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ぱぷりか

AI art by ぱぷりか on PixAI. Made with Tsubaki.3 Flash.

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copyright: kara_no_kyoukai 1girl, solo, black hair, semi-short hair, blue eyes, mystic eyes, glowing eyes, expressionless, blank stare, large breasts, slender waist, leather jacket, black leather jacket, open jacket, white turtleneck, shorts, black shorts, belt, black tights, pantyhose, boots, black boots, katana, holding sword, holding katana, sheath, night, city, cityscape, simple background, building, outdoors, cowboy shot, from below, dutch angle, looking at viewer, standing, contrapposto, leather, turtleneck, serious, cold, moon, moonlight, rim light, blue glow, dark palette, anime style, high quality From a low three-quarter angle tilted slightly off-level, a single young woman stands alone on an empty night street, framed in a cowboy shot from mid-thigh to above the head so that the simple slab-like city buildings behind her stay faceless and secondary to her. She has black semi-short hair with a sharp, slightly uneven cut that frames her jaw, and the short blunt ends float a little off her cheek in the night wind. Her blue eyes are the one luminous thing in the frame: the irises glow a pale, cold blue with a faint radial pattern turning inward like a spiral, ringed in darker blue where the glow thins into the pupil, and she looks straight at the viewer without blinking, lids level, brows flat, lips closed and set in a straight line — expressionless, not angry and not soft, simply unreadable. Her jaw is turned a few degrees off the axis of her shoulders so the shot reads as a held pose rather than a catalog front view; her weight is on her back leg, the near hip pushed out just enough to carve the sharp inward curve of her waist. A black leather jacket hangs open over a white turtleneck that fits close across her chest and comes up to her jaw, the collar folded down once, its knit visibly finer than the jacket's grain; the leather catches a thin wet-looking highlight along the shoulders and creases hard at the inside of the elbow. The jacket stops at the hip; beneath it, short black shorts with a wide black leather belt and a plain square buckle sit high on her waist, and matte black opaque tights cover her legs down into plain black boots whose toes and shafts take a dull sheen. Her right hand is wrapped around the black-lacquered sheath of a Japanese sword, fingers curled in a loose but firm grip with the thumb over the guard, the scabbard angled down and back along her leg so the long curve sweeps out behind her calf and out of the crop; her left arm hangs at her side, hand relaxed and half-open. The only light is a cold streetlamp high behind her left shoulder and a moon veiled in thin cloud — no other source. That low backlight rims the crown of her head, the edge of her hair and the outer line of her shoulder in pale blue, leaves her face in soft shadow lit only by the reflection of her own eyes, and throws a hard elongated shadow of her and the sheathed sword across the wet asphalt toward the viewer, longer than she is tall because the lamp sits low behind her. The tights stay matte where the leather shines, so the rim light separates them by material as much as by value. The alley floor carries a shallow puddle at the lower edge of frame, and the reflected figure in it is darker and softer than she is, broken into slow rings where a drop has just fallen. Behind, the simple buildings are flat rectangles of deep blue-grey with a few unlit window squares and one distant dim rectangle high up; all incidental signage is reduced to illegible smudges. The palette is black, cold blue and the single white of the turtleneck, nothing else admitted. Character focus holds: everything behind her is simplified into two or three slab silhouettes, while the leather grain, the knit of the collar, the metal of the buckle and the lacquer of the scabbard carry the detail budget, with the blue glow of her eyes as the highest-contrast point in the image. Quiet, cold
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Original Prompt
女性,青い瞳,魔眼,黒髪,セミショートヘア,革ジャン,白のタートルネック,ショートパンツ,ベルト,タイツ,ブーツ,無表情,巨乳,くびれた腰,日本刀,夜,アニメスタイル,最高クオリティ,空の境界風イラスト,ufotable画風,シンプルなビル街の背景,キャラクターにフォーカス
Mode
flash
Size
720 x 1280
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AI artwork
ぱ
copyright: kara_no_kyoukai 1girl, solo, black hair, semi-short hair, blue eyes, mystic eyes, glowing eyes, expressionless, blank stare, large breasts, slender waist, leather jacket, black leather jacket, open jacket, white turtleneck, shorts, black shorts, belt, black tights, pantyhose, boots, black boots, katana, holding sword, holding katana, sheath, night, city, cityscape, simple background, building, outdoors, cowboy shot, from below, dutch angle, looking at viewer, standing, contrapposto, leather, turtleneck, serious, cold, moon, moonlight, rim light, blue glow, dark palette, anime style, high quality From a low three-quarter angle tilted slightly off-level, a single young woman stands alone on an empty night street, framed in a cowboy shot from mid-thigh to above the head so that the simple slab-like city buildings behind her stay faceless and secondary to her. She has black semi-short hair with a sharp, slightly uneven cut that frames her jaw, and the short blunt