Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork featuring #Miquella
Generate for Free

Miquella

#Miquella
Avatar image of C9I

C9I

More to See

Comments

2girls, wide shot, cinematic composition, from below, dutch angle, standing, kneeling, lying on floor, reaching out, outstretched arm, holding hands, pure white robe, flowing robes, long sleeves, hood down, long hair, bare feet, female, predatory shadow, sharp claws, open jaws, large shadow, shadow on wall, dark fantasy, stark contrast, chiaroscuro, spotlight, dark background, film grain, no text, no watermark, from side, profile, parted lips, wide-eyed, looking at another, tense, dramatic lighting, 16:9 A wide cinematic shot from a low dutch-tilted angle, the floor slanting down from the right of frame toward the left, the dark wall filling the upper two-thirds of the image. At the right of the frame stands a tall, slender woman in a pure white angelic robe โ€” the robe sleeveless at the shoulders, draping in long heavy folds that pool slightly at her bare feet, sleeves loose and falling open at the wrists, the fabric gathered at the waist with a soft knotted sash โ€” her hood pushed back, her long pale hair falling over her shoulders, a pale, narrow face, her eyes turned downward toward the person on the floor. She is caught mid-reach: her right arm extended straight down, shoulder lowered, the sleeve hanging open beneath the arm, her left arm drawn back with the hand at her hip, her weight shifted onto her right leg with her left foot set forward. Her hand is extended palm-down toward the second woman. Below her, lying on the floor, a woman on her side with one arm stretched upward, her fingers touching the robed woman's fingertips at the center of the frame, her other forearm pressed flat on the stone floor, her cheek against the ground, her knees drawn up slightly, her hair fanned over the floor, her eyes turned up toward the standing woman with parted lips and a tight, guarded expression. Her ragged grey-brown clothing is plain and heavy, worn at the cuffs, and she wears no shoes. The two women's gazes meet at their joined hands. The only light in the scene is a single bright spotlight from the upper right, striking the robed woman from above and to her right side, whitening the top of her head, her shoulder, the outer curve of her extended arm and the front folds of the robe, leaving the inner surface of her arm and the deep folds of the robe in shadow. The light falls in a tight pool around the two of them and the darkness beyond the pool is absolute; the floor stones inside the pool are pale, dull, and slightly scuffed, but the edges of the pool quickly fade to black. On the dark wall behind and above the robed woman, cast by the spotlight, lies her shadow โ€” but it is not the shape of a woman. It is the shadow of a large predatory beast: a low, heavy, quadrupedal bulk whose head is raised at the top of the shadow, jaws open and angled down at the fallen woman, a row of long sharp claws splaying from one lifted paw, its hunched shoulders and neck thick, its back reaching the top edge of the wall and its hindquarters falling off the top right of the frame. The shadow is much larger than the woman who casts it, rising above her head; where it is cast by the upper folds of the robe its silhouette breaks into a spiny ridge along the back, and its lower jaw hangs open across the shadow of her extended arm. The grazing angle of the spotlight stretches the shadow taller than the standing woman, so that her head sits at the level of the beast's shoulders and her shadow neck thickens into the beast's neck. The palette is strictly monochrome and bone-white against near-black โ€” the white robe, the pale skin, and the spotlight's pool on the pale stone floor are the only bright values in the image; everything else is deep black and dark umber. Fine film grain over the whole frame, slight halation at the spotlight's edge. Hyper-detailed fabric folds and individual stone seams catch the light on upward-facing surfaces, and the shadow's sharp edges are the only crisp silhouette in the frame. Dark fantasy, hidden danger.
Show Parameters
Original Prompt
A figure in a pure white, angelic robe standing in a bright spotlight, reaching a hand down to a person lying on the floor. However, the shadow cast by the robed figure on the dark wall behind them is not human. It is the shadow of a large, predatory beast with sharp claws and open jaws. The light hides the true nature, but the shadow reveals it. Mood: dark fantasy, deception, hidden danger, nondual. Cinematic wide shot, stark contrast, 8k, hyper-detailed, film grain. No text, no watermark. --ar 16:9
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.47k

