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uru

AI art by uru on PixAI. Made with Tsubaki.3.

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character: osaki_amana 1girl, solo, upper body, cowboy shot, from below, slight dutch angle, looking at viewer, warm smile, closed mouth smile, blush, embarrassed, flustered, sweatdrop, averted eyes, long hair, red hair, brown hair, swept bangs, yellow eyes, hair ornament, black tight ribbed long one-piece dress, long skirt, long sleeves, high neck, see-through sleeves, office lady, office background, hanging nametag, morning, sunlight, window light, depth of field, detailed face, beautiful hair, A morning office framed from slightly below and tilted a few degrees off level, so the verticals of the window frame lean and the ceiling sits low behind her: one young woman, upper body only, her hips cut off at the bottom edge while the long skirt falls out of frame. She is turned a quarter away from the camera with her right shoulder nearer the lens, her weight settled on her back hip so the ribbed knit pulls in fine horizontal lines across her waist and drapes looser at the far shoulder. Her chin is dipped, her cheeks flushed warm red across the nose and up to the ears, one hand lifted to the side of her neck with the fingers half-curled and not quite touching the skin, the other arm hanging with the sleeve hem catching the light. She smiles -- a soft, closed-lip warm smile that keeps her embarrassment rather than cancelling it -- while her yellow eyes slide off to the lower left, away from the viewer, and one brow lifts just slightly. Her long red-brown hair is swept into bangs across the forehead and falls forward over the near shoulder in a heavy glossy mass as she tilts her head, one strand drifting free. Her outfit is entirely the black tight ribbed long one-piece: long sleeves down to the wrists, a high closed neckline, the knit body-hugging through the torso, and the long skirt continuing below the crop. The fabric reads faintly see-through where the morning light comes from behind the near sleeve and along the outer edge of her arm, the pale shape of her arm a dull glow inside the dark knit while the front of the dress stays opaque. A hanging nametag on a lanyard drops from her neck down over the chest, the cord crossing the ribbing, the card turned slightly so its printed face catches glare; the lettering on it is small and illegible. The office background is a real open-plan floor behind her at mid distance: pale grey partition panels, a desk edge with a monitor turned off, a filing cabinet, a tall window on the left through which the low morning sun enters. That window is the only light source -- it strikes her left side and the far cheek, rims the loose strand of hair with a thin warm edge, lays a soft highlight down the near sleeve where the knit is thinnest, and throws her shadow long and soft onto the partition behind her to the right. The unlit side of her face and the underside of the nametag card fall into cool grey shadow. The palette is black, warm skin, red-brown hair, and the pale grey-green of morning office light, with one break of yellow in her eyes. Deep shallow focus keeps her face and the ribbed fabric crisp and lets the desks fall into a gentle blur. Quiet, flustered morning.
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Original Prompt
1girl, masterpiece, best quality,beautiful hair, warm smile, highly detailed, 8k quality, --ar 3:4 --stylize,long sleeve, black tight rib long onepiece,long skirt, office lady,office background,hanging nametag,Blushing, feeling embarrassed, morning,Osaki Amana,seethrough, upper body,
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Avatar image of uru
character: osaki_amana 1girl, solo, upper body, cowboy shot, from below, slight dutch angle, looking at viewer, warm smile, closed mouth smile, blush, embarrassed, flustered, sweatdrop, averted eyes, long hair, red hair, brown hair, swept bangs, yellow eyes, hair ornament, black tight ribbed long one-piece dress, long skirt, long sleeves, high neck, see-through sleeves, office lady, office background, hanging nametag, morning, sunlight, window light, depth of field, detailed face, beautiful hair, A morning office framed from slightly below and tilted a few degrees off level, so the verticals of the window frame lean and the ceiling sits low behind her: one young woman, upper body only, her hips cut off at the bottom edge while the long skirt falls out of frame. She is turned a quarter away from the camera with her right shoulder nearer the lens, her weight settled on her back hip so the ribbed knit pulls in fine horizontal lines across her waist and drapes looser at the far shoulder. Her chin is dipped, her cheeks flushed warm red across the nose and up to the ears, one hand lifted to the side of her neck with the fingers half-curled and not quite touching the skin, the other arm hanging with the sleeve hem catching the light. She smiles -- a soft, closed-lip warm smile that keeps her embarrassment rather than cancelling it -- while her yellow eyes slide off to the lower left, away from the viewer, and one brow lifts just slightly. Her long red-brown hair is swept into bangs across the forehead and falls forward over the near shoulder in a heavy glossy mass as she tilts her head, one strand drifting free. Her outfit is entirely the black tight ribbed long one-piece: long sleeves down to the wrists, a high closed neckline, the knit body-hugging through the torso, and the long skirt continuing below the crop. The fabric reads faintly see-through where the morning light comes from behind the near sleeve and along the outer edge of her arm, the pale shape of her arm a dull glow inside the dark knit while the front of the dress stays opaque. A hanging nametag on a lanyard drops from her neck down over the chest, the cord crossing the ribbing, the card turned slightly so its printed face catches glare; the lettering on it is small and illegible. The office background is a real open-plan floor behind her at mid distance: pale grey partition panels, a desk edge with a monitor turned off, a filing cabinet, a tall window on the left through which the low morning sun enters. That window is the only light source -- it strikes her left side and the far cheek, rims the loose strand of hair with a thin warm edge, lays a soft highlight down the near sleeve where the knit is thinnest, and throws her shadow long and soft onto the partition behind her to the right. The unlit side of her face and the underside of the nametag card fall into cool grey shadow. The palette is black, warm skin, red-brown hair, and the pale grey-green of morning office light, with one break of yellow in her eyes. Deep shallow focus keeps her face and the ribbed fabric crisp and lets the desks fall into a gentle blur. Quiet, flustered morning.