ends float a little off her cheek in the night wind. Her blue eyes are the one luminous thing in the frame: the irises glow a pale, cold blue with a faint radial pattern turning inward like a spiral, ringed in darker blue where the glow thins into the pupil, and she looks straight at the viewer without blinking, lids level, brows flat, lips closed and set in a straight line — expressionless, not angry and not soft, simply unreadable. Her jaw is turned a few degrees off the axis of her shoulders so the shot reads as a held pose rather than a catalog front view; her weight is on her back leg, the near hip pushed out just enough to carve the sharp inward curve of her waist. A black leather jacket hangs open over a white turtleneck that fits close across her chest and comes up to her jaw, the collar folded down once, its knit visibly finer than the jacket's grain; the leather catches a thin wet-looking highlight along the shoulders and creases hard at the inside of the elbow. The jacket stops at the hip; beneath it, short black shorts with a wide black leather belt and a plain square buckle sit high on her waist, and matte black opaque tights cover her legs down into plain black boots whose toes and shafts take a dull sheen. Her right hand is wrapped around the black-lacquered sheath of a Japanese sword, fingers curled in a loose but firm grip with the thumb over the guard, the scabbard angled down and back along her leg so the long curve sweeps out behind her calf and out of the crop; her left arm hangs at her side, hand relaxed and half-open. The only light is a cold streetlamp high behind her left shoulder and a moon veiled in thin cloud — no other source. That low backlight rims the crown of her head, the edge of her hair and the outer line of her shoulder in pale blue, leaves her face in soft shadow lit only by the reflection of her own eyes, and throws a hard elongated shadow of her and the sheathed sword across the wet asphalt toward the viewer, longer than she is tall because the lamp sits low behind her. The tights stay matte where the leather shines, so the rim light separates them by material as much as by value. The alley floor carries a shallow puddle at the lower edge of frame, and the reflected figure in it is darker and softer than she is, broken into slow rings where a drop has just fallen. Behind, the simple buildings are flat rectangles of deep blue-grey with a few unlit window squares and one distant dim rectangle high up; all incidental signage is reduced to illegible smudges. The palette is black, cold blue and the single white of the turtleneck, nothing else admitted. Character focus holds: everything behind her is simplified into two or three slab silhouettes, while the leather grain, the knit of the collar, the metal of the buckle and the lacquer of the scabbard carry the detail budget, with the blue glow of her eyes as the highest-contrast point in the image. Quiet, cold
ぱぷりか
AI artwork
ぱ
copyright: kara_no_kyoukai solo, 1girl, adult woman, black hair, semi-short hair, bob cut, blue eyes, mystic eyes, glowing blue iris ring, expressionless, blank stare, half-closed eyes, leather jacket, black leather jacket, open jacket, white turtleneck, short shorts, black belt, buckle, black tights, boots, black leather boots, large breasts, slim waist, katana, sheathed katana, katana in left hand, night, city street, simple city buildings background, focus on character, cowboy shot, from below, dutch angle, looking at viewer, standing, contrapposto, head tilt, wind, backlighting The camera stands low and canted a few degrees off level, looking up from roughly hip height at a single woman who fills the centre of the frame in a cowboy shot, cut off just below the knees so the city stays a supporting shape behind her. She is a grown woman in her late twenties, tall and composed, her black semi-short bob ending at the jaw with the ends razored slightly uneven, one side tucked behind the ear and the other falling forward across the cheekbone. She stands in a loose contrapposto, weight sunk into her right leg, left knee turned slightly inward, hips pushed a touch to one side so the belted leather jacket pulls taut at the waist and the slim curve of the waist reads clearly against the flare of the chest and shorts. Her chin dips a few degrees, head tilted, and she looks straight down the lens with a blank, unreadable face — lips level and closed, brows flat, eyelids low and steady, no smile at all. Her eyes are the only warm thing in the picture: deep blue irises with a thin brighter ring burning at the outer edge of each, faint concentric circles inside the blue like a target drawn in light, and the pupils catch a small pinpoint of the streetlamp. The glow spills a barely perceptible blue onto the underside of her upper lashes and the wet edge of the lower lid. Her left hand hangs at her side gripping the wrapped hilt of a katana, the long lacquered black scabbard angling down and back behind her calf, the sageo cord swinging slightly; the sword tip stays clear of the ground. Her right hand is shoved into the jacket pocket, thumb hooked outside the leather. The jacket is matte black worn leather, collar flipped up at the nape, sleeves shoved to just past the wrist; beneath it the white turtleneck's ribbed collar stands high to the jaw, clean and stark, and its hem disappears