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๋ ์์ฑ์ ๋ง๋ฒ์๋
๋ ์์ฑ์ ๋ง๋ฒ์๋ AI art by ์ง์ ํ on PixAI. Tags: brown hair. Made with Tsubaki.3.
๋ ์์ฑ์ ๋ง๋ฒ์๋ ์ ๋๋ค. ์ด๋ฆ์ ์ ํ์ง ์์์ต๋๋ค.
Show Parameters
- Original Prompt
- ๊ฐ์ ๋จ๋ฐ ๋จธ๋ฆฌ์ ์๊ฒฝ์ ์ด ์๋ , ์ธ๋ก์ค์ ์ค์จํฐ์ ๋น์ทํ ์์์ ์กฐ๊ธ ํฐ ๋ฐ์ง๋ฅผ ์ ๊ณ ์์. ์ ์ฒด์ ์ธ ์๊น์ ๊ฐ์๊ณผ ์ด์ธ๋ฆฌ๋ ์์ผ๋ก ๋ง์ถฐ์ค. ์ฃผ๋ณ์ ์์ ๋๋ฉฉ์ด๊ฐ ๊ณต์ค์ ๋ ์ค๋ฅธ ์ํ๋ฅผ ์ถ๊ฐ๋ก ๊ทธ๋ ค์ค.
- Mode
- pro
- Size
- 1088 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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j6
1girl, solo, owl-girl, side profile, facing left, short bobbed brown hair, bob cut, owl feather ear tufts rising like ears, round glasses, golden eyes, calm expression, closed mouth, looking at own raised hand, arm up, one hand raised, index finger lifted, oversized olive knit turtleneck sweater, long sleeves, dark high-waisted skirt, black tights, large brown feathered wings folded behind her, wings at rest against her back, wide horizontal format, letterboxed composition, swirling spiral vortex, spiral, wind, stylized clouds, bold flowing decorative shapes, layered grey-lavender and cream vortex, grey feathers, drifting feathers, small black and grey feathers spinning through the vortex, golden eye-shaped charms floating, soft beige orbs floating, circular window of white swirling clouds, cloud frame, art nouveau composition, flat graphic vector style, clean lineart, flat shading, minimal gradients, muted desaturated palette, dusty lavender, grey-blue, soft periwinkle, warm beige accents, muted dreamy atmosphere, no text
A flat graphic vector-style anime illustration in a wide horizontal format: the entire frame is consumed by a swirling spiral vortex of stylized wind and clouds, whose continuous curved arms wind inward toward a central point in comparatively regular, organized turns of shrinking radius, drawn as bold flowing decorative shapes in layered tones of grey-lavender and cream with minimal gradients between the bands. The spiral's arms sweep in from the upper right and lower right, curve across the right two-thirds of the frame and terminate in long tapering ornamental points that flow toward the left edge, so the whole background reads as one elegant continuous line rhythm in the manner of an art-nouveau poster.
On the left side, a circular window of white swirling clouds opens in the vortex, its rim built from three concentric rolled cloud curls of cream and off-white; inside this frame stands a single young owl-girl, seen in true side profile facing the left edge of the frame, her body vertical against the circular white aperture while the vortex whirls around the outside of that circle. Her head is a short brown bob, the cut ending just below the jaw and against the neck, with two owl feather tufts rising like ears from the crown and flicking slightly backward along the wind's drag. Round glasses sit on the bridge of her nose, the lens nearest the viewer a clean pale-amber ring that overlaps the soft brown of her cheek; behind both lenses her golden eyes are open and calm, the visible one looking down along her own raised arm toward her lifted fingertip. Her expression is still and serene, closed lips barely curved, chin level, no tension anywhere in the jaw.
Her near arm is raised gracefully forward and up, elbow softly bent, and her forefinger is lifted alone above the other loosely curled fingers as though she were conducting the wind; the long oversized sleeve of her olive-knit turtleneck falls back along the raised forearm and bunches in heavy knit folds at the elbow, the turtleneck collar sitting high and loose around her throat and the sweater's body hanging broadly off one shoulder. Below the sweater, a dark high-waisted skirt cinches at the waist and flares to mid-thigh, and black tights close her legs in a flat matte tone down to the hem of the cloud circle. From behind her shoulders two large brown feathered wings sweep down and back, folded and held close together so they cut across the right side of the white cloud window; their primary feathers overlap in three flat tiers of brown, warm beige and darker umber.
Golden eye-shaped ornamental charms float around her at differing depths, each a flattened almond outline of gold with a small dark pupil-bar inside, some overlapping the cloud window's rim and some set out into the vortex; among them drift soft beige orbs, plain and matte, catching a single crescent of lighter beige on the side turned toward the wind. Small black and grey feathers spin through the current all the way out to the right edge, each one aligned to the tangent of the spiral arm that carries it -- the grey ones pale and slim, the black ones small and sharp -- so the direction of the wind becomes visible in their tilt, and loose feathers and beige orbs near the raised fingertip curve tighter along the innermost turn while those at the frame's edge lie almost flat along the outermost turn. The cloud window's rim occludes the wing behind it and the girl in turn is occluded by nothing but a thin edge of cloud curl that laps across her skirt at the bottom of the circle.
