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息耐者カール

AI art by 息耐者カール on PixAI. Made with Tsubaki.3 Flash.

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息耐者カール

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3girls, 1boy, male focus, center, two brides flanking him, kiss on cheek, double cheek kiss, kissing both cheeks simultaneously, heart-shaped eyes, heart pupils, love-struck expression, cleavage, large breasts, visible chest valley, heart-shaped frame of light, glowing heart frame, floating hearts, heart motes, bridal dress, white wedding dress, wedding veil, bridal garter, bouquet, long hair, half-closed eyes, blush, closed mouth, smile, arms at sides, head tilted back, from front, upper body, medium shot, symmetrical composition, warm pink palette, cel shading, flat colors, clean outlines, high contrast, anime screencap, romantic comedy mood, comedic, cheerful Frontal medium shot, camera at chest height, dead-center symmetrical staging: a grown man stands in the middle of the frame, and two brides press in from left and right, each with her lips planted on one of his cheeks. The left bride leans in from the left edge, her right hand flat on his far shoulder for balance, her veil swinging forward across his left arm; the right bride mirrors her, left hand braced on his other shoulder, her chin lifted, her eyes squeezed shut in the kiss. Both women's lips are compressed against his cheek, denting the skin slightly, and both their noses are squashed sideways against his jaw. The man's head is tipped back a little between them, his shoulders pulled up by the tug of two bodies, his mouth open in a wide, dopey grin; his eyes are large, glossy hearts, pupils gone, irises shaped into pink hearts with tiny white highlights at each lobe, aimed at nothing in particular, staring blissfully up and slightly out of frame. His arms hang loose at his sides, hands slack, fingers half-curled, offering no resistance at all. The brides wear white strapless bridal gowns; the right bride's bodice dips low, and the camera's chest-height angle looks straight into the soft shadow of her cleavage, the fabric pressed tight across the bust with a fine seam running down the center; the left bride's dress is cut the same way, her collarbone and the pale valley of her chest catching the light. Around the trio, a heart-shaped frame of warm light encloses them — a continuous glowing outline of a heart, slightly larger than the group, its two lobes rising above their heads and its point dropping below the bottom edge of the crop; its glow is soft-edged and pink-white, strongest along the upper curves where it passes behind the brides' veils, and it lays a faint pink rim on their hair and shoulders. Small hearts drift in the air inside and outside the frame — a scatter of them at different depths, some crisp and near, some small and soft-focus far behind, all lit from within with the same rosy glow, a few overlapping the brides' veils and one floating just in front of the man's forehead. Everything is lit by that heart frame plus a soft frontal key: warm pink bounce on all skin, white highlights on the dress fabric, gentle shadow under chins and collarbones, no hard cast shadows, the background a seamless pastel-rose gradient swept clean of detail so nothing competes with the three figures. Palette locked to white, rose pink and warm skin tone, with the hearts' glow as the only saturated accent. Cute cel-shaded anime style with strong hand-drawn animation vibes: flat high-contrast colors, clean outlines, simple two-tone shadows, one frame of a classic TV anime. Effortlessly silly, gleefully romantic.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.18k

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Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3 subjects, 1 man, 2 brides, symmetrical composition, central man, bride kissing his left cheek, bride kissing his right cheek, simultaneous cheek kiss, man with heart-shaped eyes, heart-shaped pupils only, visible cleavage, brides with visible cleavage, heart-shaped glowing frame, glowing heart frame around the scene, floating hearts, hearts floating around figures, romance, intimate, close-up, cowboy shot, from above, slight high angle, looking at each other, eyes closed brides, light smile, blush, wedding, bridal veil, white wedding dress, off-shoulder dress, bouquet, clean outlines, flat high-contrast colors, cel shading, anime screencap, cinematic lighting, pastel pink and warm gold palette Slight high angle, cowboy shot framing: three figures arranged in a tight symmetrical triangle at the center of the frame — one man standing upright at the axis, and two brides flanking him at equal distance, both leaning in toward him so their heads tilt inward toward his jaw. The bride on the viewer's left presses her lips to his left cheek, her lips flattened and slightly dimpled against the skin, her chin tucked against his jawline, one of her hands raised and splayed flat on his far shoulder to brace herself. The bride on the viewer's right mirrors her exactly against his right cheek, her hand flat on his opposite shoulder, her nose grazing his cheekbone. Both brides' eyes are shut, lashes lowered, brows softly raised, faint pink blush on the cheek not touching him; both wear full white bridal dresses with off-shoulder necklines that open into deep sweetheart décolletage, a pearl-white veil falling behind each head to the shoulders, and each holds a small pale pink bouquet loosely at hip level, ribbons hanging. The man's head tips slightly back and up between the two kisses, chin lifted, mouth open in a wide delighted grin with the corners of his eyes creased. Both of his irises are drawn as single vivid pink hearts with a small white specular glint off one lobe — the heart shape replaces the entire visible eye, no normal pupil anywhere. He is the tallest of the three, dark short hair swept back, wearing a black formal suit with a white shirt and a loosened dark tie. His shoulders are squared but his weight sits on his back foot, caught off-balance by the double kiss. All three collarbones and the tops of both brides' chests catch the key light; the man's gaze is thrown upward into the empty air above the camera, unfocused with bliss, while the brides' faces aim only into his cheeks. A single glowing heart-shaped frame of warm pink-white light encircles the three figures as one closed heart silhouette, its outline a clean luminous stroke with a soft outward bloom, and the frame's pointed bottom dips below their waists. Inside and around the figures, roughly a dozen small floating hearts of varying size rise in a loose spiral from their shoulders to the top of the frame; the two nearest the glow catch a brighter rim and the farthest sit duller and pinker, receding. Behind them is an empty seamless soft-blush studio ground, no scenery, only a faint radial brightening at the center of the heart frame. Key light comes from directly in front and slightly above, warm ivory, laying a small bright rim along each veil's edge and giving the glowing heart frame its own spill onto the brides' bare shoulders and the man's collar; shadows are simple flat cel shapes with one hard edge. Palette is strictly pastel pink, warm gold light, pearl white and the man's black suit, nothing else admitted. Hair and veil hems drift outward a few centimetres from the inward lean of the two brides, and the bouquet ribbons hang dead straight, unmoved. Bright, giddy, sweetly overwhelming.
息耐者カール
#Hunter × Hunter
AI artwork
息
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face — the left bride's fingers curled under his chin, the right bride's fingers spread at his temple — so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look — flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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