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SDF Macross

SDF Macross AI art by K on PixAI. Made with Tsubaki.3 Flash.

Contest Entry

PixAI × Brunirax Retro Anime Contest#PixAI Retro Anime

#Lynn Minmay

Published on Nov 12, 2026

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character: lynn_minmay 1girl, solo, full body, standing, (singing:1.2), (holding microphone:1.2), one arm raised, open mouth, 80s idol stage outfit, white and red dress, structured bodice, short flared skirt, red waist sash, red neck ribbon, white opera gloves, white boots, dark blue hair, medium hair, (curly hair:1.2), hair intakes, bangs, purple eyes, (detailed face:1.4), (detailed eyes:1.3), distinct facial features, grand concert stage, (dramatic spotlights:1.3), colorful stage lights, light beams, distant fireworks in background, stage smoke, glowing sparkles, starry sky background, planet earth, lens flare, film grain, cel shading, sharp lineart, 1980s \(style\):1.4, from below, cowboy shot into full-body low angle, arm up, outstretched arm, looking up, singing The camera sits low at the front edge of the stage and tilts up, so the girl fills the frame from the white boots planted apart on the riser to the crown of her dark blue hair, the whole body held in frame with her raised arm reaching toward the top edge; she is seen from below and slightly to her right, her weight carried on her back leg with the front hip pushed out, torso arched back a little as she sings. Her face is turned up and out toward the far balcony, not at the lens: mouth wide open on a long note, chin lifted, eyes half-lidded with wet catchlights and a fine sweep of lashes, brows drawn in concentration, a strand of her curly dark blue medium-length hair breaking loose across one cheek while the rest of the curls and the blunt-cut bangs bounce with the movement and her hair intakes sit tidily at the temples. Her right arm is flung straight up and out, gloved fingers splayed wide; her left hand closes around the black microphone body at chest height, the white opera glove creasing at the wrist and knuckles where it grips, the mic head tilted up toward her open mouth. The white and red dress reads in full: the structured bodice boned and fitted over her ribs, the short flared skirt kicked out in a fan of pleats by the motion, the red waist sash knotted at her hip with its tail lifted clear of the skirt, and the red neck ribbon at her throat fluttering against her collarbone. Both white boots are planted, the back one at a slight angle, and a faint scuff of stage dust sits where the soles meet the riser. Above and behind her the grand concert stage opens out: a tiered rig of truss and lamp housings, and the light is the point — dramatic spotlights cut down from the top of the frame in hard-edged cones, each cone visible only where it passes through the drifting stage smoke, which rolls in low slabs around her calves and thins as it rises. Colorful stage lights band the air in magenta, cyan and warm amber from the side towers, their beams crossing behind her shoulders; the spotlights strike the white bodice and gloves and leave hard cel-shadow blocks under her jaw, arm and skirt hem, and the risers throw long shadows back toward the drum platform. Far behind the rig, the sky is a deep starry field, and a huge curved limb of planet earth hangs low on the left, its terminator a soft blue line with a thin lit rim. Distant fireworks burst small and crisp above the horizon, their light too far away to touch her. A lens flare rakes diagonally across the upper right of the frame in a chain of colored ghosts, glowing sparkles drift and catch in the smoke and the beams, and fine film grain sits over the whole plate. A single detail holds the physics: the smoke swirls and parts in rings around the exact cones of the spotlights, so every beam has its visible body. Palette of white and red on the figure against deep blue-black space, magenta and cyan beams, warm amber spill. Exhilarating, luminous.

SDF Macross

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