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Ирина Скляренко Игнатова

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solo, 1girl, sitting, sitting on chair, on chair, crossed legs, leg over leg, one leg crossed over the other, hands on knees, leaning forward, head tilt, looking at viewer, half-closed eyes, light smile, closed mouth, blonde hair, long hair, straight hair, blunt bangs, sidelocks, blue eyes, hair between eyes, white shirt, collared shirt, long sleeves, sleeves rolled up to elbows, black pleated skirt, kneehighs, black socks, indoor, artist's studio, wooden stool, easel, canvas, north-facing window, soft daylight, medium shot, from side, dutch angle A medium shot from a low side angle, tilted a few degrees off level, catches the young woman seated sideways on a tall wooden stool in a bare artist's studio. She is in her early twenties, slim, with long straight blonde hair falling past her shoulder blades and blunt bangs squared off just above her brows, two sidelocks framing her cheeks and a few loose strands lying between her eyes. Her eyes are blue and half-lidded; she has tilted her head toward the camera and holds a small, closed-mouth smile that curves higher on one side, one brow slightly raised -- a quiet, knowing look offered over her shoulder rather than demanded. She sits with her weight settled on her right hip, the left leg crossed over the right at the knee, the top foot hanging relaxed and swinging very slightly, the pleated black skirt draping over the crossed thigh in soft vertical folds. Both hands rest loosely on her knees, fingers curled, the white shirt's rolled-up sleeves bunched just below her elbows, the collar open at the throat with nothing at it. Her left shoulder is turned a little away from the lens while her chin comes back toward it, so the pose reads as an interrupted turn. Behind her, an easel with a blank primed canvas stands at an angle, a low shelf of paint jars along the wall; these sit deep and slightly out of focus, keeping the sharp detail on her face, hands and the fabric across her knees. The only light is a tall north-facing window at frame left: it lays a soft cool-white band down her left cheek, the leading edge of her hair and the near shoulder, leaves her right side in gentle falloff, and casts a soft-edged shadow of the stool legs and her crossed ankles onto the bare floorboards to the right. The palette is restricted -- pale blond, cool white, black, the grey-brown of wood and floor. The stretched canvas behind her carries a faint warm reflection of the window, dimmer and softer than the light itself. Calm, quietly amused.
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Original Prompt
Марін авторства сидить
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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AI artwork
ис
solo, 1girl, sitting, sitting on chair, on chair, crossed legs, leg over leg, one leg crossed over the other, hands on knees, leaning forward, head tilt, looking at viewer, half-closed eyes, light smile, closed mouth, blonde hair, long hair, straight hair, blunt bangs, sidelocks, blue eyes, hair between eyes, white shirt, collared shirt, long sleeves, sleeves rolled up to elbows, black pleated skirt, kneehighs, black socks, indoor, artist's studio, wooden stool, easel, canvas, north-facing window, soft daylight, medium shot, from side, dutch angle A medium shot from a low side angle, tilted a few degrees off level, catches the young woman seated sideways on a tall wooden stool in a bare artist's studio. She is in her early twenties, slim, with long straight blonde hair falling past her shoulder blades and blunt bangs squared off just above her brows, two sidelocks framing her cheeks and a few loose strands lying between her eyes. Her eyes are blue and half-lidded; she has tilted her head toward the camera and holds a small, closed-mouth smile that curves higher on one side, one brow slightly raised -- a quiet, knowing look offered over her shoulder rather than demanded. She sits with her weight settled on her right hip, the left leg crossed over the right at the knee, the top foot hanging relaxed and swinging very slightly, the pleated black skirt draping over the crossed thigh in soft vertical folds. Both hands rest loosely on her knees, fingers curled, the white shirt's rolled-up sleeves bunched just below her elbows, the collar open at the throat with nothing at it. Her left shoulder is turned a little away from the lens while her chin comes back toward it, so the pose reads as an interrupted turn. Behind her, an easel with a blank primed canvas stands at an angle, a low shelf of paint jars along the wall; these sit deep and slightly out of focus, keeping the sharp detail on her face, hands and the fabric across her knees. The only light is a tall north-facing window at frame left: it lays a soft cool-white band down her left cheek, the leading edge of her hair and the near shoulder, leaves her right side in gentle falloff, and casts a soft-edged shadow of the stool legs and her crossed ankles onto the bare floorboards to the right. The palette is restricted -- pale blond, cool white, black, the grey-brown of wood and floor. The stretched canvas behind her carries a faint warm reflection of the window, dimmer and softer than the light itself. Calm, quietly amused.
