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C9I

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C9I

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4 birds, 1 parrot, 3 ravens, parrot wearing oversized black fake-raven-feather cloak, bright red and blue feathers poking out from under cloak, colorful visible beak, parrot trying to look serious and dark, three real majestic black ravens, ravens perched on snow-covered branch, ravens looking at the parrot, cold unimpressed intelligent eyes, dark background, cinematic lighting, stark color contrast, film grain, wide shot, from side, profile, low angle, snowy environment, no text, no watermark, no signature, winter, hyper-detailed. A wide horizontal composition seen from a low side angle: at the left third of the frame, a big vibrant parrot perches upright on a thick snow-laden branch, drawn in profile but with its body angled a quarter toward the viewer so the costume reads clearly -- shoulders squeezed unnaturally high inside a cheap black cloak cut far too large for it, the hem drooping past its tail and pooling slack over the bark, the hood collapsing in folds around the neck because nothing fills it. The cloak is stitched from flat matte fake raven feathers, dull blue-black, edges frayed and uneven, seams puckered where the cheap thread pulls; it hangs loose at the chest so a burst of scarlet and cobalt plumage escapes along the front opening and under the drooping hem, and one blue wing covert slips out at the shoulder seam. Its head is pulled down between the shoulders in a deliberate dark brooding tilt, one yellow eye narrowed to a hard slit, the hooked beak clamped shut -- but the beak stays vividly orange-red and turquoise, catching the key light no matter how hard the bird scowls. One foot grips the branch, the other is lifted mid-step, talons curled. To the right, spaced along the same branch, three real ravens perch in a loose staggered line at slightly different heights: the nearest at the mid-right, the second half a body behind and higher, the third smaller at the far right edge, all in profile facing left toward the parrot. Their plumage is a deep glossy true black, uniform and immaculate, with only a single blue-white sheen along the crown and mantle where the key light grazes; their beaks are heavy and closed. All six of their eyes are fixed on the parrot, cold, flat-lit and unimpressed, heads still, no threat display. Foreground left is empty dark air; the branch crosses the width of the frame in the lower third, thick, bark-textured, its upper face packed with fresh snow, a thin crust overhanging the underside where it curves. Behind the birds, the background falls away into a near-black winter void with only a faint silver haze of falling snow drifting diagonally. A cold white key light from upper left rims the ravens' backs and the snow crest in hard highlights, leaves the parrot's face half lit and the cloak reading almost as silhouette, and drops everything behind them into unbroken darkness; snow dusts only the upward-facing surfaces of the branch and the ravens' crowns, none on the parrot's hood, because the hood is scraped bald where it snags. Palette: black, blue-black, snow white, silver haze for the ravens and the ground; scarlet, cobalt and orange-red as the only saturated colors, all of them on the parrot. Cinematic lighting with hard high-contrast edges, dark background, film grain across the whole frame, hyper-detailed feather and bark texture. No lettering, no signage, no logo, no watermark or signature anywhere in the image. Slightly comical but deeply mocking.
