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hanagedetemasuyo

AI art by hanagedetemasuyo on PixAI. Made with Tsubaki.3.

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hanagedetemasuyo

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character: shoutoku_taishi arm wrestling, 2boys, two figures, prince shoutoku, shotoku taishi, black hair, long hair, hair rings, hair flower, hair ornament, grey eyes, chinese clothes, hanfu, barefoot, ono no imoko, male, court official, tall, dark hair, tall black cap, wide-sleeved robe, pleated trousers, table between them, hands clasped, gripping hands, locked wrists, elbows on table, leaning toward each other, clenched teeth, grin, vein on forehead, sweat, from side, profile, low camera, dutch angle, shallow depth of field, indoor, wooden hall, vermillion pillars, lattice window, lamp light, motion lines, sparks The camera sits low and slightly off-axis, a dutch tilt of a few degrees, catching the two men in profile from the side with the hand-clasp between them at the exact center of the frame โ€” two figures leaning into each other across a dark wooden table. On the left, Prince Shoutoku: long black hair spilling down over the shoulders of a layered Chinese-style hanfu robe in muted indigo and dusty gold, loose and open at the sleeves, the long strands caught and bound in rings of dark metal with a pale flower pinned at one temple, grey eyes fixed on the joined hands, bare feet planted wide on the plank floor, the toes gripping. On the right, Ono no Imoko: a tall, lean court official in a broad-sleeved formal robe with wide pleated trousers, a tall black lacquered cap sitting on his dark hair, sleeves shoved back above the elbow. Their right forearms meet upright at the middle of the table, palms locked, wrists straining against each other's grip; both elbows are wedged hard into the wood; both shoulders are rolled forward; both bodies lean in along the same diagonal so that the clasped hands are the highest, tightest point of the composition. Shoutoku's jaw is set, teeth bared in a strained grin, a vein standing out at his temple, one eye narrowed; Imoko's brow is furrowed, lips pulled back, sweat beading at his hairline and running down his temple. Both pairs of eyes are locked on the joined hands, not on each other's faces โ€” each watching the point where the grip is failing โ€” and the strain travels visibly up each forearm, tendons standing, knuckles pale, the skin of each wrist flattened where the other presses in. The tabletop between them is completely empty; one sleeve corner has been dragged and bunched under the table edge where a forearm shoved it aside. Hot lamp light comes from a single flame-and-lantern source just off-frame low on the left, so it rakes across Shoutoku's forearm and cheek, catches the sheen of sweat on Imoko's brow, and throws two long, doubling shadows of the clasped hands wide across the wooden boards โ€” a clear, exaggerated shadow of the grip that shows the pressure better than the hands themselves. Behind them a dim wooden hall: vermillion pillars receding out of focus, a slatted window letting in a thin cold blue-grey sliver that contrasts with the warm amber lantern glow and lets the far side of the room fall into near-darkness. The palette is restrained to warm amber light, deep indigo and dusty gold on the robes, black lacquer and red-brown timber, with the cooler blue only at the window. The composition is symmetrical about the clenched hands, which sit at dead center, while the two bodies lean at different rates, creating a subtle counter-tension. Strained, charged.
Show Parameters
Original Prompt
่–ๅพณๅคชๅญ, ๅฐ้‡Žๅฆนๅญ, arm wrestling
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.50k

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character: shoutoku_taishi arm wrestling, 2boys, two figures, prince shoutoku, shotoku taishi, black hair, long hair, hair rings, hair flower, hair ornament, grey eyes, chinese clothes, hanfu, barefoot, ono no imoko, male, court official, tall, dark hair, tall black cap, wide-sleeved robe, pleated trousers, table between them, hands clasped, gripping hands, locked wrists, elbows on table, leaning toward each other, clenched teeth, grin, vein on forehead, sweat, from side, profile, low camera, dutch angle, shallow depth of field, indoor, wooden hall, vermillion pillars, lattice window, lamp light, motion lines, sparks The camera sits low and slightly off-axis, a dutch tilt of a few degrees, catching the two men in profile from the side with the hand-clasp between them at the exact center of the frame โ€” two figures leaning into each other across a dark wooden table. On the left, Prince Shoutoku: long black hair spilling down over the shoulders of a layered Chinese-style hanfu robe in muted indigo and dusty gold, loose and open at the sleeves, the long strands caught and bound in rings of dark metal with a pale flower pinned at one temple, grey eyes fixed on the joined hands, bare feet planted wide on the plank floor, the toes gripping. On the right, Ono no Imoko: a tall, lean court official in a broad-sleeved formal robe with wide pleated trousers, a tall black lacquered cap sitting on his dark hair, sleeves shoved back above the elbow. Their right forearms meet upright at the middle of the table, palms locked, wrists straining against each other's grip; both elbows are wedged hard into the wood; both shoulders are rolled forward; both bodies lean in along the same diagonal so that the clasped hands are the highest, tightest point of the composition. Shoutoku's jaw is set, teeth bared in a strained grin, a vein standing out at his temple, one eye narrowed; Imoko's brow is furrowed, lips pulled back, sweat beading at his hairline and running down his temple. Both pairs of eyes are locked on the joined hands, not on each other's faces โ€” each watching the point where the grip is failing โ€” and the strain travels visibly up each forearm, tendons standing, knuckles pale, the skin of each wrist flattened where the other presses in. The tabletop between them is completely empty; one sleeve corner has been dragged and bunched under the table edge where a forearm shoved it aside. Hot lamp light comes from a single flame-and-lantern source just off-frame low on the left, so it rakes across Shoutoku's forearm and cheek, catches the sheen of sweat on Imoko's brow, and throws two long, doubling shadows of the clasped hands wide across the wooden boards โ€” a clear, exaggerated shadow of the grip that shows the pressure better than the hands themselves. Behind them a dim wooden hall: vermillion pillars receding out of focus, a slatted window letting in a thin cold blue-grey sliver that contrasts with the warm amber lantern glow and lets the far side of the room fall into near-darkness. The palette is restrained to warm amber light, deep indigo and dusty gold on the robes, black lacquer and red-brown timber, with the cooler blue only at the window. The composition is symmetrical about the clenched hands, which sit at dead center, while the two bodies lean at different rates, creating a subtle counter-tension. Strained, charged.
hanagedetemasuyo

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช
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