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AI artwork featuring #Soulcalibur
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Soulcalibur

dg

Daniel Garcia Rosillo

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character: talim talim, 1girl, solo, standing, full body, wide shot, from below, low angle, grassy green field, mountains in background, black hair, long hair, twin braids, twin braids with hair tubes, sidelocks, bare shoulders, bandeau, cropped top, bare midriff, gorget, armlet, bracelet, highleg, jewelry, looking to the side, windblown hair, low angle, distant peaks, daylight Shot from a low angle at knee height, the camera tilts up so the girl stands tall against the sky: a single young woman with black hair, long and gathered into twin braids that fall past her waist, each braid bound in tube-like ornaments, thick sidelocks framing her face. She stands in the near-middle of a wide green grass field, weight settled on her right leg with her left knee slightly bent and her hip eased out, giving the stance a live asymmetry rather than a square one. Her bare shoulders catch the light above her cropped top and bandeau, an armlet and bracelet banding her arm, a gorget closing at her throat, her high-cut lower garment leaving the line of her hips exposed to the open air; the wind presses the thin cloth flat against her right side and lifts a braid so it swings out past her shoulder. Her head is turned in profile toward the left edge of the frame, gaze aimed out over the grass where the field begins to climb, her lips slightly parted on a caught breath, one brow a touch raised. The field fills the lower half, blades bending in one direction under the same wind, and behind her the mountains rise tiered from green foothills to a pale blue-grey far range, each farther ridge lighter and hazier than the one before. One sun low on the right throws long shadows leftward, and the grass around her feet shows the darker, soft-edged patch where her body blocks it. Wide sky for negative space above, tilted horizon carried by the low angle. Clear, windswept.
Show Parameters
Original Prompt
Talim de soul calibur. De pie en un campo de césped cerde y montañas de fondo.
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.12k

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AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve, A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip. Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention. Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve, A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip. Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention. Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve, A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip. Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention. Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from below, dutch angle, low angle, standing, contrapposto, looking down, half-closed eyes, light smile, desert plateau, wind, dusk, From a steep low angle with a slight dutch tilt, one mature woman stands alone on a cracked sandstone ledge, the camera near her sandals so the shaft of her polearm climbs the full height of the frame. She is a tall, curvy adult with a composed, seasoned face: a faint closed-lip smile, lids half lowered, one brow arched a shade higher than the other, and her blue eyes cast down toward the viewer. Her very long black hair pours past her hips and streams sideways off her shoulder as dry wind crosses the plateau, a carved dark hair ornament pinned above her right temple, a beaded necklace resting on her collarbone. Both shoulders are bare, the cloth of her garment drawn under the curve of her breasts so their undersides show fully, her bare midriff taut between the hem and the wide belt; from that belt hangs a loincloth panel flanked by a pelvic curtain of layered strips, and black thighhighs sheath her legs down to bare toes in strappy leather sandals. Her weight sinks into the left hip, right knee slack and turned out, right hand gripping the polearm's shaft at chest height, left hand loose at her side with fingers just brushing the curtain. The polearm's dark shaft runs diagonally from the ledge under her foot to the top-left corner, its bladed head above the frame line; the staff's near end presses into the stone and a small fan of dust grains drifts from it. Late, low sun enters from the right, rimming her bare shoulder and the edge of the curtain in amber, laying long shadows across the cracked ground to the left, while the sky behind burns dusty rose into violet; palette of black, rust, umber sandstone and warm amber, nothing else admitted. Cool shadow side of a single variable: the wind pulls the pelvic curtain strips into strands that lift clear of her thigh only on the upwind side. Quietly imperious, sun-worn.
Emerson Gutierrez Palomino

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