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AI artwork featuring #Super Natural Dating Sim
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クレイジーソルト

Contest Entry
PixAI x Super Natural Dating Sim Contest
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クレイジーソルト

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1girl, solo, flat chest, small breasts, wavy single side ponytail, long wavy hair, hair tied at one side, white lab coat, open lab coat, carefree, nonchalant, half-closed eyes, lazy lopsided smirk, head tilt, leaning, hand in pocket, from below, cowboy shot, dutch angle, looking down at viewer, loosely open collar, white coat, dark shorts, bare legs, sneakers, messy silhouette, asymmetrical pose Camera looks up from hip height at a slight dutch tilt, so the woman looms loosely over the lens: her weight is dumped onto her right hip, left leg relaxed and crossed slightly in front, right hand shoved deep into the lab-coat pocket with the fabric dragging down at that corner, her left forearm resting on top of her own head with the elbow flung out. Her chin is tipped down toward the viewer, one eye half-lidded and the other wider, mouth pulled into a slack one-sided smirk, lids heavy and unbothered as if she has just been caught doing something she will not explain. Her single side ponytail gathers high at the left of her head and spills in loose, chunky waves over that shoulder, the tail swinging forward past her collar with the ends flipping out, stray waves escaping at the temples and against her cheek. The white lab coat is unbuttoned and hangs open with the lapels skewed, sleeves pushed to the elbows and creased, one front panel caught behind her wrist so the coat pulls into an off-centre asymmetry; beneath it a dark fitted top lies flat across her chest, the small, cleanly shaped curve of her breasts reading only as a shallow contour through the fabric, and dark shorts with bare legs down to scuffed low sneakers, the toes of the raised foot tapping the air. Both hands are busy and occupied, nothing else on her body: no jewellery, ears bare, no hair ornaments, hair held only by its own tie, throat bare above the open collar. The environment is a cramped, cluttered back room: a corridor wall close behind her left shoulder, a shelf of unlabelled bottles at the edge of frame, a door swung open out of the shot, curling papers taped up beside her head at the left, one sheet hanging loose at the corner and peeling toward the lens. A single cold fluorescent tube above and behind her right shoulder is the only light: it rims the top of her head, the crest of the lab coat shoulder and the wave of the ponytail, throws a hard drag of shadow down the left half of her face and neck, leaves the wall behind in flat dim grey, and pools a weak greenish reflection on the nearest bottle glass. Palette is white, cold greenish fluorescent grey and the near-black of her top and shorts, with the pink-warm of her skin the only warmth; the paper sheets read bleached, not yellow. Keep the detail budget on her slack face, the creased coat and the pocketed hand, simplifying the shelf and wall clutter into blurred shapes. Quietly unhinged, effortlessly offhand.
Show Parameters
Original Prompt
美乳の貧乳, ウェーブのかかった一つ結び, ちゃらんぽらん, 白衣, 異常者
Mode
flash
Size
1104 x 1824

