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AI artwork featuring #Scenery, #Ruins, #Building and #The Fantasy City
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Scenery, Ruins

Contest Entry
I Want to See a Fantasy City!#The Fantasy City
#Scenery#Ruins#Building
ๅฎ‰

ๅฎ‰่—คใ‚ฟใ‚ฑใƒซ

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cable jungle, pipe web, hundreds of cables, thick black cables, tangled cables, braided pipes, sagging cables, ruined gantry, crooked maintenance stairs, snapped-off balcony, split cable, frayed cable core, hanging cable loops, dead loops, empty platforms, deserted platforms, clothesline, dead wires, swaying wires, megastructure towers, distant towers, layered haze, atmospheric haze, hard-inked edges, rim light on tower edges, scratchy linework, dense ink linework, cross-hatching, solid black voids, black frame edges, monochrome, grayscale, high contrast, black and white, manga shading, post-apocalyptic, industrial decay, claustrophobic density, wide shot, from below, no humans, empty scene, film grain, detailed digital painting, cinematic concept art, Seen from a low angle tilted upward into the vault, the frame is so densely woven with cables that no sky survives between them: hundreds of thick black cables and pipe lines braid, cross and re-braid into a chaotic lattice that fills every region of the image, sagging in long catenary curves between the skeletal remains of ruined gantries whose bent girders jut in from both upper corners. Crooked maintenance stairs zigzag down through the web at the left third, their steps warped and their handrails snapped at two points, and a snapped-off balcony hangs at the upper right, torn free at one end so it tilts steeply down into the tangle on a single torn bracket. Several cables have split open along their length in the midground, their frayed wire cores spilling outward in stiff fans of fine bright strands that catch the light, and elsewhere dead loops of cable hang straight down and stop in mid-air above an unseen drop that the bottom of the frame never shows, only an encroaching field of solid black. Small broken platforms perch wedged in the web at three depths, each with a cracked deck and a bent rail, every deck completely bare and deserted, and from each rail hangs a clothes-line of dead wires that sway very slightly out of step with one another, their loose ends drifting; not one figure, not one silhouette of a person, appears anywhere in the tangle. Behind the web, pale gray silhouettes of impossibly tall megastructure towers recede in successive layered haze, each further rank lighter and softer than the one before, and only on the nearest towers does the light strike an edge and hold it as a hard black ink line, everything past that edge dropping into flat tone. The only light comes from far behind and above the towers, so it rims the tower edges and the upward-facing surfaces of the cables while every underside and every recess falls to solid black; the corners of the composition are eaten away by those black voids, and a single split cable in the near midground shows its frayed core outlined bright against pure darkness, the physics of the whole image legible in that one edge. Strictly monochrome grayscale, no colour admitted: paper-white highlights, mid-gray receding haze, and ink-black depths in three tones only. Linework is dense, scratchy and obsessive, every cable rendered as a distinct inked tube with hatching on its shadow side, the towers simplified to hard silhouettes so the tangle keeps the detail budget. Fine film grain over the whole plate. Claustrophobic, immense.
Show Parameters
Mode
flash
Size
2048 x 1152

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.11k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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AI artwork
ๅฎ‰
0 humans, no people, empty scene, scenery only, from a small broken platform, wide shot, extreme wide shot, looking across the void, megastructure void chamber far wall, stacked structural ribs, window bands, hanging service structures, isolated towers rising from below, elevator stacks, one long sagging cable bridge, volumetric haze, abyssal scale, film grain, monochrome grayscale, high-contrast black and white, dense ink linework, detailed digital painting, cinematic post-apocalyptic concept art, depth of field, atmospheric perspective The camera sits low on the lip of a small broken platform, a cracked slab of deck plate whose fractured edge juts out into open darkness at the bottom-left of the frame, its torn rebar and split panel seams catching a thin rim of light; beyond that edge the floor simply ends and there is nothing but depth. The view looks straight out across an unlit void toward the far wall of the chamber, kilometers away: a sheer vertical face rising and falling out of frame, its top and bottom both swallowed by black, reading as a faint gray texture of stacked structural ribs in tight horizontal courses broken by long window bands of small pale squares and by clusters of hanging service structures -- pipe bundles, duct cages, dangling gantries -- slung off the face on thin mounts. Between the platform and that wall, closer and in mid-air, a handful of isolated towers and elevator stacks rise from below and disappear past the top of the frame like islands in a black ocean; from the nearest of them one long cable bridge sags in a single deep catenary across the void, its deck bowed, its hangers thinning into the haze, ending out of sight. Nothing occupies the space between the platform and the wall but depth. Volumetric haze layers the distance so each further rank of structure loses contrast and detail: the near towers hold hard black shadow and bright edge light, the sagging bridge is half-dissolved in mist at its middle, and the far wall is reduced to a soft gray veil, near-white where the haze is thickest. A single cold raking light comes from high and far off, so the haze glows faintly and the platform's broken lip casts a hard black shadow down its own face; every upward-facing surface -- the top flange of each rib, the lip of the deck plate, the top of each elevator stack -- takes a pale highlight while all undersides and recesses fall to solid black. The palette is grayscale only, black to paper white with a narrow band of mid-gray reserved for haze and the distant wall. Dense ink linework carries the ribs, grates and plate seams; heavy black fills the negative space; fine film grain sits over the whole frame, strongest in the gray haze. The platform edge sits in the extreme foreground slightly off-center and out of focus, and the composition is left open, empty and silent. Quiet dread, crushing scale.
ๅฎ‰่—คใ‚ฟใ‚ฑใƒซ
#Scenery#Ruins#Building
AI artwork
er
no humans, outdoor, cave, huge cave, natural cave, wooden walkways, wooden platforms, multi-level platforms, rope railings, rustic posts, hanging bridges, wooden stairs, vertical ladders, stalactites, rocky walls, blue rocks, grey rocks, purple rocks, mossy rocks, ancient lamps, lanterns, warm orange lighting, blue shadows, natural rock opening, bright white light, crystal clear water, turquoise water, small lagoon, glowing green vegetation, luminous vines, roots, cracks in rocks, distant bridges, distant platforms, faint lights, adventure, exploration atmosphere, mysterious, ancient underground refuge, hidden settlement, fantasy, masterpiece, ultra detailed, intricate details, depth of field, atmospheric lighting
Emanuel Restrepo Velez
#The Fantasy City
AI artwork
ๅฎ‰
colossal urban structure, megastructure, buildings filling an incredibly vast space, inorganic, ceiling too vast to see, pitch black vast space, many seemingly meaningless buildings, covered in black cables, monochrome style, tiered layers, looking down from high above at the central hollow tier, mysterious giant pillar-like structures extending to the heavens with black cables extending from them, each tier visible like block fences, inside a building with an endless ceiling, eerie, gigantic structures densely packed on both sides of this endless vast space, masterpiece, ultra detailed
ๅฎ‰่—คใ‚ฟใ‚ฑใƒซ
#Scenery#Cable#Building

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