into the waistband of the black shorts, where a wide belt with a plain square buckle cinches the whole silhouette. Opaque black tights run without a single run or ladder from the shorts' hem into ankle-high black leather boots with a low stacked heel, both feet planted apart, the right toe angled out. Behind her the background is deliberately plain: a narrow city street at night reduced to flat blocks of dark building face, a few unlit window rectangles in a grid, one receding line of curb, distant signage blurred to illegible small shapes. The buildings sit low in contrast and out of focus, soft-edged, so she alone is sharp. The light comes from a single streetlamp behind and above her right shoulder — cold, faintly sodium-warm at its core, throwing a thin rim down the edge of her jacket shoulder and the crown of her black hair while her face stays in soft shadow. Her cast shadow falls forward and to the left across the pavement, long and diluted by the second, dimmer glow of the city, and where she blocks the lamp her silhouette briefly darkens the building wall behind her. The palette is black, white, cold blue and asphalt grey, with only the lamp's amber and the blue of the eyes allowed any saturation. Wind moves through the street: the front panel of the open jacket lifts and snaps back, the loose ends of her hair shift across her cheek, and the tights show the faintest sheen where the rim light grazes the shin. Still, cold, quietly dangerous.
ぱぷりか
AI artwork
ぱ
copyright: kara_no_kyoukai solo, 1girl, adult woman, black hair, semi-short hair, bob cut, blue eyes, mystic eyes, glowing blue iris ring, expressionless, blank stare, half-closed eyes, leather jacket, black leather jacket, open jacket, white turtleneck, short shorts, black belt, buckle, black tights, boots, black leather boots, large breasts, slim waist, katana, sheathed katana, katana in left hand, night, city street, simple city buildings background, focus on character, cowboy shot, from below, dutch angle, looking at viewer, standing, contrapposto, head tilt, wind, backlighting The camera stands low and canted a few degrees off level, looking up from roughly hip height at a single woman who fills the centre of the frame in a cowboy shot, cut off just below the knees so the city stays a supporting shape behind her. She is a grown woman in her late twenties, tall and composed, her black semi-short bob ending at the jaw with the ends razored slightly uneven, one side tucked behind the ear and the other falling forward across the cheekbone. She stands in a loose contrapposto, weight sunk into her right leg, left knee turned slightly inward, hips pushed a touch to one side so the belted leather jacket pulls taut at the waist and the slim curve of the waist reads clearly against the flare of the chest and shorts. Her chin dips a few degrees, head tilted, and she looks straight down the lens with a blank, unreadable face — lips level and closed, brows flat, eyelids low and steady, no smile at all. Her eyes are the only warm thing in the picture: deep blue irises with a thin brighter ring burning at the outer edge of each, faint concentric circles inside the blue like a target drawn in light, and the pupils catch a small pinpoint of the streetlamp. The glow spills a barely perceptible blue onto the underside of her upper lashes and the wet edge of the lower lid. Her left hand hangs at her side gripping the wrapped hilt of a katana, the long lacquered black scabbard angling down and back behind her calf, the sageo cord swinging slightly; the sword tip stays clear of the ground. Her right hand is shoved into the jacket pocket, thumb hooked outside the leather. The jacket is matte black worn leather, collar flipped up at the nape, sleeves shoved to just past the wrist; beneath it the white turtleneck's ribbed collar stands high to the jaw, clean and stark, and its hem disappears into the waistband of the black shorts, where a wide belt with a plain square buckle cinches the whole silhouette. Opaque black tights run without a single run or ladder from the shorts' hem into ankle-high black leather boots with a low stacked heel, both feet planted apart, the right toe angled out. Behind her the background is deliberately plain: a narrow city street at night reduced to flat blocks of dark building face, a few unlit window rectangles in a grid, one receding line of curb, distant signage blurred to illegible small shapes. The buildings sit low in contrast and out of focus, soft-edged, so she alone is sharp. The light comes from a single streetlamp behind and above her right shoulder — cold, faintly sodium-warm at its core, throwing a thin rim down the edge of her jacket shoulder and the crown of her black hair while her face stays in soft shadow. Her cast shadow falls forward and to the left across the pavement, long and diluted by the second, dimmer glow of the city, and where she blocks the lamp her silhouette briefly darkens the building wall behind her. The palette is black, white, cold blue and asphalt grey, with only the lamp's amber and the blue of the eyes allowed any saturation. Wind moves through the street: the front panel of the open jacket lifts and snaps back, the loose ends of her hair shift across her cheek, and the tights show the faintest sheen where the rim light grazes the shin. Still, cold, quietly dangerous.