Similar Images

Show more
AI artwork
Avatar image of C9I
2girls, wide shot, cinematic composition, from below, dutch angle, standing, kneeling, lying on floor, reaching out, outstretched arm, holding hands, pure white robe, flowing robes, long sleeves, hood down, long hair, bare feet, female, predatory shadow, sharp claws, open jaws, large shadow, shadow on wall, dark fantasy, stark contrast, chiaroscuro, spotlight, dark background, film grain, no text, no watermark, from side, profile, parted lips, wide-eyed, looking at another, tense, dramatic lighting, 16:9 A wide cinematic shot from a low dutch-tilted angle, the floor slanting down from the right of frame toward the left, the dark wall filling the upper two-thirds of the image. At the right of the frame stands a tall, slender woman in a pure white angelic robe โ€” the robe sleeveless at the shoulders, draping in long heavy folds that pool slightly at her bare feet, sleeves loose and falling open at the wrists, the fabric gathered at the waist with a soft knotted sash โ€” her hood pushed back, her long pale hair falling over her shoulders, a pale, narrow face, her eyes turned downward toward the person on the floor. She is caught mid-reach: her right arm extended straight down, shoulder lowered, the sleeve hanging open beneath the arm, her left arm drawn back with the hand at her hip, her weight shifted onto her right leg with her left foot set forward. Her hand is extended palm-down toward the second woman. Below her, lying on the floor, a woman on her side with one arm stretched upward, her fingers touching the robed woman's fingertips at the center of the frame, her other forearm pressed flat on the stone floor, her cheek against the ground, her knees drawn up slightly, her hair fanned over the floor, her eyes turned up toward the standing woman with parted lips and a tight, guarded expression. Her ragged grey-brown clothing is plain and heavy, worn at the cuffs, and she wears no shoes. The two women's gazes meet at their joined hands. The only light in the scene is a single bright spotlight from the upper right, striking the robed woman from above and to her right side, whitening the top of her head, her shoulder, the outer curve of her extended arm and the front folds of the robe, leaving the inner surface of her arm and the deep folds of the robe in shadow. The light falls in a tight pool around the two of them and the darkness beyond the pool is absolute; the floor stones inside the pool are pale, dull, and slightly scuffed, but the edges of the pool quickly fade to black. On the dark wall behind and above the robed woman, cast by the spotlight, lies her shadow โ€” but it is not the shape of a woman. It is the shadow of a large predatory beast: a low, heavy, quadrupedal bulk whose head is raised at the top of the shadow, jaws open and angled down at the fallen woman, a row of long sharp claws splaying from one lifted paw, its hunched shoulders and neck thick, its back reaching the top edge of the wall and its hindquarters falling off the top right of the frame. The shadow is much larger than the woman who casts it, rising above her head; where it is cast by the upper folds of the robe its silhouette breaks into a spiny ridge along the back, and its lower jaw hangs open across the shadow of her extended arm. The grazing angle of the spotlight stretches the shadow taller than the standing woman, so that her head sits at the level of the beast's shoulders and her shadow neck thickens into the beast's neck. The palette is strictly monochrome and bone-white against near-black โ€” the white robe, the pale skin, and the spotlight's pool on the pale stone floor are the only bright values in the image; everything else is deep black and dark umber. Fine film grain over the whole frame, slight halation at the spotlight's edge. Hyper-detailed fabric folds and individual stone seams catch the light on upward-facing surfaces, and the shadow's sharp edges are the only crisp silhouette in the frame. Dark fantasy, hidden danger.
C9I
AI artwork
Avatar image of C9I
2girls, wide shot, cinematic composition, from below, dutch angle, standing, kneeling, lying on floor, reaching out, outstretched arm, holding hands, pure white robe, flowing robes, long sleeves, hood down, long hair, bare feet, female, predatory shadow, sharp claws, open jaws, large shadow, shadow on wall, dark fantasy, stark contrast, chiaroscuro, spotlight, dark background, film grain, no text, no watermark, from side, profile, parted lips, wide-eyed, looking at another, tense, dramatic lighting, 16:9 A wide cinematic shot from a low dutch-tilted angle, the floor slanting down from the right of frame toward the left, the dark wall filling the upper two-thirds of the image. At the right of the frame stands a tall, slender woman in a pure white angelic robe โ€” the robe sleeveless at the shoulders, draping in long heavy folds that pool slightly at her bare feet, sleeves loose and falling open at the wrists, the fabric gathered at the waist with a soft knotted sash โ€” her hood pushed back, her long pale hair falling over her shoulders, a pale, narrow face, her eyes turned downward toward the person on the floor. She is caught mid-reach: her right arm extended straight down, shoulder lowered, the sleeve hanging open beneath the arm, her left arm drawn back with the hand at her hip, her weight shifted onto her right leg with her left foot set forward. Her hand is extended palm-down toward the second woman. Below her, lying on the floor, a woman on her side with one arm stretched upward, her fingers touching the robed woman's fingertips at the center of the frame, her other forearm pressed flat on the stone floor, her cheek against the ground, her knees drawn up slightly, her hair fanned over the floor, her eyes turned up toward the standing woman with parted lips and a tight, guarded expression. Her ragged grey-brown clothing is plain and heavy, worn at the cuffs, and she wears no shoes. The two women's gazes meet at their joined hands. The only light in the scene is a single