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ブロリー

ブロリー AI art by 社畜の人 on PixAI. Made with Tsubaki.3.

カワイイ⭐︎

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Fun Illustrations

#Dragon Ball #Dragon Ball Z #Broly

Published on Nov 12, 2026

社畜の人

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character: broly_(dragon_ball_z), copyright: dragon_ball_z 1boy, solo, broly, extremely muscular, hyper muscular male, huge biceps, thick neck, broad shoulders, spiked green hair, medium hair, red eyes, blank white eyes, rolled-back eyes, no pupils, wide grin, open mouth, teeth showing, gothic lolita, black frilled dress, white lace trim, black ribbon bows, short skirt, frilled skirt, thighhighs, black thighhighs, frilled legwear, bare arms, bare shoulders, strapless dress, armband, black armband, no tail, no monkey tail, tail absent, bare lower back, heart hands, hand heart, both hands together, one leg raised, standing on one leg, knee up, dynamic pose, from below, low angle, foreshortening, dutch angle, looking down at viewer, full body, centered, dark background, dramatic lighting The camera sits low near the floor and tilts a few degrees off level, looking up at a single towering figure who fills the frame from boots to hair: a colossal, hyper-muscular man in a black gothic lolita dress. His mass is the whole point of the shot — the dress's bodice strains over a chest and shoulders far too broad for it, its white lace trim digging into the deltoid, ruffled black sleeves riding high on biceps thicker than his own head. The black strapless bodice is cinched at the waist with a wide laced corset band, then flares into a short, layered frilled skirt that juts out stiffly from his hips and stops high on his thighs; black thighhighs with white lace cuffs cover the rest of his legs. His arms are bare from the shoulder down, a black ribbon armband bunched at the upper left bicep. His back is turned slightly away, the dress dipping low, and the skin of his bare lower back is smooth and unbroken — no tail, nothing hanging behind him, the skirt's bustle frills the only thing back there. He stands on his right leg, planted and locked, and has swung the left knee up high in front of him, the raised thigh lifting the skirt's front hem and pulling the frills apart so the panel points outward; the raised foot hangs relaxed, toes down, thighhighs creased behind the knee. Both hands are brought up in front of his chest, fingers curled and thumbs joined to form a clear heart shape, the heart held at collarbone height and angled toward the lens so the negative space inside it reads cleanly against the darkness behind him. His green spiked hair stands up in coarse blades, the tips catching the key light. His head is tipped down toward the viewer, and his red eyes are rolled back so only the whites show, wide and blank beneath a heavy brow, while his mouth is split in a huge, delighted grin, teeth bared, cheeks bunched — a face that is somehow both ecstatic and unhinged. A single hard key light comes from high on the upper left, cold and white-blue: it rims the top of his hair and the crest of his shoulders, rakes across the ribs of the corset lacing, glints along the white lace, and leaves the underside of his jaw, the inside of the raised thigh and the folds behind the skirt in deep shadow. Behind him a dim violet glow sits far back in a featureless dark void, enough to separate his silhouette but lighting nothing else; there is no other source, and past that faint haze the darkness is total. The palette is black and cold white with violet shadow, one warm accent only in the flat red of his eyes. A fine chain of lace shadow, cast by the skirt hem, falls across the top of his thighhighs. Loud, absurd, and utterly committed.

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