ぱぷりか
AI artwork
ぱ
copyright: kara_no_kyoukai solo, 1girl, adult woman, black hair, semi-short hair, bob cut, blue eyes, mystic eyes, glowing blue iris ring, expressionless, blank stare, half-closed eyes, leather jacket, black leather jacket, open jacket, white turtleneck, short shorts, black belt, buckle, black tights, boots, black leather boots, large breasts, slim waist, katana, sheathed katana, katana in left hand, night, city street, simple city buildings background, focus on character, cowboy shot, from below, dutch angle, looking at viewer, standing, contrapposto, head tilt, wind, backlighting The camera stands low and canted a few degrees off level, looking up from roughly hip height at a single woman who fills the centre of the frame in a cowboy shot, cut off just below the knees so the city stays a supporting shape behind her. She is a grown woman in her late twenties, tall and composed, her black semi-short bob ending at the jaw with the ends razored slightly uneven, one side tucked behind the ear and the other falling forward across the cheekbone. She stands in a loose contrapposto, weight sunk into her right leg, left knee turned slightly inward, hips pushed a touch to one side so the belted leather jacket pulls taut at the waist and the slim curve of the waist reads clearly against the flare of the chest and shorts. Her chin dips a few degrees, head tilted, and she looks straight down the lens with a blank, unreadable face — lips level and closed, brows flat, eyelids low and steady, no smile at all. Her eyes are the only warm thing in the picture: deep blue irises with a thin brighter ring burning at the outer edge of each, faint concentric circles inside the blue like a target drawn in light, and the pupils catch a small pinpoint of the streetlamp. The glow spills a barely perceptible blue onto the underside of her upper lashes and the wet edge of the lower lid. Her left hand hangs at her side gripping the wrapped hilt of a katana, the long lacquered black scabbard angling down and back behind her calf, the sageo cord swinging slightly; the sword tip stays clear of the ground. Her right hand is shoved into the jacket pocket, thumb hooked outside the leather. The jacket is matte black worn leather, collar flipped up at the nape, sleeves shoved to just past the wrist; beneath it the white turtleneck's ribbed collar stands high to the jaw, clean and stark, and its hem disappears into the waistband of the black shorts, where a wide belt with a plain square buckle cinches the whole silhouette. Opaque black tights run without a single run or ladder from the shorts' hem into ankle-high black leather boots with a low stacked heel, both feet planted apart, the right toe angled out. Behind her the background is deliberately plain: a narrow city street at night reduced to flat blocks of dark building face, a few unlit window rectangles in a grid, one receding line of curb, distant signage blurred to illegible small shapes. The buildings sit low in contrast and out of focus, soft-edged, so she alone is sharp. The light comes from a single streetlamp behind and above her right shoulder — cold, faintly sodium-warm at its core, throwing a thin rim down the edge of her jacket shoulder and the crown of her black hair while her face stays in soft shadow. Her cast shadow falls forward and to the left across the pavement, long and diluted by the second, dimmer glow of the city, and where she blocks the lamp her silhouette briefly darkens the building wall behind her. The palette is black, white, cold blue and asphalt grey, with only the lamp's amber and the blue of the eyes allowed any saturation. Wind moves through the street: the front panel of the open jacket lifts and snaps back, the loose ends of her hair shift across her cheek, and the tights show the faintest sheen where the rim light grazes the shin. Still, cold, quietly dangerous.
ぱぷりか

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