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Producer (The Idolmaster)
AI art by Paleoclast on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- Accurate body, Nami (One Piece after timeskip), standing with her lover, the lover is a muscular man with tousled brown hair, brown eyes, round eyeglasses wearing sharp business casual, he is kissing Nami on the forehead in a promise to protect her as she melts into his embrace
- Mode
- pro
- Style
- Polished Manhwa
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Polished Manhwa
Prompt Helper
Model & LoRA used
Similar Images
Show morep
character: nami_(one_piece), copyright: one_piece
2girls, 1boy, hetero, couple, nami_(one_piece), orange hair, long hair, orange eyes, brown eyes, orange hair with brown eyes heterochromia, eyebrows visible through hair, brown hair, short hair, tousled hair, muscular, muscular male, tall male, round eyewear, glasses, black-framed glasses, brown eyes behind glasses, business casual, dress shirt, white dress shirt, rolled-up sleeves, dark trousers, leather belt, wristwatch, forehead kiss, kissing forehead, protective embrace, head on shoulder, arms around waist, melting into embrace, closed eyes, blush, light smile, serene expression, standing, height difference, leaning back, hand on his chest, hand on his back, wedding ring, wedding rings, wedding band on her ring finger, wedding band on his ring finger, gold ring, from side, profile, cowboy shot, medium shot, two-shot, night, balcony, city skyline, string lights, warm lamp light, depth of field, bokeh, warm palette, orange, teal, wine red, affection, intimate
From the side, in a warm two-shot, a tall muscular man in a sharp business casual outfit and a slender orange-haired woman stand wrapped together on a night balcony, his height a head above hers. She is on the left of the frame, he on the right, both seen near profile with her face turned slightly toward the camera side so the lowered lashes show. He wears a crisp white dress shirt with rolled-up sleeves and a dark charcoal waistcoat over the shirt, deep navy trousers, a black leather belt, and a round-faced wristwatch on his left wrist; his shoulders and chest press the shirt taut, the placket straining a little across the pectorals. Round black-framed eyeglasses sit on his nose, the brown eyes behind them warm and steady. Her long orange hair falls loose down her back with a stray strand across her brow, her orange-brown eyes closed and a fine blush across her cheeks.
The embrace reads as a promise: his left hand cradles the back of her head, fingers spread through the orange hair at her nape; his right forearm wraps her waist so his palm rests flat on her lower back, drawing her weight into him. She melts into itโher forehead tipped up into the kiss, her chin lifted, one hand flat on his chest with fingers curled into the shirt fabric, the other slipping around his side to grip his back, her knees eased so that she leans her full weight against his frame. Her left foot is turned and the heel of her shoe lifts slightly from the balcony floor, off-balance in the best way. His lips press to the center of her forehead, eyes closed behind the round glasses; the corner of his mouth pulls up faintly. From this angle, the bride's bouquet lies abandoned on the balcony railโa wreath of white roses, cream orchids, and soft eucalyptus tied with a trailing ivory satin ribbon, one ribbon end lifted and curling in the night breeze.
They are on a modern balcony: an iron rail with shallow rain beading its top edge, potted olive saplings in dark planters on either side, and beyond the rail the city skyline as soft layered bokeh of amber windows, a warm string of lights over the balcony entrance behind them. The light comes from a single warm lamp at the balcony door just out of frame behind the couple's right side, so it rims her orange hair and the edge of his jaw in gold and leaves the far sides of both figures in a gentle fall to shadow; the cool city glow supplies only a faint blue-teal fill on their shoulders. Palette: warm amber, burnt orange of her hair, deep navy and charcoal from his clothes, ivory of the bouquet, teal shadow in the night sky. Water in the rail's beads catches one sharp highlight line each, the wind making the string lights sway minutely against the dark. Utterly tender, quietly cinematic.
Paleoclast
2girls, 1boy, male and female, muscular male, light brown hair, short hair, wavy hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, princess carry, carrying, holding another, long hair, curly hair, red hair, red eyes, arms around neck, hugging, white t-shirt, short pants, beautiful woman, hetero, cowboy shot, from side, profile, dutch angle, looking at another, eye contact, light smile, closed mouth, parted lips, outdoors, stone terrace, sunset, backlight, rim light, depth of field, atmospheric
A dramatic three-quarter side view shot from a dutch angle, framed at cowboy shot, holds the two figures on a narrow stone terrace in the late afternoon. The man โ tall, broad-shouldered, built with heavy muscle through the arms and chest โ stands with his weight settled into his back heel and his hips angled away from the camera, the woman cradled across his forearms. His short, wavy light-brown hair lifts slightly at the temple in the breeze, and one lock falls across a heavy brow. His green eyes are narrowed, the vertical slit pupils contracting against the low sun as his gaze drops to her face; the corner of his mouth pulls into a small, closed-lipped smile. The white button-up shirt strains at the shoulder seam and pulls across his chest, every button done except the top, and the brown vest sits open, its hem riding up where his forearm supports her. The black pants crease at the hip from the weight shift, and his boots are planted wide on the uneven flagstones, the front foot braced just inside a seam. His arms are bent and locked beneath her โ one forearm under her shoulder blades, the other under the backs of her knees, his fingers spread to take the load, the knuckles pale where they press into the fabric of her clothes.
She is turned three-quarters toward him, her long, curling red hair spilling over the crook of his supporting arm and down past his hip, the ends of it catching the low sun so the curls read amber at the edges. Her arms are wound around his shoulder and behind his neck, her forearms crossed over the back of his collar, one hand resting against the fabric of his shirt. Her red eyes are open and fixed on his, a bright smile just parting her lips, her chin tipped up. The plain white T-shirt stretches across her chest where his arm takes her weight, and the short pants ride up slightly at the thigh, her knees folded and her ankles relaxed. The two are pressed close, his shoulder against her ribs, her shoulder tucked under his chin.
Behind them a low stone parapet and a run of dark cypress trees fall out of focus; the terrace is empty of other people. The setting sun sits low and behind the pair, so the light comes from over the man's right shoulder โ a strong warm rim raking the edge of his jaw, the top of his wavy hair, the curve of her red curls, and the top of her forearm, while the front of both faces is filled by a soft bounce off the pale stone, so their features stay readable. Their shadows stretch away toward the camera's left, long and hard-edged across the flagstones. The palette is warm stone and skin against the deep green of his eyes, the deep red of her hair and eyes, the brown of the vest and the white of the shirts โ nothing else admitted.
The breeze moves her curls and the loose tail of his shirt, and a single strand of her hair rests across his collar. Intimate, golden.
Kylee Violette (Kiy Chan)
ๅคฑๆใ
้ง่ใใ
te
ๅฑไธ
taka E
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