bright spotlight from the upper right, striking the robed woman from above and to her right side, whitening the top of her head, her shoulder, the outer curve of her extended arm and the front folds of the robe, leaving the inner surface of her arm and the deep folds of the robe in shadow. The light falls in a tight pool around the two of them and the darkness beyond the pool is absolute; the floor stones inside the pool are pale, dull, and slightly scuffed, but the edges of the pool quickly fade to black. On the dark wall behind and above the robed woman, cast by the spotlight, lies her shadow โ€” but it is not the shape of a woman. It is the shadow of a large predatory beast: a low, heavy, quadrupedal bulk whose head is raised at the top of the shadow, jaws open and angled down at the fallen woman, a row of long sharp claws splaying from one lifted paw, its hunched shoulders and neck thick, its back reaching the top edge of the wall and its hindquarters falling off the top right of the frame. The shadow is much larger than the woman who casts it, rising above her head; where it is cast by the upper folds of the robe its silhouette breaks into a spiny ridge along the back, and its lower jaw hangs open across the shadow of her extended arm. The grazing angle of the spotlight stretches the shadow taller than the standing woman, so that her head sits at the level of the beast's shoulders and her shadow neck thickens into the beast's neck. The palette is strictly monochrome and bone-white against near-black โ€” the white robe, the pale skin, and the spotlight's pool on the pale stone floor are the only bright values in the image; everything else is deep black and dark umber. Fine film grain over the whole frame, slight halation at the spotlight's edge. Hyper-detailed fabric folds and individual stone seams catch the light on upward-facing surfaces, and the shadow's sharp edges are the only crisp silhouette in the frame. Dark fantasy, hidden danger.
C9I
1
AI artwork
Avatar image of C9I
2girls, wide shot, cinematic composition, from below, dutch angle, standing, kneeling, lying on floor, reaching out, outstretched arm, holding hands, pure white robe, flowing robes, long sleeves, hood down, long hair, bare feet, female, predatory shadow, sharp claws, open jaws, large shadow, shadow on wall, dark fantasy, stark contrast, chiaroscuro, spotlight, dark background, film grain, no text, no watermark, from side, profile, parted lips, wide-eyed, looking at another, tense, dramatic lighting, 16:9 A wide cinematic shot from a low dutch-tilted angle, the floor slanting down from the right of frame toward the left, the dark wall filling the upper two-thirds of the image. At the right of the frame stands a tall, slender woman in a pure white angelic robe โ€” the robe sleeveless at the shoulders, draping in long heavy folds that pool slightly at her bare feet, sleeves loose and falling open at the wrists, the fabric gathered at the waist with a soft knotted sash โ€” her hood pushed back, her long pale hair falling over her shoulders, a pale, narrow face, her eyes turned downward toward the person on the floor. She is caught mid-reach: her right arm extended straight down, shoulder lowered, the sleeve hanging open beneath the arm, her left arm drawn back with the hand at her hip, her weight shifted onto her right leg with her left foot set forward. Her hand is extended palm-down toward the second woman. Below her, lying on the floor, a woman on her side with one arm stretched upward, her fingers touching the robed woman's fingertips at the center of the frame, her other forearm pressed flat on the stone floor, her cheek against the ground, her knees drawn up slightly, her hair fanned over the floor, her eyes turned up toward the standing woman with parted lips and a tight, guarded expression. Her ragged grey-brown clothing is plain and heavy, worn at the cuffs, and she wears no shoes. The two women's gazes meet at their joined hands. The only light in the scene is a single bright spotlight from the upper right, striking the robed woman from above and to her right side, whitening the top of her head, her shoulder, the outer curve of her extended arm and the front folds of the robe, leaving the inner surface of her arm and the deep folds of the robe in shadow. The light falls in a tight pool around the two of them and the darkness beyond the pool is absolute; the floor stones inside the pool are pale, dull, and slightly scuffed, but the edges of the pool quickly fade to black. On the dark wall behind and above the robed woman, cast by the spotlight, lies her shadow โ€” but it is not the shape of a woman. It is the shadow of a large predatory beast: a low, heavy, quadrupedal bulk whose head is raised at the top of the shadow, jaws open and angled down at the fallen woman, a row of long sharp claws splaying from one lifted paw, its hunched shoulders and neck thick, its back reaching the top edge of the wall and its hindquarters falling off the top right of the frame. The shadow is much larger than the woman who casts it, rising above her head; where it is cast by the upper folds of the robe its silhouette breaks into a spiny ridge along the back, and its lower jaw hangs open across the shadow of her extended arm. The grazing angle of the spotlight stretches the shadow taller than the standing woman, so that her head sits at the level of the beast's shoulders and her shadow neck thickens into the beast's neck. The palette is strictly monochrome and bone-white against near-black โ€” the white robe, the pale skin, and the spotlight's pool on the pale stone floor are the only bright values in the image; everything else is deep black and dark umber. Fine film grain over the whole frame, slight halation at the spotlight's edge. Hyper-detailed fabric folds and individual stone seams catch the light on upward-facing surfaces, and the shadow's sharp edges are the only crisp silhouette in the frame. Dark fantasy, hidden danger.
C9I
1

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
HomeModelsGenerateRecipeProfile