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Big Sis Wang wants to show you somethin
Big Sis Wang wants to show you somethin AI art by Jamison VanderPol on PixAI. Tags: Arknights, Cleavage, Genderswap. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- wang (arknights),horns, dragon horns, pointy ears, multicolored hair, long hair, dragon boy, black hair, streaked hair, jewelry, eastern dragon horns, white hair, hair between eyes, colored extremities, earrings, heterochromia, long sleeves, yellow eyes, dragon girl, shirt, jacket, white shirt, black eyes, blue hair, coat, chinese clothes, genderswap (mtf), curvy, cleavage, plump
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
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Big Sis Wang's casual evening
Jamison VanderPol
b0
A medium shot, 3/4 view of a glamorous female goblin deity standing centrally in a serene setting. She has tanned, bronze-toned skin and pale mint-green hair styled in a unique way that evokes the silhouette of goblin horns. Her ears are distinctly pointed, characteristic of her divine goblin nature. She is dressed in traditional divine robes that are neat and modest, yet feature a subtle neckline that reveals a hint of her cleavage, complementing her voluptuous figure. Her expression is calm and dignified, with her hands resting gracefully at her sides. The background consists of a soft, ethereal mist and floating traditional ornaments, creating a divine atmosphere. The lighting is soft and golden, emphasizing the rich tone of her skin and the pastel hue of her hair, rendered in a high-quality anime illustration style with a clean color palette.
bed0605
V.Kita as muscle mommy
Syndicate
n2
artist: ratatatat74
1girl, solo, close-up, from below, dutch angle, portrait, oni, two small curved black oni horns, glowing amber eyes, vertical slit pupils, long straight hair, dried blood red hair, hair tied at nape, crimson silk cords, faint scar across bridge of nose, sharp aristocratic features, ceramic white skin, predatory smirk, cunning malevolent proud expression, seductive look, half-closed eyes, head tilt, stylized kimono, black and crimson fabric, gold embroidery, deep v-neckline, intricate obi sashes, high thigh slits, reinforced leather bracers, thick muscular oni tail, spade-like tail tip, tail raised behind shoulder, leaning forward, looking down at viewer, white outline, several desiccated male bodies, corpses on floor, background, japanese estate interior, tatami, shoji screens, volumetric lighting, ominous lighting, rim lighting, dramatic backlighting, depth of field, sharp cel-shading, high contrast, cinematic perspective, vibrant accent colors, moody atmosphere, masterpiece, best quality, absurdres, very absurdres, highres, cg, ultra detailed, perfect anatomy, very aesthetic
The camera sits low and tilted a few degrees off level, looking up at the oni woman so that she occupies the close-up frame from the collarbones to the tips of her horns, her head tipped down toward the lens in a slow predatory appraisal. She leans forward from the hips, one shoulder dropped lower than the other, weight carried on her back leg with the front knee eased forward so the black and crimson kimono pulls open along its deep V-neckline; the intricate obi sash is cinched high and tight under her ribs, gold embroidery catching the light along its coiled knots, and the high thigh slits fall apart to bare the long white line of her leg toward the hip. Both forearms are sheathed in reinforced leather bracers, the left hand raised and half-curled near her jaw with the knuckles just brushing the underside of her chin, the right arm hanging loose with the fingers spread against her own thigh. Her two small curved black horns emerge from the hair above her temples, and her thick muscular oni tail rises behind her left shoulder, muscular and ridged, its spade-like tuft flicking toward the camera.
Her face is a study in dangerous elegance: ceramic white skin with no flush, sharp aristocratic cheekbones and jaw, a faint pale scar crossing the bridge of her nose and catching a thin highlight, a small cruel mouth pulled into a predatory smirk that shows the very edge of one canine. Her glowing amber eyes are narrowed, luminous, the vertical slit pupils contracting in the light, and she looks directly down at the viewer with a cunning, malevolent, proud satisfaction. Her long straight dried-blood-red hair falls heavy and flat on either side of her face, the lengths gathered loosely at the nape with crimson silk cords whose ends trail down across her collar; a few strands slip forward over one cheekbone, shifted by her lean.
Behind her, thrown soft and low by the shallow depth of field, the interior of a Japanese estate recedes: tatami mats, the pale grid of shoji screens, a dark timber pillar, and on the floor several desiccated male bodies lying where they fell, limbs slack, skin drawn tight over bone, their husks dimmed into background texture rather than detail. The volumetric key light comes from above and behind her right shoulder, cold and slanting through the shoji, so her horns and the crown of her head and the spade-tuft of her tail flare with rim light while her face falls into warm amber shadow lit only by the glow of her own eyes; the light is the only source, and the corners of the room sink into heavy brown-black dark. High contrast, sharp cel-shaded planes, gold threads and crimson cords as the only saturated accents against the black fabric and the bone-dry bodies. A thin white outline traces her silhouette against the deeper interior, holding her forward of everything behind her. Ominous, dangerously seductive.
nyx22222
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