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AI art "Not a Kanabo"
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Not a Kanabo

Not a Kanabo AI art by Dermot on PixAI. Made with Tsubaki.2.

Not as requested, but still cool

Avatar image of Dermot

Dermot

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In a (from_below:1.5) full body shot, a female oni bandit queen in her 20s sprints directly toward the viewer through a corridor of thousands of (torii:1.5). She is captured mid-stride with one knee driven high, a gleeful, breathless grin on her delicate face, and her glowing gold eyes meeting the viewer's gaze. She has deep crimson, glossy skin, ivory horns, and a long spade-tipped tail. Her long, glossy black hair with a blue sheen streams behind her. She is dressed in a tiny cropped red silk top and very short black hakama, leaving her midriff and long legs bare. She carries a studded iron kanabo over her right shoulder and a cloth sack in her left hand, accessorized with wooden prayer beads, a tiger-skin sash, a sake gourd, and gold earrings. Her makeup features bold black winged liner and black-red lips. The setting is a mountain shrine path under a tunnel of vermilion torii gates in the afternoon, with blurred warrior monks in white hoods chasing her in the distance and dry leaves kicking up from her straw sandals. (running:1.5) and (motion_lines:1.5) emphasize her speed. The visual style is a Ukiyo-e woodblock print with fine black outlines, flat color fields, and visible woodgrain texture. The lighting consists of warm sunlight striping through the gates, creating high-contrast bands across her crimson skin. The palette is dominated by torii vermilion, sun gold, and deep black.
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Original Prompt
A full body shot framed head to toe, seen from below at a low angle down the path, of a female demon in her 20s, an oni bandit queen of the mountain passes, one step ahead of a band of warrior monks, the sacred bell in a sack. The image has a jidaigeki vibe of samurai-era Japan, of ronin of no fixed lord and proud daimyo, katana and naginata, cherry blossom and autumn maple, post-town inns along the old highway, paper lanterns, bronze bells and duels on wooden bridges, and it feels fast, cheeky and openly flirtatious, a demon who never takes anything too seriously. (from_below:1.5) She is breathtaking, with a lithe, willowy build: tall and slender, with narrow shoulders, long, slim arms, a softly toned body, a small waist, slim hips and long, slender legs, and small, high breasts. Her skin is a deep, rich crimson red, smooth and glossy like lacquer, and her face is delicate and narrow, a slender face with fine, high cheekbones, a small, pointed chin, a fine nose and soft, full lips that part on two small, white fangs, and her eyes are a bright, glowing gold with slit pupils, below fine black brows. Two short, curved ivory horns rise from her brow through her hair, and a long, slim crimson tail with a black spade tip curls behind her. Her expression is a gleeful, breathless grin. Her hair is long and straight: thick, glossy hair worn loose down her back to her waist, with a centre part and two long front strands tied with red cord beside her face, and its colour is a deep, glossy black with a blue sheen where the light catches it, the loose ends swaying round her hips with every movement. She wears a tiny cropped red silk top tied across her chest and ending high on her ribs, and low-slung black hakama cut very short, with straw sandals, so that her shoulders, her arms, her whole midriff from her ribs down, her hips above the waistband and her whole legs are bare. A heavy iron kanabo club studded with iron points is her weapon, a necklace of large wooden prayer beads hangs at her chest, a tiger-skin sash is knotted at her hips, gold rings hang from both pointed ears, and a small red-lacquered gourd of sake swings from the sash. Her makeup is a striking oni-queen look: bold black liner swept up into long wings, a smoky gold eyeshadow, dark lashes, a soft darker red shading under her fine cheekbones and a glossy black-red lip, with two small gold marks painted on her brow below the horns and a fine red line along her lower lids. The setting is a mountain shrine path tunnelled by thousands of vermilion torii gates in the afternoon, their black-lettered pillars marching up the hill in a long orange corridor, stone fox statues at the entrance, and warrior monks in white hoods running far behind with staves, blurred. Small votive gates are stacked by the path. She sprints straight toward the viewer down the tunnel of gates, her body facing the viewer, mid-stride with one knee driven high, the kanabo slung over her right shoulder and a cloth sack in her left hand, her tail streaming. Her eyes meet the viewer's with that breathless grin. The gates streak past on both sides, dry leaves kick up under her sandals, and her long black hair streams behind. (torii:1.5), (running:1.5), (motion_lines:1.5) The afternoon sun striping through the gaps between the gates is the dominant light: it falls across her face in warm bands, her fine cheekbones, pointed chin and grinning black-red lips, with bright catchlights in her gold eyes. It glows along her shoulders, her stomach and her legs. Her crimson skin takes a glossy tone wherever the sun reaches. The vermilion gates add a much weaker orange glow round her, and the tunnel behind falls into flat shadow. Ukiyo-e woodblock style: a hand-pressed woodblock print texture, an asymmetrical composition, flat fields of colour bounded by fine black key-block lines, visible woodgrain texture in the skies and broad areas, and slight colour registration misalignment at the edges, with rain, wind, waves, petals and motion drawn as flowing, patterned shapes in the manner of the great print masters. The figure carries the bold, elegant outlines of a kabuki actor print, with patterned textiles drawn as crisp repeating motifs and skin left in smooth, flat tones. Rendered in rich detail: her crimson skin and ivory horns, her spade tail and small fangs, her long black hair and red cords, the studded kanabo, prayer beads and tiger-skin sash, and the patterned fabric of her outfit. The palette is torii vermilion, black lettering, moss green, sun gold, red silk, black, and her crimson skin.
Mode
standard
Size
1280 x 960

