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新山聡美(スーパー「ヤオチュウ」でお買い物)

Contest Entry

Anything Goes Casual Posting Festival!

#MILF #Supermarket #Sound! Euphonium #Satomi Niiyama

Published on Nov 12, 2026

北

北宇治高校仙台分校

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, low ponytail, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A photorealistic, natural streetscape image depicting a sunny daytime in late October, in front of the former Super Yaochu store once located in Nakamachi, Shiroishi City, Miyagi Prefecture, capturing a woman who came shopping walking toward the store entrance. Valuing the calm atmosphere typical of an old-fashioned shopping street in a regional city, realistically depicting the white or light gray exterior walls of the store, the green awning, the sign near the entrance, the street in front of the shop, parked cars, and power lines crossing the sky. It should be an everyday scene from a historic shopping district, making it immediately clear at a glance that the woman is about to enter Super Yaochu to do some shopping. From the center to the right side of the screen, the Super Yaochu store is visible. The building is an old-fashioned, mid-sized supermarket in a regional city, resembling a simple and practical 3-story building with white exterior walls. On the front exterior wall hangs a sign indicating the store's name with red katakana on a white background reading 「ヤオチュウ」. The sign is installed on the upper part of the shop, just above the entrance, clearly visible on the building's exterior. The sign should not be unnaturally gigantic, but sized realistically as found above the entrance of an actual shop. The lettering should be concise, appearing as naturally legible as 「ヤオチュウ」 as possible. On the exterior section corresponding to the second floor, large windows are lined up, divided into three sections, and there are no windows on the third-floor section. Above the store entrance is a blue-green awning extending horizontally. The edge of the awning has a thin metal trim, running horizontally along the front of the shop. The entrance is beneath the awning, and the inside of the store can be faintly seen through glass sliding doors and glass windows. Around the entrance, a few posters and product announcements typical of an old-fashioned store can be seen, without excessively multiplying signs or notices. The upper part of the building features flat exterior walls and windows, giving it the modest appearance of a mid-sized store that has served the local community for many years, rather than a decorated large commercial facility. To the left side of the store, an adjacent dining eatery building continues. The neighboring building also has white walls, glass windows, an awning, and an entrance, with an exterior slightly different from the supermarket. In front of the store, guard pipes bordering the parking area are visible. It should maintain the atmosphere of a supermarket within an old-fashioned regional shopping street, avoiding the appearance of a newly developed large shopping mall. The woman's attire is neat and practical autumn clothing suitable for a housewife going out for daily shopping. On her upper body, she wears an ivory or soft pale beige blouse, layered with a thin greige or light beige cardigan over it. Her bottoms are a subdued brown or charcoal gray below-the-knee flared skirt, and on her feet she wears comfortable black or dark brown low-heeled walking shoes. It should be lightweight, not overly thick clothing suited for a sunny autumn day. A small, elegant shoulder bag hangs from her shoulder, and in her other hand she holds a small cloth shopping tote for buying daily necessities. Accessories are understated, creating a clean, calm, and composed look. The woman's long hair is tied behind in a natural, single low ponytail so it does not get in the way during daily shopping. The hair is neatly groomed with a soft sheen, with a few soft strands remaining beside her face. The hairstyle is not over-styled, giving a sense of neat, refined mature femininity. Her expression is calm and approachable, a natural look suited to an everyday moment of about to shop at a store. Rather than posing and looking at the camera, she is walking while looking at the store entrance. The character LoRA is to be used for facial features and figure modeling, while clothing, hairstyle, accessories, posture, and expression follow the specifications of this text. The woman is placed alone in the foreground slightly to the left of the center of the frame. She is walking toward the store entrance, captured at the exact moment she approaches the entrance and is about to enter the store. Her body and face are directed toward the store entrance, naturally stepping forward while looking in her direction of movement. In a walking posture with one foot forward, her back naturally straight, and her shoulders relaxed. One hand lightly rests on the shoulder strap of her shoulder bag, while the other hand naturally holds the cloth shopping bag. It should be clearly evident that she intends to enter the store, not just standing still in front of it or coming out of the shop. The woman