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Original Prompt
A vibrant, colorful parrot wearing a poorly fitted, cheap black cloak made of fake raven feathers. The costume is too big, and bright red and blue feathers are poking out from underneath. The parrot is trying to look serious and dark, but its colorful beak is still visible. Next to it, on a snowy branch, sit three real, majestic black ravens. The real ravens are looking at the parrot with cold, unimpressed, intelligent eyes. The scene is slightly comical but also deeply mocking. Cinematic lighting, dark background, stark contrast between the colorful parrot and the dark ravens, 8k, hyper-detailed, film grain. No text, no watermark. --ar 16:9
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of C9I
4 birds, 1 parrot, 3 ravens, parrot wearing oversized black fake-raven-feather cloak, bright red and blue feathers poking out from under cloak, colorful visible beak, parrot trying to look serious and dark, three real majestic black ravens, ravens perched on snow-covered branch, ravens looking at the parrot, cold unimpressed intelligent eyes, dark background, cinematic lighting, stark color contrast, film grain, wide shot, from side, profile, low angle, snowy environment, no text, no watermark, no signature, winter, hyper-detailed. A wide horizontal composition seen from a low side angle: at the left third of the frame, a big vibrant parrot perches upright on a thick snow-laden branch, drawn in profile but with its body angled a quarter toward the viewer so the costume reads clearly -- shoulders squeezed unnaturally high inside a cheap black cloak cut far too large for it, the hem drooping past its tail and pooling slack over the bark, the hood collapsing in folds around the neck because nothing fills it. The cloak is stitched from flat matte fake raven feathers, dull blue-black, edges frayed and uneven, seams puckered where the cheap thread pulls; it hangs loose at the chest so a burst of scarlet and cobalt plumage escapes along the front opening and under the drooping hem, and one blue wing covert slips out at the shoulder seam. Its head is pulled down between the shoulders in a deliberate dark brooding tilt, one yellow eye narrowed to a hard slit, the hooked beak clamped shut -- but the beak stays vividly orange-red and turquoise, catching the key light no matter how hard the bird scowls. One foot grips the branch, the other is lifted mid-step, talons curled. To the right, spaced along the same branch, three real ravens perch in a loose staggered line at slightly different heights: the nearest at the mid-right, the second half a body behind and higher, the third smaller at the far right edge, all in profile facing left toward the parrot. Their plumage is a deep glossy true black, uniform and immaculate, with only a single blue-white sheen along the crown and mantle where the key light grazes; their beaks are heavy and closed. All six of their eyes are fixed on the parrot, cold, flat-lit and unimpressed, heads still, no threat display. Foreground left is empty dark air; the branch crosses the width of the frame in the lower third, thick, bark-textured, its upper face packed with fresh snow, a thin crust overhanging the underside where it curves. Behind the birds, the background falls away into a near-black winter void with only a faint silver haze of falling snow drifting diagonally. A cold white key light from upper left rims the ravens' backs and the snow crest in hard highlights, leaves the parrot's face half lit and the cloak reading almost as silhouette, and drops everything behind them into unbroken darkness; snow dusts only the upward-facing surfaces of the branch and the ravens' crowns, none on the parrot's hood, because the hood is scraped bald where it snags. Palette: black, blue-black, snow white, silver haze for the ravens and the ground; scarlet, cobalt and orange-red as the only saturated colors, all of them on the parrot. Cinematic lighting with hard high-contrast edges, dark background, film grain across the whole frame, hyper-detailed feather and bark texture. No lettering, no signage, no logo, no watermark or signature anywhere in the image. Slightly comical but deeply mocking.