Light is entirely flat and graphic, no directional source and no cast shadows: each shape carries one local tone with at most a single slightly darker band of flat shading along its lower or trailing edge, and shadows are drawn as solid shapes rather than gradients. The palette admits only four registers -- dusty lavender and grey-blue and soft periwinkle in the vortex's layered bands, warm beige and cream in the clouds, orbs, skin and sweater knit highlights, olive only on the sweater, gold only on the charms and her eyes, and brown only in her hair and wings -- with no fully saturated colour anywhere, everything pushed toward desaturation. Clean lineart of even weight closes every shape, edges crisp and vector-sharp, minimal gradients.
The whole picture is quiet, calm and weightless, the wind's momentum and the still, lowered finger held in balance: muted dreamy atmosphere.
jtykobtb6r
j6
1girl, solo, owl-girl, side profile, facing left, short bobbed brown hair, bob cut, owl feather ear tufts rising like ears, round glasses, golden eyes, calm expression, closed mouth, looking at own raised hand, arm up, one hand raised, index finger lifted, oversized olive knit turtleneck sweater, long sleeves, dark high-waisted skirt, black tights, large brown feathered wings folded behind her, wings at rest against her back, wide horizontal format, letterboxed composition, swirling spiral vortex, spiral, wind, stylized clouds, bold flowing decorative shapes, layered grey-lavender and cream vortex, grey feathers, drifting feathers, small black and grey feathers spinning through the vortex, golden eye-shaped charms floating, soft beige orbs floating, circular window of white swirling clouds, cloud frame, art nouveau composition, flat graphic vector style, clean lineart, flat shading, minimal gradients, muted desaturated palette, dusty lavender, grey-blue, soft periwinkle, warm beige accents, muted dreamy atmosphere, no text
A flat graphic vector-style anime illustration in a wide horizontal format: the entire frame is consumed by a swirling spiral vortex of stylized wind and clouds, whose continuous curved arms wind inward toward a central point in comparatively regular, organized turns of shrinking radius, drawn as bold flowing decorative shapes in layered tones of grey-lavender and cream with minimal gradients between the bands. The spiral's arms sweep in from the upper right and lower right, curve across the right two-thirds of the frame and terminate in long tapering ornamental points that flow toward the left edge, so the whole background reads as one elegant continuous line rhythm in the manner of an art-nouveau poster.
On the left side, a circular window of white swirling clouds opens in the vortex, its rim built from three concentric rolled cloud curls of cream and off-white; inside this frame stands a single young owl-girl, seen in true side profile facing the left edge of the frame, her body vertical against the circular white aperture while the vortex whirls around the outside of that circle. Her head is a short brown bob, the cut ending just below the jaw and against the neck, with two owl feather tufts rising like ears from the crown and flicking slightly backward along the wind's drag. Round glasses sit on the bridge of her nose, the lens nearest the viewer a clean pale-amber ring that overlaps the soft brown of her cheek; behind both lenses her golden eyes are open and calm, the visible one looking down along her own raised arm toward her lifted fingertip. Her expression is still and serene, closed lips barely curved, chin level, no tension anywhere in the jaw.
Her near arm is raised gracefully forward and up, elbow softly bent, and her forefinger is lifted alone above the other loosely curled fingers as though she were conducting the wind; the long oversized sleeve of her olive-knit turtleneck falls back along the raised forearm and bunches in heavy knit folds at the elbow, the turtleneck collar sitting high and loose around her throat and the sweater's body hanging broadly off one shoulder. Below the sweater, a dark high-waisted skirt cinches at the waist and flares to mid-thigh, and black tights close her legs in a flat matte tone down to the hem of the cloud circle. From behind her shoulders two large brown feathered wings sweep down and back, folded and held close together so they cut across the right side of the white cloud window; their primary feathers overlap in three flat tiers of brown, warm beige and darker umber.
Golden eye-shaped ornamental charms float around her at differing depths, each a flattened almond outline of gold with a small dark pupil-bar inside, some overlapping the cloud window's rim and some set out into the vortex; among them drift soft beige orbs, plain and matte, catching a single crescent of lighter beige on the side turned toward the wind. Small black and grey feathers spin through the current all the way out to the right edge, each one aligned to the tangent of the spiral arm that carries it -- the grey ones pale and slim, the black ones small and sharp -- so the direction of the wind becomes visible in their tilt, and loose feathers and beige orbs near the raised fingertip curve tighter along the innermost turn while those at the frame's edge lie almost flat along the outermost turn. The cloud window's rim occludes the wing behind it and the girl in turn is occluded by nothing but a thin edge of cloud curl that laps across her skirt at the bottom of the circle.
Light is entirely flat and graphic, no directional source and no cast shadows: each shape carries one local tone with at most a single slightly darker band of flat shading along its lower or trailing edge, and shadows are drawn as solid shapes rather than gradients. The palette admits only four registers -- dusty lavender and grey-blue and soft periwinkle in the vortex's layered bands, warm beige and cream in the clouds, orbs, skin and sweater knit highlights, olive only on the sweater, gold only on the charms and her eyes, and brown only in her hair and wings -- with no fully saturated colour anywhere, everything pushed toward desaturation. Clean lineart of even weight closes every shape, edges crisp and vector-sharp, minimal gradients.
The whole picture is quiet, calm and weightless, the wind's momentum and the still, lowered finger held in balance: muted dreamy atmosphere.
jtykobtb6r
ใกใณใญใฃใฉ
jyagainu
1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain
An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage โ deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
้ป
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