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Shirakami Fubuki, Ookami Mio
Show Parameters
- Original Prompt
- ホロライブの大神ミオと白上フブキ ブルーアーカイブのシロコとセリカ 赤い月に照らされた廃墟で全員が日本刀を握る 日本刀を構える様子 壁にもたれたり床に座ったり瓦礫に腰かけながらこちらを見ている
- Mode
- pro
- Size
- 1152 x 864
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Model & LoRA used
Similar Images
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character: shiroko_(blue_archive), ookami_mio, shirakami_fubuki, serika_(blue_archive), copyright: blue_archive, hololive
Ookami Mio and Shirakami Fubuki from Hololive, Shiroko and Serika from Blue Archive, everyone wearing kimono and holding Japanese swords in ruins illuminated by a red moon, posing with Japanese swords, looking at the viewer while leaning against walls, sitting on the floor, or sitting on rubble, eyes glowing mysteriously
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y
character: shiroko_(blue_archive), ookami_mio, shirakami_fubuki, serika_(blue_archive), copyright: blue_archive, hololive
Hololive's Ookami Mio and Shirakami Fubuki, Blue Archive's Shiroko and Serika, all wearing kimono and holding Japanese swords in ruins illuminated by a red moon, posing with Japanese swords, looking at the viewer while leaning against walls, sitting on the floor, or sitting on rubble, eyes glowing mysteriously
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Hoshimi Miyabi
AnimaTEXH
y
character: tsukuyo_(blue_archive), michiru_(blue_archive), izuna_(blue_archive), copyright: blue_archive
3girls, midair, leaping toward viewer, dynamic pose, foreshortening, from below, dutch angle, red moon, night sky, full moon, holding katana, one hand, gripping sword, blue archive battle outfit, combat uniform, animal ears, fox ears, raccoon ears, tails, multiple tails, long hair, twintails, short hair, multicolored hair, hair over one eye, yellow eyes, gloves, black gloves, fingerless gloves, pleated skirt, thighhighs, action lines, speed lines, motion blur, radial composition, open mouth, battle cry, determined expression, wide-eyed, gritted teeth, dramatic lighting, red backlight, silhouette rim light, dark background, high contrast, cinematic composition
Three girls burst out of the night sky straight at the viewer, all three caught in the same airborne instant, bodies tilted forward and downward with the camera low beneath them looking up, the composition splayed in a slight dutch tilt so the leap reads as a fall toward the lens. Behind and above them a single enormous red moon hangs low, filling the upper third of the frame, its disc flat crimson with a soft dark limb, and it is the only light in the sky: every figure is rimmed in thin red along the top edges — shoulders, ear tips, sword spine, skirt hems — while their fronts drop into cool darkness. The girl at frame right, closest to the camera, has short brown hair and tall fox ears with tufts at the base; she is the one who grips a katana in her right hand, the blade angled down and forward past her knee, her left arm flung out behind for balance, both legs tucked then kicked wide, a long fluffy tail streaming up above her as drag. Her front foot is nearest the lens and thus the largest shape in the frame, foreshortened, and her open mouth and wide yellow eyes fix directly on the viewer. Slightly left of and above her, the girl with grey hair in long twintails, raccoon ears and a striped ringed tail has both arms thrown forward as if reaching through the air toward the lens, one glove open, her twintails whipping up rather than down because she is falling faster than they are, ahoge bent backward; her chin lifts and her eyes are narrowed in a wild grin aimed past the camera. Furthest back and left, the long-haired girl with blunt bangs falling over one eye and a mass of blonde hair beneath with purple showing at the inner layers, ears flat and tail curled tight under the momentum, holds her guard low and twisted, her visible eye locked sideways onto the middle girl as though checking she is still with her. All three wear Blue Archive battle uniforms — dark blazer jackets with colored trim, pleated combat skirts flaring upward hard from the rush of air, thighhighs and strapped boots, gloved hands — cut for movement, seams and buckles catching the red edge light. Radiating action lines fan out from behind the trio toward the frame edges, thin white strokes tapering outward, and short speed streaks smear along the outside of their limbs; the air they displace ruffles collars, scarf tails and the loose outer layers of their jackets all in the same upward direction, opposite the fall. Below them the deep navy night is empty of ground, no horizon, only faint dust and small debris pulled upward past their shoulders, making the direction of travel unmistakable. Palette is restricted to crimson, deep navy-black, bone white and the three accent trims of the uniforms, with red only in the moon, the rims and the action lines. Flat cel shading with crisp hard-edged shadows, clean linework, saturated but narrow color range, sharp compositing. Exhilarating, high-impact.
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