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.02k

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1girl, solo, mature female, oni, tanned skin, dark tanned complexion, small horns, red-tipped horns, forehead horns, vibrant red hair, long hair, high ponytail, full body, standing, standing tall, tall posture, holding weapon, bisento, large polearm, battlefield, in battle, dynamic pose, dynamic movement, mid-swing, hair blowing, wind, detailed background, smoke, embers, rubble, from below, dutch angle, looking down, fierce expression, gritted teeth, narrowed eyes, muscular female, toned arms, sleeveless crimson kimono tunic, black obi sash, red hakama trousers, barefoot, no shoes, bare feet on broken ground, no armor, no helmet, The camera sits low and tilted: a from-below dutch angle, full body in frame from the soles of her bare feet to the tips of her red-tipped horns, so the whole figure looms and the sky and rising smoke open behind her raised weapon. She is planted on the cracked stone of a shattered courtyard, weight driven onto her back right leg, left leg thrust forward wide, toes gripping and arching over a fissure, heel lifted off the broken flagstone. Her torso twists hard against the line of her hips, a diagonal from rear foot through the black obi to her shoulder. Both hands are on the bisento: her right hand low on the long shaft near her hip and her left hand high, driving the huge curved blade in a downward arc that has just cleaved the air; behind the blade a ribbon of torn smoke curls into the vacuum the swing has pulled, and a scatter of embers streams sideways off the edge. Her vibrant red hair is bound high on her skull with the ponytail whipped out almost horizontal by the force of her movement, strands lashing across her cheek, a few loose ends breaking free at the tie. The small horns rise from her forehead, dark at the base and burning to red at the tips, catching the light. Her tanned skin is worked and gleaming with effort across her bare arms and shoulders; the sleeveless crimson kimono tunic is open at the neck, cinched tight by the thick black obi, the fabric billowing at the hem over matching red hakama trousers that snap and fold around her striding legs. Both feet bare, dust and tiny chips of rubble lifting from the stone around her soles. Her jaw is set, teeth bared in a fierce grin, brow furrowed, eyes narrowed and locked not on the viewer but up along the line of her own blade toward whatever she is cutting down — the gaze and the weapon share one direction. The light comes from a burning field behind and to her right: a low orange fireball glow that rims the top of her ponytail, the horns, and the spine of the bisento in hot backlight while her front falls into warm shadow, and every ember and dust mote crossing that backlight flares bright. The ground throws a long stretched shadow that runs toward the lower left of frame. Palette is disciplined to red, black and fire-amber against a dead grey-brown battlefield — red in her hair, the tunic, the hakama and the horn tips, black in the sash and the shaft, amber only where the fire touches. Background is dense and alive: tattered banners on leaning poles, a broken palisade, columns of smoke stacked in depth behind her, a rain of scattered ash. Violent, triumphant.
Pancake Ray

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