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AI art "Plage"
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Plage

Plage AI art by Nicolas Pin on PixAI. Tags: Scenery, Cloud, No humans, Animal, Lantern, Ocean. Made with Pancake Mix XL.

#water#Sky#Outdoors#Darkness#Scenery#Cloud#No humans#Animal#Lantern#Ocean#Night#Beach#Mountain#rock#Cloudy sky#Shore#Horizon
Avatar image of Nicolas Pin

Nicolas Pin

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Comments

masterpiece, beach covered in corpses, macabre scene, dark atmosphere
Show Parameters
Original Prompt
haute-qualité, une plage jonchée de cadavres, scène macabre, ambiance sombre
Size
1280 x 720
Sampling Steps
9
Sampling Method
Euler a
CFG Scale
3
Negative
nsfw,watermark,(worst quality), (low quality), (bad), bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits,

Model & LoRA used

Pancake Mix XL - AI Model cover image

SDXL

Pancake Mix XL
588
Improved Backgrounds ++ - AI Model cover image

User LoRA

Improved Backgrounds ++
986

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Avatar image of C9I
lone figure, 1girl, gaunt, emaciated, heavy tattered coat, long coat, torn hem, holding lantern, rusted lantern, from behind, standing, wide shot, cinematic wide shot, black sand, frozen shore, dead trees, freezing rain, fog, mist, ghostly boats, many boats, dark water, raven, bird on driftwood, driftwood log, ocean, back view, looking out to sea, still, chiaroscuro, dark, desaturated, cold blue palette, pale light, film grain, hyperdetailed, gothic, melancholic Cinematic wide shot, camera low and behind the figure at hip height, the shore's black sand running in a long diagonal from the lower left foreground to the waterline. The lone gaunt figure stands in the middle-left third of the frame, back to the viewer, the body small against the enormous sky — narrow shoulders rigid under a heavy tattered coat, the coat's torn hem hanging in wet ribbons, one sleeve pulling as the arm hangs down at the left side gripping a rusted lantern by its corroded ring handle. The lantern is the one lit thing in the world: sickly pale light leaks through its rust-pitted panes, rims the figure's cuff and the coat's frayed edge in a thin cold halo, and pools a small weak ellipse on the sand at the boots, while the figure's back and shoulders stay almost black against the fog. Head level, chin faintly dropped, face fully hidden by the back-turned head and the fog; the figure's whole posture is the waiting — weight sunk on the right leg, left knee slack, shoulders drawn in, the coat's collar standing up around the unseen neck. Beyond the boots the black sand greens with frost, glazed and shining under the rain, and the freezing rain falls as fine slanted needles across the whole frame, each streak catching the lantern's pale glow near the figure and vanishing into darkness further out. Dozens of empty ghostly boats drift aimlessly on the endless fog-choked ocean, keelless, oarless, their hulls pale and translucent, fading from near-silhouette at the middle distance into formless grey shapes that the fog swallows — none of them turned toward the shore. To the figure's right, a dead tree stands bare and black, branches crooked like snapped fingers; a second dead trunk leans at the water's edge. In the right foreground, close and large, a massive raven perched on a driftwood log, its head turned back toward the figure, one eye catching the lantern light, its feathers black and rain-beaded, the log's bleached grain streaked with salt. The fog wall closes the ocean at the horizon so no true sea line exists; above it the sky is cold blue-black. Chiaroscuro throughout: the lantern is the only warm-leaning source, everything else lit by a sickly pale ambient wash from above the fog; deep blacks hold in the coat, the treeline, the foreground sand and the raven's body. Palette limited to desaturated blacks, cold blues, slate greys and the lantern's pale sick light. Fine film grain over everything, hyperdetailed texture in the wet sand, the coat's weave, the rust on the lantern and the rain on the raven's plumage. Deep sorrow, tragic longing, gothic romance, quiet dread.
C9I
AI artwork
Avatar image of C9I
lone figure, 1girl, gaunt, emaciated, heavy tattered coat, long coat, torn hem, holding lantern, rusted lantern, from behind, standing, wide shot, cinematic wide shot, black sand, frozen shore, dead trees, freezing rain, fog, mist, ghostly boats, many boats, dark water, raven, bird on driftwood, driftwood log, ocean, back view, looking out to sea, still, chiaroscuro, dark, desaturated, cold blue palette, pale light, film grain, hyperdetailed, gothic, melancholic Cinematic wide shot, camera low and behind the figure at hip height, the shore's black sand running in a long diagonal from the lower left foreground to the waterline. The lone gaunt figure stands in the middle-left third of the frame, back to the viewer, the body small against the enormous sky — narrow shoulders rigid under a heavy tattered coat, the coat's torn hem hanging in wet ribbons, one sleeve pulling as the arm hangs down at the left side gripping a rusted lantern by its corroded ring handle. The lantern is the one lit thing in the world: sickly pale light leaks through its rust-pitted panes, rims the figure's cuff and the coat's frayed edge in a thin cold halo, and pools a small weak ellipse on the sand at the boots, while the figure's back and shoulders stay almost black against the fog. Head level, chin faintly dropped, face fully hidden by the back-turned head and the fog; the figure's whole posture is the waiting — weight sunk on the right leg, left knee slack, shoulders drawn in, the coat's collar standing up around the unseen neck. Beyond the boots the black sand greens with frost, glazed and shining under the rain, and the freezing rain falls as fine slanted needles across the whole frame, each streak catching the lantern's pale glow near the figure and vanishing into darkness further out. Dozens of empty ghostly boats drift aimlessly on the endless fog-choked ocean, keelless, oarless, their hulls pale and translucent, fading from near-silhouette at the middle distance into formless grey shapes that the fog swallows — none of them turned toward the shore. To the figure's right, a dead tree stands bare and black, branches crooked like snapped fingers; a second dead trunk leans at the water's edge. In the right foreground, close and large, a massive raven perched on a driftwood log, its head turned back toward the figure, one eye catching the lantern light, its feathers black and rain-beaded, the log's bleached grain streaked with salt. The fog wall closes the ocean at the horizon so no true sea line exists; above it the sky is cold blue-black. Chiaroscuro throughout: the lantern is the only warm-leaning source, everything else lit by a sickly pale ambient wash from above the fog; deep blacks hold in the coat, the treeline, the foreground sand and the raven's body. Palette limited to desaturated blacks, cold blues, slate greys and the lantern's pale sick light. Fine film grain over everything, hyperdetailed texture in the wet sand, the coat's weave, the rust on the lantern and the rain on the raven's plumage. Deep sorrow, tragic longing, gothic romance, quiet dread.
C9I

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