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syobonekopon
Contest Entry
Neon Punk Halloween#Cyber Halloween
Show Parameters
- Original Prompt
- ใใชใณ่กใๅฐ้ท็ณปใใกใใทใงใณใใพใณใใกใคใฏใใฏใฌใใใใใฃ
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
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s
1girl, solo, full body, standing, neon-lit street at night, jirai kei fashion, landmine-type outfit, black and pink lace blouse, ribbon at the collar, pleated black mini skirt, fishnet tights, platform boots, zombie makeup, pale grey-green skin, dark smudged eye sockets, stitched mouth line, fake blood trickle at the lip, voluptuous, wide hips, narrow waist, large chest, curvy figure, hand on own hip, hip cocked to one side, from below, low angle, wide shot, looking down at viewer, half-closed eyes, lopsided smirk, wet street, puddle reflections, pink and cyan neon, rain-soaked pavement, night, cinematic lighting.
The camera sits low, near the wet asphalt, tilted up so the figure towers against the alley's neon: her weight rides on her left leg, right hip pushed out under the short pleated skirt, right hand planted flat on that hip with fingers splayed, left arm hanging loose with the knuckles just brushing the hem of her blouse. From this angle the narrow waist curves into wide hips and a full chest that strains the lace-and-ribbon blouse, the fishnet-clad legs descending toward the frame edge in platform boots planted apart on the puddled pavement. Her head tips down and her gaze comes straight down the lens, chin lowered, one brow lifted over a half-lidded eye, the corners of her stitched mouth pulled into a slow lopsided smirk; the grey-green cosmetic pallor sits matte against the dark smudges around the sockets and the thin dried-blood line at the lip corner. Behind and above her, the alley walls climb out of frame carrying stacked vertical signboards, tube signs and a projecting box sign, their lettering illegible compression of magenta, cyan and acid-green; two neon tubes run down the wall behind her shoulder, and her hair and the ribbon at her collar catch a magenta rim on the left side while cyan rims the right edge of her hip and boot. The puddles between her boots mirror the signs โ darker and softer than the sources, broken into shivering vertical streaks wherever her boots break the surface tension โ and the wet pavement throws a long doubled shadow behind her heels. The scene admits only black, hot pink, cyan and the pale grey-green of her makeup, with the street slick and cold underfoot. Quiet menace, effortlessly stylish.
syobonekopon
s
1girl, solo, neon street, night, jirai-kei fashion, zombie makeup, wagamama body, voluptuous, curvy, wide hips, narrow waist, large breasts, black lace-trimmed camisole dress, oversized black hooded cardigan slipping off one shoulder, black thigh-high stockings with lace tops, chunky platform boots, black choker, pale grey-green skin tone, dark circles under eyes, smudged red-black eye makeup, stitched scar line across one cheek, fake blood trickle from the corner of the mouth, cracked dry lips, messy twin-tail black hair with pastel pink inner streaks, hair ribbons, from below, low angle, close-up, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, lopsided smirk, one eyebrow raised, tongue slightly visible between teeth, hand raised with fingers curled into a loose claw, head tilt, leaning against wall, rain-soaked street, wet asphalt reflections, neon signs, pink and cyan neon glow, steam from a vent, moody, glossy sheen.
The camera sits low and tilted, looking up at her from hip height as she leans her right shoulder and right hip against the wet brick wall of a narrow alley, her left leg crossed over the right at the ankle, the platform boot's toe resting on the pavement. Her oversized cardigan has slid down her right arm so the black lace strap of the camisole shows on that shoulder, the fabric hanging in a heavy fold at her elbow; her left hand is shoved deep in the cardigan pocket, tugging the hem across her hip. Her right hand is lifted between her face and the lens, fingers curled into a loose claw with the nails painted chipped black, half-hiding the stitched scar on her cheek while her chin tips down and her eyes look straight down the angle into the viewer, lids heavy, the smirk pulling one corner of her mouth up so the fake blood at the other corner has started to dry and crack. Her twin-tails fall forward over both shoulders, the pastel pink inner streaks catching the sign light, one ribbon half-untied.
Behind and above her the alley walls rise out of frame: a vertical stack of signs in kanji and kana glow pink, cyan and hot magenta, the nearest one close enough that its light rims her hair and the top of her shoulder in magenta while a cyan sign further down the alley lights the wet ground and the underside of her chin, so her face is split between warm pink from the right and cold cyan from the left with deep shadow in the crease of the wall behind her. The rain has stopped; the asphalt is a black mirror holding smeared vertical streaks of every sign, and the reflection of the nearest pink sign bends and breaks where her boot heel sits in a shallow puddle. A vent pipe on the left exhales steam that drifts across the lower third of the frame and goes pink where it crosses the sign glow. The far end of the alley dissolves into darkness with only two distant sign dots visible. Saturated magenta, cyan and wet black carry the palette, with the pastel pink in her hair as the single soft note; high contrast, glossy wet surfaces, crisp cel-shaded edges. Effortlessly dangerous, electric.
syobonekopon
s
1girl, solo, neon street, night, jirai-kei fashion, zombie makeup, wagamama body, voluptuous, curvy, wide hips, narrow waist, large breasts, black lace-trimmed camisole dress, oversized black hooded cardigan slipping off one shoulder, black thigh-high stockings with lace tops, chunky platform boots, black choker, pale grey-green skin tone, dark circles under eyes, smudged red-black eye makeup, stitched scar line across one cheek, fake blood trickle from the corner of the mouth, cracked dry lips, messy twin-tail black hair with pastel pink inner streaks, hair ribbons, from below, low angle, close-up, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, lopsided smirk, one eyebrow raised, tongue slightly visible between teeth, hand raised with fingers curled into a loose claw, head tilt, leaning against wall, rain-soaked street, wet asphalt reflections, neon signs, pink and cyan neon glow, steam from a vent, moody, glossy sheen.