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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tc
character: futaba_rio solo, 1girl, futaba_rio, long hair, very long hair, wavy hair, grey hair fading to brown at the ends, hair between eyes, sidelocks, hair over one eye, yellow eyes, bow, glasses, black-framed eyewear, lab coat, open clothes, long sleeves, red necktie, blue pleated skirt, cowboy shot, from below, three-quarter view, leaning forward, both hands in lab coat pockets, head tilt, raised eyebrow, half-closed eyes, smirk, looking down at viewer, science lab, night, warm desk lamp, teal shadows The camera sits low, looking up: a knee-height three-quarter view from below, so the lab coat's open hem and the blue pleated skirt fall away toward the lens and the ceiling of the lab recedes behind her shoulders. She leans forward over a black lab bench, weight settled on her right hip, left knee slightly bent, both hands pushed deep into the lab coat's side pockets so the coat pulls open at the front and the red necktie hangs free down the gap over a white collared shirt, its knot loosened. Her long wavy hair — grey through most of its length, going warm brown toward the tips — pours over her left shoulder and down past the bench edge; the sidelock on the right drops in front of the black-framed glasses and one strand crosses the left lens, while the rest of the hair sweeps over one eye. The bow rides at the back of her head, mostly hidden behind the falling hair. Her chin is tipped down and her head tilts a few degrees; one brow arched above the glasses' top rim, lids half lowered, a small lopsided smirk with one lip corner pulled higher, and her eyes look straight down the angle of the lens at the viewer. Environment: a narrow research lab at night — the bench under her forearms, clamped glassware and a rack of stoppered vials pushed to one side, a blackboard of chalk formulae behind her shoulder, its lettering worn and out of focus, and the room's far shelving sinking into unlit dark. The desk lamp at the bench's left end is the only light source: a warm pool struck across the left side of her face, the left lens catching a small hard highlight and a pale reflection of the lamp filament, while the right half of her face, the underside of her chin and the folds inside the coat fall into cool teal shadow. Beyond the lamp's reach the darkness is absolute. A single physical truth: the wire of the glasses throws a thin shadow-bar across her cheekbone on the lit side only, and the glassware beside her forearm bends a second, brighter streak of lamp light onto the bench top. Palette held to white coat, blue pleated skirt, red necktie, grey-to-brown hair, yellow eyes, warm amber lamp against deep teal night. Quiet, wry, late-night laboratory hush.
tobenaitenshi collet
#Rascal Does Not Dream Series
AI artwork
ま
1girl, solo, 18-year-old, brown hair, wavy hair, twintails, long twintails, wavy twintails, brown eyes, large breasts, prominent breasts, white lab coat, open lab coat, black long skirt, black pantyhose, white nurse shoes, mixing chemicals, pouring, test tube, beaker, glassware, chemicals, laboratory, lab bench, indoors, from side, profile, cowboy shot, leaning forward, looking at object, focused, parted lips, head tilt, standing on one leg, weight on one hip, hand on pipette, science equipment, shelves, fluorescent light, cool palette, masterpiece, best quality Seen in profile from the side, a little above the counter line and slightly behind her shoulder, a single 18-year-old young woman stands at a laboratory bench turned three-quarters away from the frame, her attention entirely inside the glassware in front of her. Her brown wavy hair is split into two low twintails that fall over the front of her shoulders, the waves loosening toward the ends, one tail lying across the white lab coat's lapel and the other swinging slightly forward as she leans; a few loose curls escape at her temple and catch the light. She wears the white lab coat open and unbelted over a black long skirt that drops straight to the floor, black pantyhose sheathing her legs from hem to ankle, and white nurse shoes planted on the tile — her weight rides on the front foot, the back heel lifted a fraction so the shoe's sole shows a sliver of tread, and her hip is cocked against the bench edge, the coat's back hem drawn taut where it presses the counter. The bust fills the coat's front panels, stretching the white cotton into soft, weight-bearing folds and dragging the lapel line open at the chest. Both hands are at work: the left braces a small beaker flat on the bench, fingers spread around its base, while the right tips a slender test tube over its mouth and holds it steady, wrist rotated so the tube's lip hovers a finger's width above the beaker rim. The gaze is locked down onto the pour, chin dipped, a vertical crease of concentration between her brows, lips parted on a held breath, and one eyelid lowered slightly against the faint vapour lifting off the mixture. Her other shoulder is raised, pinching the coat collar up toward her ear. The laboratory closes in around her: stainless bench running away to the right, a rack of stoppered tubes standing in a neat row behind her forearm, a tall amber reagent bottle and a graduated cylinder further back with their labels turned mostly out of sight, a glass-fronted cabinet of dark bottles in the deeper background reduced to shelves and highlights, and pale grey tile below. Overhead fluorescent tubes run toward the far wall and are the only light source, laying a flat cool green-white sheen along the bench top, a hard reflection down the cylinder's glass, and a bright rim along the curve of each twintail while the undersides of the coat folds and the shadow beneath the bench go to a deep cool grey; her body cuts a soft penumbra onto the tile that thickens behind her back heel. The palette is disciplined to clinical white, black, cool grey-green light, warm brown hair, and one note of amber in the reagent bottle and the liquid in the tube. A single thread of condensation slips down the cool glass of the beaker and pools at its foot where it meets the tile, the only warm-adjacent detail on an otherwise cold surface. Quiet concentration, clinical calm.
まりおっと

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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