uru
AI artwork
Avatar image of uru
character: osaki_amana 1girl, solo, upper body, cowboy shot, from below, slight dutch angle, looking at viewer, warm smile, closed mouth smile, blush, embarrassed, flustered, sweatdrop, averted eyes, long hair, red hair, brown hair, swept bangs, yellow eyes, hair ornament, black tight ribbed long one-piece dress, long skirt, long sleeves, high neck, see-through sleeves, office lady, office background, hanging nametag, morning, sunlight, window light, depth of field, detailed face, beautiful hair, A morning office framed from slightly below and tilted a few degrees off level, so the verticals of the window frame lean and the ceiling sits low behind her: one young woman, upper body only, her hips cut off at the bottom edge while the long skirt falls out of frame. She is turned a quarter away from the camera with her right shoulder nearer the lens, her weight settled on her back hip so the ribbed knit pulls in fine horizontal lines across her waist and drapes looser at the far shoulder. Her chin is dipped, her cheeks flushed warm red across the nose and up to the ears, one hand lifted to the side of her neck with the fingers half-curled and not quite touching the skin, the other arm hanging with the sleeve hem catching the light. She smiles -- a soft, closed-lip warm smile that keeps her embarrassment rather than cancelling it -- while her yellow eyes slide off to the lower left, away from the viewer, and one brow lifts just slightly. Her long red-brown hair is swept into bangs across the forehead and falls forward over the near shoulder in a heavy glossy mass as she tilts her head, one strand drifting free. Her outfit is entirely the black tight ribbed long one-piece: long sleeves down to the wrists, a high closed neckline, the knit body-hugging through the torso, and the long skirt continuing below the crop. The fabric reads faintly see-through where the morning light comes from behind the near sleeve and along the outer edge of her arm, the pale shape of her arm a dull glow inside the dark knit while the front of the dress stays opaque. A hanging nametag on a lanyard drops from her neck down over the chest, the cord crossing the ribbing, the card turned slightly so its printed face catches glare; the lettering on it is small and illegible. The office background is a real open-plan floor behind her at mid distance: pale grey partition panels, a desk edge with a monitor turned off, a filing cabinet, a tall window on the left through which the low morning sun enters. That window is the only light source -- it strikes her left side and the far cheek, rims the loose strand of hair with a thin warm edge, lays a soft highlight down the near sleeve where the knit is thinnest, and throws her shadow long and soft onto the partition behind her to the right. The unlit side of her face and the underside of the nametag card fall into cool grey shadow. The palette is black, warm skin, red-brown hair, and the pale grey-green of morning office light, with one break of yellow in her eyes. Deep shallow focus keeps her face and the ribbed fabric crisp and lets the desks fall into a gentle blur. Quiet, flustered morning.
