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AI art "荀彧(オリジナル)1" featuring #Male, #Japanese clothes, #Short Hair, #solo, #Rooftop and #Night sky
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荀彧(オリジナル)1

#Male#Japanese clothes#Short Hair#solo#Rooftop#Night sky
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1boy, solo, silver hair, short hair, messy short silver hair, tall, slender, long limbs, bishounen, beautiful young man, hanfu, chinese clothes, wide sleeves, crossed collar, sash, male focus, from below, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, light smile, one hand behind back, other hand holding sleeve, wind, flowing sleeves, hair blowing, full moon, night, cinematic lighting, A low dutch angle from below, tilted so the whole frame leans a few degrees clockwise, catches a single tall slender young man in a hanfu against the night sky; he is the only figure. His short silver hair is cropped close at the nape and razored at the sides, longer strands sweeping across his brow, and the wind lifts those strands away from his temple so the whole uneven edge of the cut catches moonlight. His face is the frame's detail budget: high clean cheekbones, a long straight nose, a narrow jaw, dark eyes under lids lowered to half, one brow lifted a fraction higher than the other, the corner of his mouth pulled into a faint closed-lip smile that is closer to amusement than welcome. He looks down the tilted frame at the viewer, chin slightly lowered, so the gaze comes from under his lashes. His body carries the height: shoulders set wide but spare, chest and waist narrow, the full length of him thin and long-limbed, one hip cocked slightly higher as his weight settles on the far leg. He wears a hanfu of layered pale grey-blue silk, the crossed collar closed high at the throat with a narrow band of darker trim, the wide sleeves hanging heavy then lifting as the wind takes them; a broad sash binds the waist and its knotted ends trail sideways, tugged off the vertical by the same gust. His right hand rests behind his back, out of sight, the elbow pushing the robe taut across his ribs; his left hand is lifted loosely at chest height, fingers curled into the cuff of the opposite sleeve, the fabric pinched and creased between his knuckles. The hem of the robe swings out and back around his shins, and the loose strands of silver hair stream toward the same side as the sleeve ends, both pulled by one steady wind. Behind and above him a huge full moon sits high in the tilted sky, its disc partly veiled by thin cloud; moonlight is the only light source, cool and silver-white, raking his hair, the top plane of each shoulder and the lifting outer face of his sleeves, while the far side of his face, the inside of the collar and the folds behind the sash fall into deep blue-black. Below him the ground is a dark tiled courtyard with a low stone rail, wet enough to hold a long pale reflection of the moon that is dimmer and softer than the moon itself. Palette: silver-white, blue-black, and the muted grey-blue of the silk, nothing else admitted. Quiet, poised menace.
Show Parameters
Original Prompt
銀髪長身ショートヘアーの漢服の美青年。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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Avatar image of zoey_69298#0
1boy, solo, 30-year-old mature male, ancient Chinese male, tall, imposing presence, angular face, handsome, brown eyes, cold and sharp gaze, thin lips, slightly confident and disdainful smile, cold and aloof expression, domineering aura, long black hair, high ponytail, translucent black jade hairpin, hair completely tied up, dark ink-colored straight-front changpao, cloud-patterned robe, dark gold-trimmed cloak, jade belt, black pouch at waist, gold-thread embroidery, Chinese character "蕭" on pouch, slightly clumsy naive stitchwork, from below, low angle, cowboy shot, dutch angle, looking down at viewer, water pavilion, latticed screens, passing through wind, cold lighting, indigo and black and muted gold palette, sandalwood haze The camera sits low and canted, looking up from knee height at a steep angle so the man's full height runs diagonally across the frame from bottom-left to upper-right, his dark shadow thrown up the lattice screen behind him. He stands just inside the water pavilion's threshold, one boot forward and planted on the polished plank floor, weight settled on that back hip in a squared, unyielding stance, his head tipped down along the line of his nose so his brown eyes strike the viewer from above with a flat, glacial sharpness; his thin lips are pressed into a narrow smile, one corner lifted barely a hair's width in disdain, brows level and heavy, no warmth anywhere in the face. His long black hair is pulled back hard and high into a tight ponytail, bound with the translucent black jade hairpin whose polished shaft lets a dim glow of light pass through it, the tail of hair falling heavy and straight past his shoulder blade; a few strands tear loose at the temple and drag sideways in the wind that gusts through the open pavilion. He wears the ink-black straight-front changpao, its cloud-patterned silk dark on dark so the swirls only surface where the light rakes across them, the front closure cutting a clean vertical line down his chest, and over it the dark gold-trimmed cloak is flung outward at the shoulder by the draft, its heavy hem lifting away from his shins so the gold edge catches a hard thin highlight. At his waist the jade belt sits level, and clipped beside it, absurdly bright, the small black pouch — its gold thread "蕭" crooked and childish, one stitch looping too wide — swings forward on its cord and presses back against the changpao with the gust, the only soft, wrong, human thing on him. The wind is the revealer: it drives through the pavilion screens, snapping the cloak, flinging his ponytail sideways, and carrying a faint drifting haze of sandalwood smoke off his sleeves that thins and spirals toward the camera, cutting through a residual haze of sweet powder perfume curling near the floor lamps. Light comes from the open courtyard behind and left of him, cold blue-grey daylight through the lattice, laying a striped shadow of the screens across the floor boards and along one side of his jaw while the other side of his face sinks into deep shadow; the warm oil lamps inside the pavilion do nothing but darken that contrast. Colour is rationed to indigo-black silk, cold grey-blue light, and muted old gold at the cloak's trim, the belt's fittings, and the pouch's crooked lettering. Palette cool throughout, cloth surfaces matte with a low sheen only where the light grazes. His gaze never leaves the viewer. Quiet dread.
zoey_69298#0

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