Ирина Скляренко Игнатова
AI artwork
ис
solo, 1girl, sitting, sitting on chair, on chair, crossed legs, leg over leg, one leg crossed over the other, hands on knees, leaning forward, head tilt, looking at viewer, half-closed eyes, light smile, closed mouth, blonde hair, long hair, straight hair, blunt bangs, sidelocks, blue eyes, hair between eyes, white shirt, collared shirt, long sleeves, sleeves rolled up to elbows, black pleated skirt, kneehighs, black socks, indoor, artist's studio, wooden stool, easel, canvas, north-facing window, soft daylight, medium shot, from side, dutch angle A medium shot from a low side angle, tilted a few degrees off level, catches the young woman seated sideways on a tall wooden stool in a bare artist's studio. She is in her early twenties, slim, with long straight blonde hair falling past her shoulder blades and blunt bangs squared off just above her brows, two sidelocks framing her cheeks and a few loose strands lying between her eyes. Her eyes are blue and half-lidded; she has tilted her head toward the camera and holds a small, closed-mouth smile that curves higher on one side, one brow slightly raised -- a quiet, knowing look offered over her shoulder rather than demanded. She sits with her weight settled on her right hip, the left leg crossed over the right at the knee, the top foot hanging relaxed and swinging very slightly, the pleated black skirt draping over the crossed thigh in soft vertical folds. Both hands rest loosely on her knees, fingers curled, the white shirt's rolled-up sleeves bunched just below her elbows, the collar open at the throat with nothing at it. Her left shoulder is turned a little away from the lens while her chin comes back toward it, so the pose reads as an interrupted turn. Behind her, an easel with a blank primed canvas stands at an angle, a low shelf of paint jars along the wall; these sit deep and slightly out of focus, keeping the sharp detail on her face, hands and the fabric across her knees. The only light is a tall north-facing window at frame left: it lays a soft cool-white band down her left cheek, the leading edge of her hair and the near shoulder, leaves her right side in gentle falloff, and casts a soft-edged shadow of the stool legs and her crossed ankles onto the bare floorboards to the right. The palette is restricted -- pale blond, cool white, black, the grey-brown of wood and floor. The stretched canvas behind her carries a faint warm reflection of the window, dimmer and softer than the light itself. Calm, quietly amused.
Ирина Скляренко Игнатова
AI artwork
ис
solo, 1girl, sitting, sitting on chair, on chair, crossed legs, leg over leg, one leg crossed over the other, hands on knees, leaning forward, head tilt, looking at viewer, half-closed eyes, light smile, closed mouth, blonde hair, long hair, straight hair, blunt bangs, sidelocks, blue eyes, hair between eyes, white shirt, collared shirt, long sleeves, sleeves rolled up to elbows, black pleated skirt, kneehighs, black socks, indoor, artist's studio, wooden stool, easel, canvas, north-facing window, soft daylight, medium shot, from side, dutch angle A medium shot from a low side angle, tilted a few degrees off level, catches the young woman seated sideways on a tall wooden stool in a bare artist's studio. She is in her early twenties, slim, with long straight blonde hair falling past her shoulder blades and blunt bangs squared off just above her brows, two sidelocks framing her cheeks and a few loose strands lying between her eyes. Her eyes are blue and half-lidded; she has tilted her head toward the camera and holds a small, closed-mouth smile that curves higher on one side, one brow slightly raised -- a quiet, knowing look offered over her shoulder rather than demanded. She sits with her weight settled on her right hip, the left leg crossed over the right at the knee, the top foot hanging relaxed and swinging very slightly, the pleated black skirt draping over the crossed thigh in soft vertical folds. Both hands rest loosely on her knees, fingers curled, the white shirt's rolled-up sleeves bunched just below her elbows, the collar open at the throat with nothing at it. Her left shoulder is turned a little away from the lens while her chin comes back toward it, so the pose reads as an interrupted turn. Behind her, an easel with a blank primed canvas stands at an angle, a low shelf of paint jars along the wall; these sit deep and slightly out of focus, keeping the sharp detail on her face, hands and the fabric across her knees. The only light is a tall north-facing window at frame left: it lays a soft cool-white band down her left cheek, the leading edge of her hair and the near shoulder, leaves her right side in gentle falloff, and casts a soft-edged shadow of the stool legs and her crossed ankles onto the bare floorboards to the right. The palette is restricted -- pale blond, cool white, black, the grey-brown of wood and floor. The stretched canvas behind her carries a faint warm reflection of the window, dimmer and softer than the light itself. Calm, quietly amused.
Ирина Скляренко Игнатова

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