uru
AI artwork
Avatar image of uru
character: osaki_amana 1girl, solo, upper body, cowboy shot, from below, slight dutch angle, looking at viewer, warm smile, closed mouth smile, blush, embarrassed, flustered, sweatdrop, averted eyes, long hair, red hair, brown hair, swept bangs, yellow eyes, hair ornament, black tight ribbed long one-piece dress, long skirt, long sleeves, high neck, see-through sleeves, office lady, office background, hanging nametag, morning, sunlight, window light, depth of field, detailed face, beautiful hair, A morning office framed from slightly below and tilted a few degrees off level, so the verticals of the window frame lean and the ceiling sits low behind her: one young woman, upper body only, her hips cut off at the bottom edge while the long skirt falls out of frame. She is turned a quarter away from the camera with her right shoulder nearer the lens, her weight settled on her back hip so the ribbed knit pulls in fine horizontal lines across her waist and drapes looser at the far shoulder. Her chin is dipped, her cheeks flushed warm red across the nose and up to the ears, one hand lifted to the side of her neck with the fingers half-curled and not quite touching the skin, the other arm hanging with the sleeve hem catching the light. She smiles -- a soft, closed-lip warm smile that keeps her embarrassment rather than cancelling it -- while her yellow eyes slide off to the lower left, away from the viewer, and one brow lifts just slightly. Her long red-brown hair is swept into bangs across the forehead and falls forward over the near shoulder in a heavy glossy mass as she tilts her head, one strand drifting free. Her outfit is entirely the black tight ribbed long one-piece: long sleeves down to the wrists, a high closed neckline, the knit body-hugging through the torso, and the long skirt continuing below the crop. The fabric reads faintly see-through where the morning light comes from behind the near sleeve and along the outer edge of her arm, the pale shape of her arm a dull glow inside the dark knit while the front of the dress stays opaque. A hanging nametag on a lanyard drops from her neck down over the chest, the cord crossing the ribbing, the card turned slightly so its printed face catches glare; the lettering on it is small and illegible. The office background is a real open-plan floor behind her at mid distance: pale grey partition panels, a desk edge with a monitor turned off, a filing cabinet, a tall window on the left through which the low morning sun enters. That window is the only light source -- it strikes her left side and the far cheek, rims the loose strand of hair with a thin warm edge, lays a soft highlight down the near sleeve where the knit is thinnest, and throws her shadow long and soft onto the partition behind her to the right. The unlit side of her face and the underside of the nametag card fall into cool grey shadow. The palette is black, warm skin, red-brown hair, and the pale grey-green of morning office light, with one break of yellow in her eyes. Deep shallow focus keeps her face and the ribbed fabric crisp and lets the desks fall into a gentle blur. Quiet, flustered morning.
uru
AI artwork
Avatar image of uru
character: osaki_amana 1girl, solo, osaki_amana, long hair, red hair fading to brown at the tips, swept bangs, yellow eyes, hair ornament, hanging nametag, black tight ribbed long-sleeve onepiece dress, long skirt, office lady, office background, morning, upper body, see-through fabric, black fabric turning sheer where the morning light grazes it, blush, feeling embarrassed, cold sweat, sweat on face, sweatdrop, nervous, warm smile, closed mouth smile, looking down, head tilt, shoulders raised, from above, close-up, cowboy shot, window light, rim light, depth of field, cinematic lighting, detailed fabric texture, soft shading, warm morning palette. Camera looks down from slightly above and in front: a young woman with long red-brown hair and a sweep of bangs across her forehead stands in an office, framed from about the waist up. She is caught in a small awkward half-turn, one shoulder lifted toward her jaw, arms drawn in close so both hands clutch the front panel of her black ribbed one-piece dress at chest height, fingers curled into the ribbing. A hanging nametag on its lanyard sits against her sternum, the card tilted slightly out of true, its printed lines reduced to a soft illegible blur. The dress is a single tight black ribbed knit that continues into a long skirt falling out of frame; its long sleeves run snug to her wrists, and where the low morning sun crosses her upper arm and the slope of her shoulder the knit thins to a genuine see-through sheerness, the pale line of her sleeve and shoulder showing through the black. Her face is deeply flushed across both cheeks and the bridge of her nose, brows drawn up in the middle, the warm smile holding but gone wobbly at one corner, eyes cast down and to the side rather than at the lens. Cold sweat beads at her temple and hairline and runs in two thin trails down one flushed cheek, catchlights rimming each droplet; a few strands of hair stick damply to her cheek where it runs. Earrings hang at both ears, small gold nail polish shows on the fingertips gripping the fabric. Behind her the office opens in soft focus: the ruled frames of frosted glass partitions, the pale underside of a ceiling fixture, a desktop edge and the spine of a chair at frame left, and long low bands of morning sun laid across the floor and up the far wall. The light is a single warm low sun coming through slats at frame right, its bright edges landing on her cheekbone, her sleeve and the nametag card, the shadow side of her face and the back of the office held in cool grey-blue shade; the window slats cut soft parallel stripes that rake across the glass partitions and widen along the floor. Palette is anchored on black, flushed pink skin, red-brown hair and the pale warm morning gold, nothing else admitted. Quiet, flustered morning embarrassment.
uru

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
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