The camera sits low and tilted, looking up at her from hip height as she leans her right shoulder and right hip against the wet brick wall of a narrow alley, her left leg crossed over the right at the ankle, the platform boot's toe resting on the pavement. Her oversized cardigan has slid down her right arm so the black lace strap of the camisole shows on that shoulder, the fabric hanging in a heavy fold at her elbow; her left hand is shoved deep in the cardigan pocket, tugging the hem across her hip. Her right hand is lifted between her face and the lens, fingers curled into a loose claw with the nails painted chipped black, half-hiding the stitched scar on her cheek while her chin tips down and her eyes look straight down the angle into the viewer, lids heavy, the smirk pulling one corner of her mouth up so the fake blood at the other corner has started to dry and crack. Her twin-tails fall forward over both shoulders, the pastel pink inner streaks catching the sign light, one ribbon half-untied.
Behind and above her the alley walls rise out of frame: a vertical stack of signs in kanji and kana glow pink, cyan and hot magenta, the nearest one close enough that its light rims her hair and the top of her shoulder in magenta while a cyan sign further down the alley lights the wet ground and the underside of her chin, so her face is split between warm pink from the right and cold cyan from the left with deep shadow in the crease of the wall behind her. The rain has stopped; the asphalt is a black mirror holding smeared vertical streaks of every sign, and the reflection of the nearest pink sign bends and breaks where her boot heel sits in a shallow puddle. A vent pipe on the left exhales steam that drifts across the lower third of the frame and goes pink where it crosses the sign glow. The far end of the alley dissolves into darkness with only two distant sign dots visible. Saturated magenta, cyan and wet black carry the palette, with the pastel pink in her hair as the single soft note; high contrast, glossy wet surfaces, crisp cel-shaded edges. Effortlessly dangerous, electric.
syobonekopon
s
1girl, solo, neon street, night, jirai-kei fashion, zombie makeup, wagamama body, voluptuous, curvy, wide hips, narrow waist, large breasts, black lace-trimmed camisole dress, oversized black hooded cardigan slipping off one shoulder, black thigh-high stockings with lace tops, chunky platform boots, black choker, pale grey-green skin tone, dark circles under eyes, smudged red-black eye makeup, stitched scar line across one cheek, fake blood trickle from the corner of the mouth, cracked dry lips, messy twin-tail black hair with pastel pink inner streaks, hair ribbons, from below, low angle, close-up, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, lopsided smirk, one eyebrow raised, tongue slightly visible between teeth, hand raised with fingers curled into a loose claw, head tilt, leaning against wall, rain-soaked street, wet asphalt reflections, neon signs, pink and cyan neon glow, steam from a vent, moody, glossy sheen.
The camera sits low and tilted, looking up at her from hip height as she leans her right shoulder and right hip against the wet brick wall of a narrow alley, her left leg crossed over the right at the ankle, the platform boot's toe resting on the pavement. Her oversized cardigan has slid down her right arm so the black lace strap of the camisole shows on that shoulder, the fabric hanging in a heavy fold at her elbow; her left hand is shoved deep in the cardigan pocket, tugging the hem across her hip. Her right hand is lifted between her face and the lens, fingers curled into a loose claw with the nails painted chipped black, half-hiding the stitched scar on her cheek while her chin tips down and her eyes look straight down the angle into the viewer, lids heavy, the smirk pulling one corner of her mouth up so the fake blood at the other corner has started to dry and crack. Her twin-tails fall forward over both shoulders, the pastel pink inner streaks catching the sign light, one ribbon half-untied.
Behind and above her the alley walls rise out of frame: a vertical stack of signs in kanji and kana glow pink, cyan and hot magenta, the nearest one close enough that its light rims her hair and the top of her shoulder in magenta while a cyan sign further down the alley lights the wet ground and the underside of her chin, so her face is split between warm pink from the right and cold cyan from the left with deep shadow in the crease of the wall behind her. The rain has stopped; the asphalt is a black mirror holding smeared vertical streaks of every sign, and the reflection of the nearest pink sign bends and breaks where her boot heel sits in a shallow puddle. A vent pipe on the left exhales steam that drifts across the lower third of the frame and goes pink where it crosses the sign glow. The far end of the alley dissolves into darkness with only two distant sign dots visible. Saturated magenta, cyan and wet black carry the palette, with the pastel pink in her hair as the single soft note; high contrast, glossy wet surfaces, crisp cel-shaded edges. Effortlessly dangerous, electric.
syobonekopon
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