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AI art "空を見上げる冒険者"
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空を見上げる冒険者

空を見上げる冒険者 AI art by カニタマ on PixAI. Made with Tsubaki.3 Flash.

どこまでも続くかのような空を指差す彼女の姿に、私も胸が高鳴りました。力強い筆致と暖かな色合いが、彼女の持つ無限の可能性を感じさせてくれます。あなたもこの冒険に心を躍らせたなら、いいねとフォローで応援してくださいね！コメントもお待ちしています。

Avatar image of カニタマ

カニタマ

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steampunk, adventurer, 1girl, solo, from below, cowboy shot, dutch angle, dynamic pose, mid-stride, looking up, parted lips, goggles on forehead, brass goggles, leather aviator cap, flight jacket, fingerless gloves, tool belt, holster, satchel, rivets, brass fittings, pipes, steam, from side, foreshortening, outstretched arm, pointing, windblown hair, dust motes, warm palette, occluded eyes by goggle lenses, adventurous, gritty Seen from below at a slight dutch angle in a low three-quarter view that tilts the horizon, a lone young woman adventurer stands braced on the iron catwalk of an airship dock, one boot forward on the riveted grating, the other heel lifted behind her, her weight pitched onto the leading leg so her hips swing off-axis from her shoulders. Her body is turned three-quarters away, chest opening toward the far end of the dock while her chin tips up and back over her shoulder, chin lifted, both eyes fixed up past the frame edge on something climbing out of sight — a parted mouth caught on a half-breath, one brow drawn down hard in concentration so the goggle straps above it pull a seam across her forehead. She wears brass-rimmed aviator goggles pushed up over a close leather flight cap that presses her hair flat at the temples while loose strands whip back and off her cheek; a scuffed brown flight jacket hangs open over a canvas shirt and a wide tool belt carrying a riveted holster, a satchel strap crosses her chest, and her gloved fist holds the catwalk rail at her hip, thumb hooked over the top bar. Her other arm thrusts forward and up at a steep foreshortened angle, two gloved fingers pointing at whatever holds her gaze, so that arm reads huge and near while her body recedes small behind it. Behind her the dock opens into a hangar of girders, copper piping and a half-visible dirigible hull clad in brass bands, foreground railing crossing low and dark in front of her thighs, midground crates and coil of rope, background structure simplified into deep silhouettes. Warm amber gaslight from a bank of lamps to the left strips the lit side of her face and lights the oil sheen on the leather, while the right side of her body falls into rust-brown shadow that swallows the far corridor; the low sun-angle also catches drifting steam venting from a pipe behind her shoulder, and the steam column bends away from the vent as if pulled by wind she cannot feel. Palette held to brass, burnt umber, oiled leather and dusty ochre against a cool teal shadow, nothing else admitted. Wind pushes hair and jacket hem in one direction and the catwalk's grating casts a hard striped shadow across her shin. Adventurous, gritty.
Show Parameters
Original Prompt
スチームパンクの冒険者
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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Avatar image of Yuri
1girl, solo, sharp expressive face, warm amber eyes, soot smudges on cheekbone, tiny burn scar on left wrist, thick copper-auburn hair, messy voluminous Victorian Gibson-girl twist updo, brass hairpins, smudged bronze and espresso-brown eyeshadow, dark brown winged eyeliner, matte terracotta-rose lip stain, cream cotton puff-sleeve blouse, sleeves rolled up to elbows, dark brown leather underbust corset, brass clasps, high-waisted striped wool trousers, trousers tucked into boots, knee-high buckled brown leather aviator boots, heavy canvas utility apron slung low on hips, brass-rimmed tinted welding goggles pushed up on forehead, fingerless leather glove on right hand, pocket-watch chatelaine clipped to waist, from above, cowboy shot, three-quarter view from her right, standing at a workbench, leaning forward on both forearms, head tilted up, looking up at viewer, hairpins catching lamplight, faint lopsided smirk, one eyebrow raised, brass, mahogany brown, cream, deep forest green, Seen from above and slightly to her right, in a three-quarter view, she leans over a scarred wooden workbench with both forearms planted on it, her weight carried on her left hip, her right boot's toe hooked on the bench's lower rail so the leather creases across the instep. Her torso angles down toward the bench, but her chin lifts and her amber eyes come straight up the lens axis, one brow cocked, one corner of the terracotta-rose mouth pulled into a lopsided smirk, breath just parting her lips. Her right hand is bare-fingered, the fingerless leather glove creasing at the knuckles as she holds a small brass gear between thumb and forefinger; her left forearm rests flat on the bench, wrist turned upward so the tiny burn scar shows pale against the soot-darkened skin. A crescent of soot sits along her right cheekbone and a fainter streak crosses her left, tinted bronze by the lamplight so the smudged espresso eyeshadow and the dark brown wing of her eyeliner read as the same warm family. The Gibson-girl twist is a heavy, imperfect coil at her crown, loosened by the lean, several brass hairpins pushed through at different angles with their heads catching the light; a few copper-auburn wisps have escaped at her temples but the mass holds. The tinted goggles sit pushed up on her forehead, their brass rims right at her hairline. Below: the cream cotton puff sleeves bunch above her rolled cuffs at the elbows, the dark brown leather corset cinches her waist with its brass clasps marching down the front, the high-waisted striped wool trousers run in fine vertical lines into the buckled brown aviator boots, and the canvas apron hangs slack and low across her hips, its pocket sagging with the weight of a spanner. The pocket-watch chatelaine dangles from her waist on the left, its brass chain swinging slightly forward and its fob hovering clear of the apron. The workshop is close and low-ceilinged: a single hooded work lamp hangs just above and to her left, throwing a hard pool of warm light down across the bench, the tops of her forearms, the crown of her hair and the upper planes of her face. Everything under the bench and the far wall behind her falls away into darkness; a rack of tool silhouettes recedes into it. The lamp is the only light source, and it puts a long shadow of her own shoulder and the goggles across the bench top. Colours are held tight: mahogany brown in the corset, boots and bench, tarnished brass in the clasps, pins, chatelaine and gear, cream in the blouse, deep forest green in the rolled apron cloth and the goggle lenses, with her copper hair as the one warm flare above it all. Brass reflects her skin; the leather swallows the light. Tender, faintly reckless.
Yuri

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