walks on the sidewalk or the pedestrian space in front of the store, not in the roadway, in a safe and natural position. The composition allows as much of the woman's full body to be seen as possible, fitting her from head to shoes within the frame. She is placed so as not to obscure the store entrance too much, so that the store name sign and the entrance can be seen ahead in her walking direction. The woman's figure is realistically proportioned relative to the streetscape, not dominating the frame entirely by herself. The store building, entrance, sign, cars, and road are also sufficiently visible to express the entire scene of heading to Super Yaochu for shopping. The road stretches across the foreground of the frame, showing fine pavement textures and natural color variations on the gray asphalt. Sidewalks and curbs line the edge of the street, with short metal guard pipes and slender poles installed in front of the store. Beside the front of the store (opposite the dining eatery building) is a parking area where a single small white SUV is parked. The car does not completely block the store entrance, placed where its relationship to the road and sidewalk looks natural. If necessary, another light car (kei car) can be placed slightly further away, without overcrowding with cars. The car body reflects natural daytime light, making the tires, windows, and contours look realistic. Near the building stands a utility pole, with multiple power lines crossing the sky. The power lines extend diagonally across the upper part of the frame, creating the everyday scenery of a regional shopping street. Small signs and fixtures are attached to the utility pole, though text and minute markings need not be forced. The background sky is a bright, clear autumn sky with a few wispy clouds floating by. The sunlight is sufficiently bright, but avoids strong backlighting where the sun shines directly from a low angle. The season is autumn in late October. The autumn atmosphere is incorporated subtly, ensuring the store exterior, sign, and the woman remain the primary subjects. The woman's attire features calm autumnal tones, naturally balancing seasonal feel with everyday shopping practicality. The light illuminating the background is based on soft, diffused natural daylight on a clear day. Extreme, harsh direct sunlight and deep shadows that turn the area under the awning pitch black are avoided. The store's exterior walls, glass entrance, sign, beneath the awning, and the woman's face and clothes appear bright, retaining sufficient detail even in shadowed areas. Highlights are kept from blowing out and shadows from crushing to black, balancing the overall exposure naturally. The woman's face, hair, and clothing colors are not hidden in the store's shadow, rendered visible in soft brightness wrapped in natural light. Contrast is not overly high, having the brightness of a documentary street photograph taken under gentle sunlight. The camera is positioned diagonally forward from across the street, capturing both the entire storefront and the woman's movement together. In a wide horizontal composition, the center to the right side features Super Yaochu's exterior, sign, green awning, and entrance, while the left foreground features the woman walking toward the entrance. The top of the frame shows the top of the building, power lines, and the bright sky, while the bottom includes the road, sidewalk, and parked dark car. The store entrance and the woman's walking direction connect clearly, visually conveying that she is heading to shop. Rather than a tightly cropped portrait focusing only on the figure, it is depicted as a streetscape photograph including the building, street, sign, and vehicles. The overall texture aims for a street photograph, naturally depicting the exterior paint, concrete, metal awning, glass windows, road pavement, car body, and the materials of the woman's clothes and shopping bag. The straight lines of the building, window frames, horizontal line of the awning, and perspective of the road remain realistic, avoiding distorted architecture or unnatural depth. Colors are calm and natural, harmonizing the white or pale gray exterior walls, green awning, gray road, black car, and the woman's pale beige and brown outfit. Excessive saturation and unnatural HDR effects are avoided, emphasizing the realism of an actual regional shopping street photographed during the day. The woman's face, hands, fingers, arms, and legs are shaped naturally, ensuring the shopping bag and shoulder bag do not unnaturally merge with her body. The woman's action is entering the shop, not exiting it, nor walking down the center of the road. The exterior of the building, sign, entrance, awning, utility poles, power lines, and cars are not unnaturally distorted. The store name display should be as legibly rendered as 「ヤオチュウ」 as possible, without meaningless characters, extra logos, or watermarks. Depicting a bright and natural representation of a regional shopping street reminiscent of the former Super Yaochu, alongside an everyday moment of a woman heading to shop.

新山聡美(スーパー「ヤオチュウ」でお買い物)

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