C9I
AI artwork
Avatar image of C9I
4 animals, parrot, three ravens, bird, vibrant colorful parrot, bright red and blue feathers, colorful beak, oversized black cloak, fake raven feathers, cheap costume, hood, feathers poking out from under cloak, serious expression, trying to look dark, three black ravens, majestic, glossy black plumage, perched on snowy branch, ravens staring at parrot, cold unimpressed eyes, intelligent eyes, comical contrast, mocking atmosphere, cinematic lighting, dark background, stark color contrast, film grain, hyper-detailed, from below, slight dutch angle, medium shot, wide shot, snowy branch across frame, no text, no watermark, no signature The camera sits low and a little to the left of the branch, tilted a few degrees off level, looking up so the birds loom against the dark: a wide 16:9 frame where a single bare snow-laden branch runs from the lower left corner diagonally toward the upper right, filling the middle of the picture. On the left end of the branch, closest to camera and largest, stands the parrot: a stout-bodied bird with a short squared tail and a hooked beak banded in bright yellow, orange and deep red at the cere. It wears a black cloak of fake raven feathers that is far too big for it -- the shoulders sag off its back, the hem drags and bunches over the branch in a shapeless fold, and the oversized hood has collapsed backwards off its head instead of framing it, so the whole costume hangs askew like a costume-shop leftover. Beneath the sagging hem and along the open collar, vivid scarlet and cobalt-blue feathers push out in clumps, unmistakably brighter than the matte dyed-black feathers of the cloak. The parrot's head is pulled low into its shoulders toward the collar in a stiff attempt at a hooded silhouette, its eye fixed forward with a flat, forced deadpan that does not quite hold. To its right, at intervals along the branch and slightly behind, three ravens perch in a staggered row, each a little smaller than the last with the perspective: heavy wedge-shaped bills, thick necks, plumage of blue-black gloss. All three have their heads turned toward the parrot; their eyes are pale, hard and unwavering, heads cocked at slightly different angles as if examining an inferior specimen. The nearest raven's head is tilted down at the parrot, the middle one stares level and flat, the farthest lifts its chin. None of them move. Light comes from a single cold low source behind and above the branch, so the ravens read almost as silhouettes rimmed in pale blue while the parrot's exposed red and blue feathers catch that light and flare against the black. The background behind them is a deep, near-black gradient of out-of-focus snowfall and shadowed spruce shapes, with a faint haze where the light grazes falling flakes. Snow rests only on the upward-facing surfaces of the branch and on the crowned backs of the ravens; the parrot's drooping fake-feather cloak sheds the snow and stays bare, its hem drooping lower than everything else on the branch. Palette is limited to near-black, cold blue-white snow light, and the parrot's loud scarlet, cobalt and warm beak colors. Fine film grain over the whole frame, no lettering anywhere, clean surface. Slightly comical, deeply mocking.
C9I
AI artwork
Avatar image of C9I
4 birds, 1 parrot, 3 ravens, parrot wearing oversized black fake-raven-feather cloak, bright red and blue feathers poking out from under cloak, colorful visible beak, parrot trying to look serious and dark, three real majestic black ravens, ravens perched on snow-covered branch, ravens looking at the parrot, cold unimpressed intelligent eyes, dark background, cinematic lighting, stark color contrast, film grain, wide shot, from side, profile, low angle, snowy environment, no text, no watermark, no signature, winter, hyper-detailed. A wide horizontal composition seen from a low side angle: at the left third of the frame, a big vibrant parrot perches upright on a thick snow-laden branch, drawn in profile but with its body angled a quarter toward the viewer so the costume reads clearly -- shoulders squeezed unnaturally high inside a cheap black cloak cut far too large for it, the hem drooping past its tail and pooling slack over the bark, the hood collapsing in folds around the neck because nothing fills it. The cloak is stitched from flat matte fake raven feathers, dull blue-black, edges frayed and uneven, seams puckered where the cheap thread pulls; it hangs loose at the chest so a burst of scarlet and cobalt plumage escapes along the front opening and under the drooping hem, and one blue wing covert slips out at the shoulder seam. Its head is pulled down between the shoulders in a deliberate dark brooding tilt, one yellow eye narrowed to a hard slit, the hooked beak clamped shut -- but the beak stays vividly orange-red and turquoise, catching the key light no matter how hard the bird scowls. One foot grips the branch, the other is lifted mid-step, talons curled. To the right, spaced along the same branch, three real ravens perch in a loose staggered line at slightly different heights: the nearest at the mid-right, the second half a body behind and higher, the third smaller at the far right edge, all in profile facing left toward the parrot. Their plumage is a deep glossy true black, uniform and immaculate, with only a single blue-white sheen along the crown and mantle where the key light grazes; their beaks are heavy and closed. All six of their eyes are fixed on the parrot, cold, flat-lit and unimpressed, heads still, no threat display. Foreground left is empty dark air; the branch crosses the width of the frame in the lower third, thick, bark-textured, its upper face packed with fresh snow, a thin crust overhanging the underside where it curves. Behind the birds, the background falls away into a near-black winter void with only a faint silver haze of falling snow drifting diagonally. A cold white key light from upper left rims the ravens' backs and the snow crest in hard highlights, leaves the parrot's face half lit and the cloak reading almost as silhouette, and drops everything behind them into unbroken darkness; snow dusts only the upward-facing surfaces of the branch and the ravens' crowns, none on the parrot's hood, because the hood is scraped bald where it snags. Palette: black, blue-black, snow white, silver haze for the ravens and the ground; scarlet, cobalt and orange-red as the only saturated colors, all of them on the parrot. Cinematic lighting with hard high-contrast edges, dark background, film grain across the whole frame, hyper-detailed feather and bark texture. No lettering, no signage, no logo, no watermark or signature anywhere in the image. Slightly comical but deeply mocking.
