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AI art "sloth girl"
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sloth girl

sloth girl AI art by utioner on PixAI. Made with Tsubaki.3.

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utioner

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**Inaction (Sloth)** looks like someone who could be threatening if she ever fully stood up, but she almost never does. She has a skinny-fat build — soft stomach, soft upper arms, and a generally rounded, under-used body that still carries real weight and size. Not tiny, not ripped, just heavy in a passive way. Her posture is permanently slumped. Face: half-lidded, bored eyes with dark circles. Expression is usually flat or mildly annoyed that she has to be awake. Mouth is either set in a slight frown or slightly open like she was about to sigh and didn’t finish. Long hair, messy and slightly greasy-looking, falling in her face and over her shoulders because she can’t be bothered to tie it up. She wears oversized, lived-in clothes — a big stretched-out hoodie or loose robe, baggy pants or shorts, and mismatched or half-on footwear (one slipper, one bare foot is common). Everything looks comfortable and slightly dirty. Her main accessory is the couch. It’s made of cloudy, stained ice that never properly melts, with old snack wrappers, empty containers, and frost buildup around where she sits. She is almost always on it, half-sunk into the seat, one leg tucked under her or dangling. Color feel: muted and cold — faded blues, grays, dirty whites, with soft body tones that look like they don’t get much sun or movement. Small traces of frost tend to form on her clothes and hair the longer she stays still. Overall impression: a powerful creature that has completely given up on presentation or effort. She looks like she could crush someone if she ever exerted herself, but everything about her design says she would rather not.
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Original Prompt
**Inaction (Sloth)** looks like someone who could be threatening if she ever fully stood up, but she almost never does. She has a skinny-fat build — soft stomach, soft upper arms, and a generally rounded, under-used body that still carries real weight and size. Not tiny, not ripped, just heavy in a passive way. Her posture is permanently slumped. Face: half-lidded, bored eyes with dark circles. Expression is usually flat or mildly annoyed that she has to be awake. Mouth is either set in a slight frown or slightly open like she was about to sigh and didn’t finish. Long hair, messy and slightly greasy-looking, falling in her face and over her shoulders because she can’t be bothered to tie it up. She wears oversized, lived-in clothes — a big stretched-out hoodie or loose robe, baggy pants or shorts, and mismatched or half-on footwear (one slipper, one bare foot is common). Everything looks comfortable and slightly dirty. Her main accessory is the couch. It’s made of cloudy, stained ice that never properly melts, with old snack wrappers, empty containers, and frost buildup around where she sits. She is almost always on it, half-sunk into the seat, one leg tucked under her or dangling. Color feel: muted and cold — faded blues, grays, dirty whites, with soft body tones that look like they don’t get much sun or movement. Small traces of frost tend to form on her clothes and hair the longer she stays still. Overall impression: a powerful creature that has completely given up on presentation or effort. She looks like she could crush someone if she ever exerted herself, but everything about her design says she would rather not.,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: all_for_one_(boku_no_hero_academia) 1girl, solo, long white hair, straight white hair falling past shoulders, red eyes, glowing red eyes, pale skin, adult woman, curvy, voluptuous, large breasts, wide hips, thick thighs, large ass, casual clothes, oversized plain grey t-shirt, short sleeves, black lounge pants, bare feet, sitting, sitting on sofa, on couch, leaning back, slouched, one leg tucked under herself, slouched back against couch cushions, holding chip bag, eating chips, chip in fingers, chewing, television glow, watching tv, looking at tv, night interior, dark living room, casual evil face, stoic expression, expressionless, cold half-lidded stare, heavy brow shadow, sinister aura, deadpan, low key lighting, blue tv light, from side, cowboy shot, one soda can on table, one glass of soda on table, condensation on glass, coffee table in foreground The camera sits low and to her left side, a three-quarter view across the coffee table, so she reads in profile-to-three-quarter: her long, straight white hair falls in a heavy sheet down past her shoulders and spills over the couch cushions behind her back; her eyes are a flat, unreadable red, catching the television's pale light, half-lidded and cool. The oversized plain grey cotton t-shirt hangs soft and unremarkable — its short sleeves are loose and its hem rucks up a little where her hips press the couch — and black lounge pants cover her legs. She is a soft, full-bodied woman, wide in the hips and heavy through the thighs and chest, the fabric of the shirt draping over her bust with a relaxed, ordinary looseness. She lounges into the deep couch, weight sunk into her left hip against the armrest, one leg folded under her so her hips sit low and slanted, the other knee up. Her right hand rests on the open chip bag propped on the cushion beside her thigh, fingers caught pinching a chip halfway out, a faint dusting of salt on her fingertips; her left forearm lies along the couch back, wrist slack. A coffee table takes the near foreground, holding a half-full glass of soda, faintly beaded with condensation at its rim, beside an open can of soda — the glass standing behind the can, both casting small long shadows away from the television. Her gaze is fixed off to screen-right where the television light comes from, stoic and unmoving, red eyes catching a thin reflected glint of the screen. Only the TV lights the room: cold blue-white from the right side of frame, catching the edge of her cheek, the ridge of her nose, the shoulder of her shirt, and the glossy curve of the glass, while the left side of her face and the couch behind her settle into deep shadow; a soft glow blooms across the dark wall beside her. The palette is a cold blue-white screen glow against the grey shirt, black lounge pants, and the warm thin amber of the soda in the glass and can, with the red of her eyes the only sharp warm note. Her chest rises with a slow, even breath as she chews. Quiet, sinister calm.
Hải Hoàng

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