, seductive pose, seductive look, maniac look, malevolent grin, looking at viewer, depth of field, volumetric lighting, ominous lighting, penthouse suite background, several desiccated male bodies on the floor in the background, white outline
Cowboy shot from a low three-quarter angle, the camera just below her hip line and tilted a few degrees so the penthouse's floor-to-ceiling glass runs as a slanted diagonal behind her. She stands with her weight sunk into her right boot, left knee bent and toes turned out, hips cocked hard to one side; her torso twists so the right shoulder comes toward the lens while her chin drops and her head tilts down at the viewer. Her left hand is raised, white-gloved fingers curled loose and half-open at chest height, wrist bent back; her right hand rests on the heart-shaped buckle of the black belt at her waist, thumb hooked under the strap, the white pleated miniskirt flaring a half-step outward from the twist. Her very long black hair sweeps sideways off the twist of her body, several strands falling between her eyes, one long lock whipped across the white jacket's lapel; the peaked cap sits low, its brim cutting a hard shadow across her brow. She looks straight down the lens: eyelids heavy and half-lowered, one brow arched high and the other flat and v-shaped, lips pulled into a wide crooked grin with the teeth showing and one corner hitched higher than the other -- the maniac pleasure and the seductive invitation arriving in the same face.
Behind her the penthouse suite opens up in soft focus: polished dark stone floor, a low modular sofa, a floor lamp, a glass wall with the blurred city beyond it, wide enough that the room dwarfs her silhouette. In the background, sprawled across the floor in the middle distance, several desiccated male bodies lie where they fell -- grey, sunken, hollow-cheeked, limbs splayed at bad angles, one arm hooked over a rug's edge -- rendered smaller and softer than her by the shallow depth of field, their outlines dissolving into the bokeh while hers stay razor-cut.
The light is the penthouse's own: cold blue-white volumetric shafts pour in through the glass wall behind and above her, hazing the air and rimming the white peaked cap, the shoulders of the white jacket and the outer sweep of her black hair in hard bright edges, while her face sits in the shadow the cap brim throws and her eyes catch two small points of that backlight. A second, warmer low source -- the floor lamp at frame left -- rakes her white skirt and the heart buckle from below. The contrast is pushed hard: the white uniform reads almost blown out, the black hair and the black belt crush to near-black, and the dead men lie in the darkest band of the floor.
Palette is disciplined to white, black, cold steel-blue and the city's sodium haze, with the only saturated note the hot amber glint on the buckle and one thin violet flare in her irises. Sharp cel-shaded edges, crisp rim lighting, a wide-angle cinematic perspective that lets the room bow slightly at the frame edges, high resolution detail concentrated in her face, gloves and the pleated skirt's swing. Ominous, effortlessly cruel.
nyx20
n2
artist: ratatatat74
1girl, solo, long hair, very long hair, black hair, hair between eyes, white peaked cap, military hat, white hat, blue eyes, glowing eyes, eyelashes, v-shaped eyebrows, beautiful face, white military uniform, white jacket, long sleeves, jacket half unzipped, unzipping jacket, hand on zipper, white shirt, white pleated skirt, miniskirt, pleated skirt, black belt, heart-shaped buckle, buckle, white gloves, gloves, jewelry, boots, witch, white cape, discarded cape, cape on bed, sitting on bed, on bed, one leg bent, leaning back, seductive pose, seductive look, malevolent expression, half-closed eyes, sidelong glance, looking at viewer, smug, head tilt, white outline, volumetric lighting, ominous lighting, depth of field, penthouse suite background, window, city lights, night, several desiccated charred male bodies, charred corpses on floor, background, dark, high contrast, sharp cel-shading, dramatic rim lighting, vibrant accent colors, moody atmosphere
She sits on the bed in the foreground of a penthouse suite at night, seen from a low three-quarter angle that puts the camera a little below her eye level, so her white peaked cap and the sheet of very long black hair falling from under it read against the tall window behind her. Her weight is back on her right hip, left knee drawn up and slid forward across the mattress, right boot flat on the floor and left boot toe resting on the bed edge; her spine leans back and her chin tilts down, black hair between her eyes parting around a sidelong glance from under half-lowered lids that lands square on the viewer, while one corner of her mouth pulls into a smug, malevolent half-smile. Her right white-gloved hand grips the zipper tab at her chest and pulls it down in a long slow diagonal, splitting the white jacket open over the white shirt beneath; the left glove rests back on the mattress behind her hip, fingers spread, taking her weight. Her eyelashes are long and dark, her brows draw into sharp v-shapes above her blue eyes, and those eyes glow — a cold luminous blue that throws a faint light onto the underside of her cap brim and the tops of her cheekbones. The white gloves are crisp and spotless against the dark sheet; the black belt cinches high at her waist and its heart-shaped buckle catches a hard white specular highlight, the only warm-bright glint on her. Her discarded white cape lies crumpled across the bed behind her left hip, one corner sliding off the mattress edge, its wool catching the window light where it folds.
The room is a penthouse suite: a floor-to-ceiling window wall at frame left and behind her, a grid of distant city windows glittering far below and beyond, a low dark leather sofa and a glass table simplified into big dark shapes at the right edge, a warm bedside lamp behind her right shoulder that is the one warm source in the image. Volumetric shafts of cool blue city light and a thinner warm lamp glow cut through a faint haze in the air; the two sources rim her hat, her shoulders and the edge of the open jacket in bright contour lines while her face and the folds of the white skirt fall into deep, sharp-edged shadow. On the dark floorboards between the bed and the window, seen past her boot and her hip, several desiccated charred male bodies lie crumpled and blackened, limbs folded where they fell, dry and split like burnt wood, their ruined silhouettes receding into the shallow depth of field and the darkness of the room. A thin white outline traces her whole figure — hat, hair, jacket, glove, skirt, boots — separating her from the background like a bright keyline. Palette: cold blue night through the glass, the girl's unbroken white uniform, black hair and black belt, and the charred gray-black of the bodies on the floor, with one hot amber lamp accent.
Sharp cel-shading with high contrast, dramatic rim lighting, and vibrant accent colors against a moody atmosphere; detailed shading on the white fabric's folds, the leather of the boots, the grain of the char. Ominous, effortlessly cruel.
nyx22222
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