C9I
AI artwork
Avatar image of C9I
4 birds, 1 parrot, 3 ravens, parrot wearing oversized black fake-raven-feather cloak, bright red and blue feathers poking out from under cloak, colorful visible beak, parrot trying to look serious and dark, three real majestic black ravens, ravens perched on snow-covered branch, ravens looking at the parrot, cold unimpressed intelligent eyes, dark background, cinematic lighting, stark color contrast, film grain, wide shot, from side, profile, low angle, snowy environment, no text, no watermark, no signature, winter, hyper-detailed. A wide horizontal composition seen from a low side angle: at the left third of the frame, a big vibrant parrot perches upright on a thick snow-laden branch, drawn in profile but with its body angled a quarter toward the viewer so the costume reads clearly -- shoulders squeezed unnaturally high inside a cheap black cloak cut far too large for it, the hem drooping past its tail and pooling slack over the bark, the hood collapsing in folds around the neck because nothing fills it. The cloak is stitched from flat matte fake raven feathers, dull blue-black, edges frayed and uneven, seams puckered where the cheap thread pulls; it hangs loose at the chest so a burst of scarlet and cobalt plumage escapes along the front opening and under the drooping hem, and one blue wing covert slips out at the shoulder seam. Its head is pulled down between the shoulders in a deliberate dark brooding tilt, one yellow eye narrowed to a hard slit, the hooked beak clamped shut -- but the beak stays vividly orange-red and turquoise, catching the key light no matter how hard the bird scowls. One foot grips the branch, the other is lifted mid-step, talons curled. To the right, spaced along the same branch, three real ravens perch in a loose staggered line at slightly different heights: the nearest at the mid-right, the second half a body behind and higher, the third smaller at the far right edge, all in profile facing left toward the parrot. Their plumage is a deep glossy true black, uniform and immaculate, with only a single blue-white sheen along the crown and mantle where the key light grazes; their beaks are heavy and closed. All six of their eyes are fixed on the parrot, cold, flat-lit and unimpressed, heads still, no threat display. Foreground left is empty dark air; the branch crosses the width of the frame in the lower third, thick, bark-textured, its upper face packed with fresh snow, a thin crust overhanging the underside where it curves. Behind the birds, the background falls away into a near-black winter void with only a faint silver haze of falling snow drifting diagonally. A cold white key light from upper left rims the ravens' backs and the snow crest in hard highlights, leaves the parrot's face half lit and the cloak reading almost as silhouette, and drops everything behind them into unbroken darkness; snow dusts only the upward-facing surfaces of the branch and the ravens' crowns, none on the parrot's hood, because the hood is scraped bald where it snags. Palette: black, blue-black, snow white, silver haze for the ravens and the ground; scarlet, cobalt and orange-red as the only saturated colors, all of them on the parrot. Cinematic lighting with hard high-contrast edges, dark background, film grain across the whole frame, hyper-detailed feather and bark texture. No lettering, no signage, no logo, no watermark or signature anywhere in the image. Slightly comical but deeply mocking.
C9I

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