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らんま＆シャンプー・らんま1/2

『らんま1/2』のらんまとシャンプーのツーショットを描きました。個性的な二人のやり取りを想像しながら描く時間がとても好きです。気に入っていただけたら、いいねやフォローをよろしくお願いします！次回作もお楽しみに。

#Apron #Window #Bow #long hair #Sweatdrop #Black hair #purple hair #Smile #Saotome Ranma #Flower #Ranma ½ #Double bun #Red rose #Pants #Shampoo #Girl #Boy #Indoors

Published on Nov 12, 2026

basuket.1009

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character: saotome_ranma, shampoo_(ranma_1/2) 2boys, indoors, home interior, japanese room, shoji, wooden floor, potted plant, evening, from side, cowboy shot, saotome ranma, long black hair, hair down, hair tied back, sidelocks, blue eyes, tall, lean muscular, bare shoulders, sleeveless white chinese shirt, black pants, holding bouquet behind back, hands behind back, arms behind back, concealed, bouquet, red roses, pink flowers, wrapped bouquet, paper wrap, ribbon, looking to the side, sideways glance, nervous, sweatdrop, closed mouth, shampoo \(ranma 1/2\), purple hair, double bun, hair ornament, hair bell, sidelocks, red eyes, chinese clothes, china dress, pink dress, apron, standing, hands folded in front, head tilt, light smile, one eyebrow raised, looking at another, depth of field, warm lamplight, seamless shading, cel shading The view is a side-on profile of the room, camera at hip height looking across the two of them. In the right foreground Saotome Ranma stands nearly chest-on to the far wall, caught in a half-turn: shoulders angled away from the girl so his arms can disappear behind his back, weight sunk into his right heel, left foot light on the tatami, chin dipped and eyes cutting sideways under his brow toward her — a sideways glance with a faint sweatdrop at the temple, lips pressed shut, one corner pulled down in the effort of holding still. Both hands are behind his back, wrists crossed low, gripping the stems of a wrapped bouquet; the paper cone of the wrap creases against his lower back and the flower heads bulge upward into the notch between his spine and his waistband, rose and pink petals just visible past his left ribs while the bulk of the bouquet is fully hidden behind him from her line of sight. He has come home from training in China: long black hair loose down his back with a few strands swinging forward over the shoulder he has turned toward us, bare shoulders and lean arms out of the sleeveless white Chinese shirt, black pants gathered at the ankle. The bouquet's ribbon ends hang straight down and stir faintly because his hands are not steady. In the left midground Shampoo stands at the low table, three-quarters to us and open toward him: purple hair in two high buns with the hair ornament and small bell, long sidelocks falling to her collarbone, red eyes angled up at his face; her head tips to one side, one eyebrow raised, a light closed-mouth smile that says she has almost noticed something. She wears her Chinese dress and an apron over it, and her hands are folded still at the apron's front waist, fingertips on the tie. Her weight is on her back foot, drawing her slightly away from him so the space between them stays readable. Neither faces the camera; she looks at his face, he looks at her, and the gap between their bodies holds the whole tension. Light is a single warm paper-lantern lamp at the left rear of the room: it lays a warm band down her cheek, the apron and the pale tatami and slides past his back into a dark falloff on the wall behind his turned shoulder; his face keeps only the rim of that light, and a soft cast shadow of his legs stretches right across the floorboards. A shoji screen and a low shelf with a potted plant sit in the background, out of focus. Palette: warm ochre tatami, cream paper panels, the pinks and deep red of the bouquet, Shampoo's violet hair, Ranma's white and black — nothing else admitted. The bouquet's paper wrap creaks flat against his spine while the petals above it stay round and unpressed, the one thing in the frame he cannot keep tidy. Quietly conspiratorial, tender.

らんま＆シャンプー・らんま1/2

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